Film and Media Studies Commons^™

The Reanimation Of The Zombie Genre, William Engel

Capstones

The following piece is an examination of the evolution of the zombie in popular media. It begins with a brief recap of the zombie’s history, beginning with its roots in 19th century Haitian folklore, followed by its usage in the format of film. The most notable and enduring entries in the zombie film genre served as scathing critiques of contemporary human issues, encapsulating all of the fears and insecurities of its audience. In recent years, however, due to the way the international film market has changed, the zombie film has lost its emotional power and edge. Contemporary zombie filmmakers are …

Velocirapture, Katheryn Warzak

LSU New Orleans Theses and Dissertations

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Fathers And Sons: A Journey In Creating A Personal Work Of Cinematic Art, Samuel D. Hopson

LSU New Orleans Theses and Dissertations

This document gives an account of my artistic efforts in creating my thesis film Fathers and Sons. This document includes sections that cover the writing, casting, production design, principal photography, and editing of my film. I give special attention to the writing process in Chapter 2, because of its personal significance to my growth as a filmmaker. This chapter details the evolution of my original story concept from a drama to a comedy. The ultimate goal of my film was to create a personal work of art. This document self-reflects on how well I was able to achieve this goal, …

Fat Boy Private Dance, Adam M. Schwartz

LSU New Orleans Theses and Dissertations

After spending a decade losing weight following a traumatic high school experience, Mark has a great life with a beautiful girlfriend, good job which he's passionate about, and a wonderful group of friends. Everything changes when his high school bully reenters his life and shakes his confidence to the point of developing a severe case of body dysmorphia at a time when it's crucial he's confident, as he promised to do a private dance for his girlfriend.

The Cobbler And The Diamond, Jacob M. Hoyson

LSU New Orleans Theses and Dissertations

This paper will provide a comprehensive account of the making of the University of New Orleans Graduate Thesis film The Cobbler and the Diamond. The first part will cover the filmmaker’s intentions, the development of the story, and the screenwriting process. The second part will break down the preproduction and planning phase, with an emphasis on the collaborations between the director and other members of the film’s cast, crew, and other concerned parties. The third part will describe the seven-day shoot of The Cobbler and the Diamond, the fourth will cover post production, and the fifth and final …

Lau Kar Leung And The Shaw Bros. Studio In Hong Kong, Eric Pellerin

Events

Lau Kar Leung was a third generation disciple of the historical Wong Fei Hung, the most important real life kung fu expert from Southern China who became the basis for the first black and white kung fu films made in Hong Kong. Wong Fei Hung was an expert in Hung Gar kung fu (an adaptation of the Shaolin Tiger style). Wong Fei Hung taught many pupils, the most well-known was Lam Sai Wing, who then taught Lau’s father Lau Charn, who then taught Lau Kar Leung. Lau Kar Leung was a real life master of Hung Gar, and he is …

Are We Prepared For The Future? A Case Study On The Education Of Journalists, Victoria Black

Senior Theses

Throughout my college experience at the University of South Carolina as a journalism major, I heard about one thing for four years – senior semester. Senior semester for journalism majors is a set number of classes the student must take his or her senior year, either the last or second to last semester before graduation. It includes four specific classes on reporting, producing, writing and web management. But there is a catch. The four classes do not meet for specific class periods. Students in senior semester meet Monday through Friday from 8:45am to 6:00pm, producing a 4:00pm newscast every day. …

The Relationship Between Elevation, Connectedness, And Compassionate Love In Meaningful Films, Sophie Janicke, Mary Beth Oliver

Communication Faculty Articles and Research

Expanding on the research of meaningful entertainment media and its effects, this study investigated the relationship between experiences related to elevation responses to film. Whereas research thus far has focused primarily on portrayals of altruism to elicit elevation, the results of this study show that portrayals of connectedness, love, and kindness in meaningful films are also able to elicit feelings of elevation. Moreover, elevation mediated the relationship between meaningful films and feelings of connectedness towards the transcendent, close others and toward one’s family; compassionate love towards close others; and compassionate motivation to love and be good to humanity. The study …

Honors College Recruitment Video, Michael Pirt

Honors Projects

My Honors project was delivered through the medium of video as I attempted to find out what the Honors College means to its members in hopes of using their answers to inspire incoming students to join the Honors College.

Second-Billed But Not Second-Rate: A Reappraisal Of Three Character Actors From Hollywood’S Golden Age, Candace M. Graham

Theses & Dissertations

Seventy-six years ago Hollywood experienced something never before nor since seen. The year, 1939, was Hollywood’s “Dream Year” for production of some of the most memorable films of all time. Today, the term used to describe films of this success level is blockbuster. Film scholars and fans call them classics. It was the culmination of films of Hollywood’s Golden Age starring every one of Hollywood’s A-Listers of this Golden Age of film, from Don Ameche to Loretta Young. However, lost in this maze of the top-billed or leading actors were the character actors who were also known as supporting cast …

Le Cinéma Face À L’Oblitération Génocidaire. Silences Éloquents Et Hors-Champ Intérieur Chez Philippe Van Leeuw Et Kivu Ruhorahoza, Alexandre Dauge-Roth, Ayse Irem Ikizler

Présence Francophone: Revue internationale de langue et de littérature

Philippe Van Leeuw and Kivu Ruhorahoza’s cinema proposes an esthetic and ethical gaze that distances itself from the historic realism that defines the majority of the films on the genocide against the Tutsi in Rwanda. By conferring an unprecedented eloquence to different types of silence and by maintaining viewers in a concerted state of ignorance, both filmmakers question societies’ will to know within the legacy of genocide and their willingness to culturally acknowledge the traumatic resonance of its aftermath.

