Film and Media Studies Commons^™

Jean-Luc Godard And Francois Truffaut: The Influence Of Hollywood, Modernization And Radical Politics On Their Films And Friendship, Caroline Glenn

All Theses

During the late 1950's the French film industry's hard-won financial stability during the Occupation and liberation years had all but disappeared. Combined with the dwindling, unpredictable nature of French audiences, the multi-star, literary adaptation dramas French studios produced were no longer reliable. In response to these dilemmas a transformation took place in French cinema. Known as the nouvelle vague (or French New Wave), the movement was largely, but not completely, a reaction to France's declining film industry. The nation as a whole was undergoing significant change and growth during the 1950s. From the Algerian conflict, the Fourth Republic's collapse and …

A Hot Mess: Knowing Juliet Through Accidental Encounters In Popular Culture, Kirk Hendershott-Kraetzer

Selected Papers of the Ohio Valley Shakespeare Conference

No abstract provided.

“How This World Is Given To Lying!”: Orson Welles’S Deconstruction Of Historiographies In Chimes At Midnight, Jeffrey Wayne Yeager

Selected Papers of the Ohio Valley Shakespeare Conference

No abstract provided.

Hamlet: A Creature Swimming, Rachel Zlatkin

Selected Papers of the Ohio Valley Shakespeare Conference

No abstract provided.

Hamlet, 9/11, And Cultural Authority, James Lewin

Selected Papers of the Ohio Valley Shakespeare Conference

No abstract provided.

Transmedial Documentation For Non-Visual Image Access, Melody J. Mccotter

Proceedings from the Document Academy

In my doctoral studies on information accessibility for the individual who is blind or visually impaired, I’ve been exploring the ways we can make image documents more accessible. This requires using an alternative sensory modality, and translating the document into a different format. The questions that arise when we consider this process are many, but among them are:

• Is it the same document once we’ve converted it to an audio narrative about the work, or a 3D topographic map of an artwork, or a musical interpretation?
• If it is not the same document, how truthful can the “trans-medial” translation be …

Three Books On The Scottish Sixties, Greg Thomas

Studies in Scottish Literature

Discusses three recent books about Scottish culture in the 1960s: a collection of documents and interviews, The International Writers' Conference Revisited, ed. Bartie and Bell; a collection of essays, The Scottish Sixties, ed. Bell and Gunn; and a monograph, The Edinburgh Festivals, by Angela Bartie.

Medieval Women In Film: An Annotated Handlist And Reference Guide, With Essays On Teaching The Sorceress, Virginia Blanton, Martha M. Johnson-Olin, Charlene Miller Avrich

Medieval Feminist Forum: A Journal of Gender and Sexuality

No abstract provided.

It's Not Unusual: Glee And The Mainstream Acceptance Of Spontaneous Public Performance, Elizabeth M. Downey

UL Publications

When Glee debuted in 2009, the genre of the television musical series had a shaky history. Traditional episodic programs had previously aired musical episodes but these were seen as rare absurdities; the genre was an oddity to exploit on occasion, not something that could sustain an entire series (a belief proven when previous attempts had failed). The flash mob culture that emerged in the mid-2000s alongside the groundswell of social media changed this environment. The absurdity of people “bursting into song” in a public place was no longer a completely unrealistic scenario, and this reopened the door for the musical …

The Birth Of A Nation: The Case For A Tri-Level Analysis Of Forms Of Racial Vindication, Charles Fred Hearns

USF Tampa Graduate Theses and Dissertations

Early American film scholars often critique the relative ineffectiveness of a single literary work, protest movement or silent film to achieve racial vindication following the release of The Birth of a Nation in 1915. Thomas Cripps, for example, examines a relatively ineffective isolated attempt to counter the notions of White supremacy promoted in the film. This study makes the case for applying a non-traditional tri-level analysis when measuring the effectiveness of such attempts. The paper focuses on efforts to redeem the image and the potential of African Americans after 1915 in the Black public sphere in three concurrent vehicles: the …

Corre Muchacha, Corre: Estructura De Clases Y Trabajo Doméstico En La Nana (2009), De Sebastián Silva, Karina Elizabeth Vázquez

Latin American, Latino and Iberian Studies Faculty Publications

En los casi treinta años transcurridos desde el restablecimiento de la democracia, los países del Cono Sur han transitado por profundas transformaciones socioculturales, económicas y políticas. Algunos elementos en común han sido la aplicación y el fracaso de políticas de corte neoliberal, la reconfiguración del escenario político, la revisión del pasado dictatorial y los reajustes ideológico-culturales en el campo literario e intelectual. Esto último atañe especialmente a países como Argentina y Brasil, donde los estallidos sociales desatados por décadas de medidas económicas restrictivas condujeron a la priorización de lo social en las agendas políticas. Por el contrario, la democracia chilena …

