Film and Media Studies Commons^™

Eliminating The Uncertainty Of Hong Kong In 1990s: Tsui Hark’S Once Upon A Time In China (1, 2, 3), Zhanwen Peng

USF Tampa Graduate Theses and Dissertations

My argument is that the Wong Fei-hung film series, Once Upon a Time in China (Tsui Hark, Chapters 1, 2, 3), not only affirms the ideas of Confucianism but also criticizes them. Tsui Hark’s film series express Hong Kong’s tension of selecting eastern tradition and western modernity before it returned to mainland China in 1997, which represents the selection of entirely different values between East and West. Though the film series was made from 1991 to 1993, Hark started considering how to eliminate the uncertainty in selecting ideology after Hong Kong’s return. He provides his answer by combining eastern Confucianism …

The Revival Western And, Kevin Thomas Mckenna

USF Tampa Graduate Theses and Dissertations

I create a dialogue between films credited with reviving the Western film genre in the early 1990’s. I examine spatial representations in a group of films I label “the revival westerns”: Kevin Costner’s Dances with Wolves (1990), Clint Eastwood’s Unforgiven (1992), and George P. Cosmatos’ Tombstone (1993). Through the use of extreme long shots, characters demonstrating a confined sense of place, and continuity editing, the revival westerns erect a concentrically scaled conception of space and place and maintain a linear temporality. However, I offer Jim Jarmusch’s Dead Man (1995) as an intervention that reassembles these spatial and temporal notions. Dead …

Failing To Move Forward: Journalism, Media, And Affect In David Fincher's, Nicholas Orlando

USF Tampa Graduate Theses and Dissertations

Zodiac (David Fincher, 2007) offers a critique of the mass media’s efforts to restore American valiance with heroic narratives of ordinary people in the aftermath of 9/11. Amending prior scholarly readings of Zodiac as a serial killer narrative, I reconfigure my analysis by taking Fincher at his word and treating it as a journalism film. Borrowing a term from political theorist Elisabeth Anker, I argue that, unlike other contemporary journalism films, Zodiac is constructed as a “melodrama of failure” that, rather than seeking mastery, unveils the instability of evidence and the obsessive uncertainty of procedure.

With his film sitting between …

History Of Television Ii Flm 215, Joanna Burkhardt

Library Impact Statements

No abstract provided.

A Reason To Daydream, Corinne Schipull

Honors Program: Senior Projects (Public)

Sexism in American culture comes as no surprise. In 2017, the film industry saw an increasing number of powerful men within its ranks exposed and exiled for allegations of sexually predatory behavior. Many see this purging as a sign of changing times, but this view is optimistic: the tides of change ebb in and out, and this problem far exceeds the movie industry. Well before the onslaught of articles on the likes of Harvey Weinstein, my classmates and I resolved to craft our senior thesis film with a crew made up entirely of women: we simply saw the pool of …

A Conversation With Luis Argueta, Francesca Soans

UNIversitas: Journal of Research, Scholarship, and Creative Activity

Synopsis: An interview with filmmaker Luis Argueta during his visit to UNI on October 13, 2017. Students from the Digital Media Production II class, taught by Professor Francesca Soans, planned, recorded, and edited the interview, as part of a 30-minute television show on immigration. Luis Argueta directed a trilogy on immigration in Iowa: AbUSed: The Postville Raid (2010); ABRAZOS (2014); and The U-Turn (2017).

Interview With Beatriz Gallardo, Stephen J. Gaies, Polly Alfano Translator, Jennifer Cooley Translator

UNIversitas: Journal of Research, Scholarship, and Creative Activity

Film has been a powerful tool in documenting and raising awareness about (im)migration. It can reveal the root causes of population movement, both voluntary and involuntary, and it can open our eyes to the economic, social, legal and psychological challenges of newcomers.

Beatriz (Bea) Gallardo Shaul has been involved as a film producer in bringing these issues of (im)migration to the attention of the general public and in preserving a record of the impact of these issues on the people of Guatemala. Gallardo earned a Masters in Communications from San Carlos University in Guatemala (cum laude). Her credits as a …

Disoriented Nationalist Discourse Of The Wenxuan Group Amidst Manchukuo’S Anti-Modern Chorus, Chao Liu

CLCWeb: Comparative Literature and Culture

In his article "Disoriented Nationalist Discourse of the Wenxuan Group amidst Manchukuo's Anti-Modern Chorus" Chao Liu analyzes the proposal of "native-land literature" made by left-wing Chinese writers in occupied northeast China. As it turns out, inheriting the nationalist discourse of the May Fourth Movement and further radicalizing it via a "new romanticism," those writers over-emphasized the socio-political function of literary production and took native-land literature as the most effective tool for nationalist mobilization. Accordingly, they repelled modern civilization as it was associated with the colonists, relying instead on natural wilderness and primitive force and thus adopting subject matters as well …

Pantheism And Escapism In Abu Madi's 'Enigmas' And 'The Evening' From English Romanticism Perspectives, Yasser K. R. Aman