Une Poétique De La Mémoire : Lire Matière Grise, Le Film Du Réalisateur Rwandais Kivu Ruhorahoza (2011), Frieda Ekotto

Présence Francophone: Revue internationale de langue et de littérature

The film Grey Matter [Matière grise] (2011) directed by a Rwandan filmmaker Kivu Ruhorahoza, is an attempt to offer psychoanalytic approaches to understanding a 1994 Rwandan genocide within the psychic and the social. This director is interested in representing the impossible, instead, he offers a poetic representation of trauma. It may be just like a dream in his psychic, wondering whether this event really happened and how to make sense of as time settles ? This noiseless film is the first feature length narrative film directed by a Rwandan who gives the world the visual interpretation of the impact of …

The Minstrel Legacy: African American English And The Historical Construction Of "Black" Identities In Entertainment, Jennifer Bloomquist

Africana Studies Faculty Publications

Linguists have long been aware that the language scripted for "ethnic" roles in the media has been manipulated for a variety of purposes ranging from the construction of character "authenticity" to flagrant ridicule. This paper provides a brief overview of the history of African American roles in the entertainment industry from minstrel shows to present-day films. I am particularly interested in looking at the practice of distorting African American English as an historical artifact which is commonplace in the entertainment industry today. Dialogue which is clearly meant as an imitation of African American English still results in the construction of …

Digital Vision And The Noir Hero In Claire Denis’ Bastards, Spencer Everhart

Cinesthesia

As with most directors whose careers began with (and consisted of) the process of filmmaking with actual celluloid, it was only a matter of time before French auteur Claire Denis made the transition to digital – and it was in 2013 that she did just that, abandoning physical film in favor of digital cinema for her neo-noir feature Bastards. The decision to switch wasn’t reluctant, though, as Denis had expressed an interest in experimenting with the format on her previous film White Material (2009). This aesthetic receptiveness is evident in Bastards, as it illustrates Denis’ effort to go beyond mere …

Paul Leduc: The Politics Of Mexican Cinema In The 1970s, Joe Hogan

Cinesthesia

It thus makes sense that critics tend to present strong arguments about the political agendas of Mexican filmmakers from the 1970s. Among the most popular in the subject is Paul Leduc, whose work has been cast as exemplary of the political ethos of the day. However, it is my position that, upon close examination, Leduc’s films seem not always to present a straightforward political message, much less one that would clearly bolster the aims of the Echeverria administration. For that reason, I will examine two of Leduc’s films, Reed: México Insurgente and Frida: naturaleza viva (1983), to reveal how they …

The Lens That Sees Itself: Fruitful Interactions Of Film And Philosophy, Travis Wheeler

Cinesthesia

Much of film theory holds that film is primarily an act of communication, whose message the audience understands. While this allows us great insights into the ideological and subconscious functions of a great many films, it falls short of this success with more enigmatic films. In instances such as these, where films are not easily understood, a different paradigm is necessary. Using philosophical texts as comparative tools in film analysis provides the answer to this "blindspot" in film criticism.

Chile: Cinema In Exile, Hannah Lynch

Cinesthesia

Executions, disappearances, and exile are not the first words that come to mind when picturing the long, versatile landscape of Chile. Nonetheless, Chile was under the harsh control of Augusto Pinochet from 1974 until 1990 and experienced a high level of political oppression during that time. Though Chile had only a short film history before the rule of Pinochet, cinema remained relevant despite the exile and hardships experienced by several prominent Chilean filmmakers. Ironically, under the hostile dictatorship of Augusto Pinochet, Chile developed a stronger national cinema, producing politically and historically motivated films made by the exiled filmmakers, who persevered …

An Interview With Barbara Roos, Joe Hogan

Cinesthesia

Barbara Roos started teaching when Grand Valley was just a few buildings erected on a slab of midwestern prairie. Nixon was in office then, and young draftees were still being sent to Vietnam. In those days, Grand Valley – not yet a university but a cluster of colleges – was alive with the spirit of the counter-culture. William James College, among the most pedagogically experimental of the colleges, was interdisciplinary and non-departmental – it emphasized harmony between theory and practice, thought and action. At James, Roos co-founded the film and video program. In the following interview, she talks with guest …

On Air, Hoi Yee, Debe Sham

Artists-in-Residence Programme : Exhibition Catalogues

The booklet features various artworks created by Ms. Debe Sham, Artist-in-Residence for 1^st Semester 2015/16, Lingnan University. These include The 3^rd Party, an interactive installation that incorporates galvanized zinc pipe with mirrors and pads, and the new Rainbow Series, with connected chairs created for ON AIR exhibition held during her residency at Lingnan. Readers can understand more about Debe’s works through various commentaries given by her mentors and members of Department of Visual Studies.

As part of the residency program, Ms. Debe Sham also taught 2015 Studio Practice Course, entitled Stepping Out: Form & …

Hollywood & Media Portrayals Of Veterans Who Suffer From Post Traumatic Stress Disorder, Francesca C. Katafias

Senior Theses

According to the U.S Department of Veterans Affairs: National Center for PTSD, it’s recorded that, “approximately 11-20 out of every 100 Veterans (or between 11-20%) who served in Operation Iraqi Freedom or Operation Enduring Freedom have PTSD in a given year”. In my research study, my focus is to better understand Post Traumatic Stress Disorder, how prevalent it is in military veterans, and how the media (Hollywood) projects our veterans to be to the public. There are three important questions I have put together to further explore my topic without losing direction on my prime focus. The three questions I …