Choices In The Editing Room: How The Intentional Editing Of Dialogue Scenes Through Shot Choice Can Enhance Story And Character Development Within Motion Pictures, Jonathan Pfenninger

Masters Theses

This study examines the content of six feature length films, which showed in theaters in 2010 and 2011, from a communication perspective. Five of the scrutinized films are Academy Award winning and nominated films for Best Editing. The sixth film was the top grossing Christian feature film to be widely released within the two years. Utilizing Foss's rhetorical schema for the evaluation of visual imagery, this study examines and evaluates the composition of dialogue scenes within each film, identifying the functions of shot composition and movement choices within each film, individually. Through identification of a function, assessment and support found …

Ken Jacobs, Alchemist, Ara C. Osterweil

Criticism

Optic Antics: The Cinema of Ken Jacobs edited by Michele Pierson, David E. James, and Paul Arthur. Oxford: Oxford University Press, 2011. Pp. 312; 48 photographs. $99.00 cloth, $39.95 paper, 26.99 E-book.

Glittering Logic In A Minor Key, Jon Davies

Criticism

Glorious Catastrophe: Jack Smith, Performance and Visual Culture by Dominic Johnson. Rethinking Art’s Histories. Manchester, England: Manchester University Press, 2012. Pp. 256; 40 black-and-white illustrations. $95.00 cloth, $32.95 paper.

Speed In Context: Real-Time News Reporting And Social Media, Jenny Hauser

Conference Papers

Dubbed the ‘tyranny of real time’, the immense acceleration of the news cycle poses serious challenges to professional journalism. As news media struggle to keep up with the speed at which news is reported on social media while maintaining journalistic standards of accuracy, real-time coverage is blamed for de-contextualising news events. While reports may be accurate, the question asked is if they also show the truth? This paper compares the effects of the real-time news coverage of both the Ukrainian uprising and the Gaza-Israel conflict in the summer of 2014, examining how context was shaped and relayed in both instances.

Case Study Two: Jewish Time Jump: New York, Owen Gottlieb

Articles

Gottlieb presents an early case study of his mobile augmented reality game Jewish Time Jump: New York design on the ARIS platform for the iPhone and iPad (iOS). The game is set on-location in Washington Square Park in New York city. Players in 5th-7th grade take on the role of time-traveling reporters, landing on site on the eve of the Uprising of 20,000, the largest women-led strike in U.S. History. Based on their GPS location they receive media from over 100 years in the past, interactive with digital characters as they work to gather a story for the fictional Jewish …

Childrens' Rights Or Journalists' Ethics, Michael Foley

Conference Papers

The coverage of issues concerning children and childhood has become increasingly prominent and journalists now have access to any number of sets of guidelines. Within academia there is a growing body of scholarly literature concerning journalism, the media, and coverage of children.

This activity has been mainly in the context of children’s rights. UNICEF, has been successful in highlighting the UNCRC and the role of journalists and the media in making the Convention work.

DIT, and the author, has been working with UNICEF, since 2006, in developing a syllabus for journalism schools. So far 27 universities from Turkey to Central …

Doctor Who And The Creation Of A Non-Gendered Hero Archetype, Alessandra J. Pelusi

Theses and Dissertations

This project investigates the ways in which the television program Doctor Who creates a new, non-gendered hero archetype.

Fear, Estrangement And The Sublime Moment In Hugo Santiago’S Invasión (Argentina, 1969)., Yvonne F. Cornejo

Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía

This paper examines how the sublime aesthetic combines with science fiction tropes to articulate estrangement and dislocation in Hugo Santiago’s film Invasión (Argentina, 1969). The dystopian tones, alienating landscape and unstoppable invaders featured in the film resonate with Burke’s negative sublime, while a Kantian approach to Invasión provides grounds for discussion of the film’s cognitive effect on the viewer. A close examination of the cinematic text reveals the manner in which its dystopian tropes cross over into the horror genre to comment on politics and history, while also highlighting the limits of representation.

"If You Can Hold On...": Counter-Apocalyptic Play In Richard Kelly’S Southland Tales, Marcus O'Donnell

Journal of Religion & Film

Richard Kelly’s Southland Tales (2006) presents a dystopic, post-apocalyptic, near-future through an aesthetic, which fuses contemporary postmodern screens with the phantasmagorical of traditional apocalyptic visions. This article argues that Southland Tales is an example of what feminist theologian Catherine Keller calls the “counter-apocalyptic” (Keller 1996:19-20). Through strategies of ironic parody Kelly both describes and questions the apocalyptic and its easy polarities. In situating the film as counter-apocalyptic the paper argues that the film both resists the apocalyptic impulse however it is also located within it. In this sense it produces a unique take on the genre of the post-apocalyptic film …