CLCWeb: Comparative Literature and Culture

In his article "Pantheism and Escapism in Abu Madi's 'Enigmas' and 'The Evening' From English Romanticism Perspectives" Yasser K. R. Aman investigates and analyses the possibilities of pantheism's encirclement of escapism in Elia Abu Madi's two poems from English Romanticism perspective. The article compares Abu Madi's fluctuating attitude towards escapism and pantheism to William Wordsworth's "Lines Composed a Few Miles above Tintern Abbey, On Revisiting the Banks of the Wye during a Tour July 13, 1798," Samuel Taylor Coleridge's "The Rime of the Ancient Mariner," and Percy Bysshe Shelley's "Ode to the West Wind," highlighting the affinities and differences. The …

Film Review: The Cut, Anna Batori

Genocide Studies and Prevention: An International Journal

No abstract provided.

Lives In Motion: Depaul's All-Star Cinema Arts Faculty Teach The Art Of Documenting Life On Film

DePaul Magazine

This article highlights the award-winning female documentarians on faculty at DePaul University's School of Cinematic Arts and their various projects with students, including a program for female high school students living in Chicago Housing Authority housing. Sidebar by DePaul Law School graduate Chaz Ebert.

Introduction: (Re)Presenting (Im)Migration, Jennifer Cooley

UNIversitas: Journal of Research, Scholarship, and Creative Activity

This edition of UNIversitas is devoted to the study of Luis Argueta’s trilogy of documentary films about immigration, and, more broadly, the quest to faithfully represent the personal impact of immigration policies in the 21st century. Starting with abUSed: The Postville Raid (2010), followed by ABRAZOS (2014) and most recently The U Turn (2017), Argueta’s films invite us to reflect upon the ongoing injustices faced by Guatemalan migrants living in the Midwest and broader societal issues surrounding immigration as well. They do this by bringing individual stories to the forefront, by giving voice to those who are typically silenced, …

New Zealand Film Industry: Building Culture And Identity, Victoria Swart

The Kabod

Below Australia, as close to the bottom of the populated world as one can go, lies the small country of New Zealand, the true “land down-under.” New Zealand offers close to 103,500 square miles of picturesque and varied landscape, along with a population of less than 5 million, as of the 2016 census. Despite its isolated geography and small population, the country has made a large international presence, especially in the film industry. The development of the New Zealand film industry is unique, beginning soon after the birth of film itself but refraining from substantial growth until recent years. The …

Grabbing Back: An Analysis Of Womanism And Cinematic Representation In These Hands, Taija Walker

Scholarly Horizons: University of Minnesota, Morris Undergraduate Journal

Flora M’mbugu-Schelling’s 1992 documentary These Hands is a 45-minute film depicting the crushing and processing of rocks by women working at a site in Tanzania. Unlike a typical documentary, there are no interviews conducted nor narrator to provide context for the viewer, so the film is heavily reliant on visuals and diegetic sound in conveying information and themes to the audience. Although These Hands, lacking in plot and narration, seems like a simple film with little substance, it is clear that there is an underlying agenda and an extremely powerful message, both being womanist in nature, that M’mbugu-Schelling reveals …

Affective Ecologies: Empathy, Emotion, And Environmental Narrative By Alexa Weik Von Mossner, David Tagnani

The Goose

Review of Alexa Weik von Mossner's Affective Ecologies: Empathy, Emotion, and Environmental Narrative.

Throwing Our Voices: Ventriloquism As New Media Activism, Amber Day

English and Cultural Studies Journal Articles

In the fall of 2010, Chevron released an ad campaign designed to respond to consumer worries about the conduct of oil companies. Each ad depicted “customers” voicing rather nonspecific concerns about oil companies, answered by the “We Agree” slogan and information about something positive the company is doing in particular communities. Just before the campaign’s official roll-out, the anti-corporate activist group known as the Yes Men produced a series of sophisticated parody ads that spoke in more detail about the damage the company has done in specific countries. Designed to be mistaken for the real, the dummy campaign was distributed …

Beast, Rubina Ramji

Journal of Religion & Film

This is a film review of Beast (2018), directed by Michael Pearce.

Women Are Speaking Up At Sundance, Rubina Ramji

Journal of Religion & Film

Women speak up at Sundance 2018.

Religion, Media, And Marginality In Modern Africa, Felicitas Becker, Joel Cabrita, Marie Rodet

Ohio University Press Open Access Books

In recent years, anthropologists, historians, and others have been drawn to study the profuse and creative usages of digital media by religious movements. At the same time, scholars of Christian Africa have long been concerned with the history of textual culture, the politics of Bible translation, and the status of the vernacular in Christianity. Students of Islam in Africa have similarly examined politics of knowledge, the transmission of learning in written form, and the influence of new media. Until now, however, these arenas—Christianity and Islam, digital media and “old” media—have been studied separately.

Religion, Media, and Marginality in Modern Africa …

Heidegger And Hölderlin On Aether And Life, Babette Babich

Articles and Chapters in Academic Book Collections

No abstract provided.