Film and Media Studies Commons^™

Full Issue, Michaela Velleno, Erin Robinson

.RAW Journal of Art and Design

No abstract provided.

O Esqueleto De Um Romance, Lanna Leite

Theses and Dissertations

In O Esqueleto de um Romance: The Film (2025), a Berlin legal dispute between a mayor and evangelicals sparks filmmaker Lanna Leite’s reflection on faith, memory, and belief. Using archival, 16mm, and 8mm footage, the experimental film frames filmmaking as an ephemeral, performative practice resisting closure and conventional narrative finality.

One Stone's Journey, Satoko Saito

Theses and Dissertations

One Stone’s Journey is a participatory, experiential thirty-minute documentary about uranium. By using an embroidered world map and appealing to participants’ senses—especially touch—the project explores the possibility of telling the story of radiation, which is invisible, intangible, and silent. Uranium is a radioactive material used by the United States in the development and production of the atomic bombs during the Manhattan Project. This year, 2025, marks the 80th anniversary of the atomic bombings of Hiroshima and Nagasaki. The Fukushima Daiichi nuclear power plant accident in 2011 was on a scale comparable to the Chernobyl disaster of 1986, and the threat …

I Know You Are Watching, Camilo Salas Kusulas

Theses and Dissertations

I Know You Are Watching is a short documentary film that examines the evolving history and scope of mass surveillance, and how to resist it. The film introduces two local New York City artists, Bill Brown from the Surveillance Camera Players, and Sam Lavigne, who misuse technologies designed to watch us, exposing these systems and fighting back through digital art and performance.

Blending interviews, observational footage, personal narration, archival images, and news clips from different eras, the film interrogates the mechanisms of control, and positions art as a method of both understanding and talking back to surveillance.

Enjoying The Golden Screen Of Asian American Representation In A Colorblind Era: Neoliberalism, Narrative, And Negotiation, Jered Mabaquiao

English Dissertations - Archive

This dissertation contributes to Asian American studies, Cinema and Media Studies, and Critical Theory by interrogating how contemporary Asian American representation is shaped by the intertwined pressures of racial politics, neoliberal market demands, and psychic life. Working across race studies, media studies, psychoanalysis, and phenomenological questions of ontology and being, the project argues that Asian American film and television cannot only be understood  through the language of popular culture representation, narrative progress, media visibility, or political inclusion. Instead, I combine such angles to examine how popular culture media participates in the contradictory production of Asian American subjectivity as culturally present …

‘Politics! Not My Thing!’:The Misrepresentation Of Anne Boleyn In Six: The Musical, Natalie M. Bowen

UROP Posters

With the rise of Hamilton and Come From Away, stage musicals have become the next hottest form of historical reenactment, and the six wives of Henry VIII are no exception. These modern spins on Tudor history are typically riddled with inaccuracies that leave audiences with a skewed idea of Tudor England. The wives of Henry VIII, in particular, are the victims of centuries of historically inaccurate fictional media. Six: The Musical is a modern musical spin on this centuries-old story, following the six wives of Henry VIII as they reclaim their narratives in a pop concert competition on who had …

“A Couple Days In The Life Of What It’S Like In Washington Heights:” The Representation Of Latine Immigrants In Lin-Manuel Miranda’S In The Heights, Natalie M. Bowen

UROP Posters

The United States of America is a nation built by and made up of immigrants, being home to one-fifth of all migrants across the world. Anti-immigrant prejudice and xenophobia have long defined the American people and national policy, but the target demographic is constantly changing to reflect current narratives and fears. In recent years, Latine immigrants have been a prominent topic of concern in American politics. Lin-Manuel Miranda’s 2021 movie musical In The Heights aims to celebrate the existence of immigrants in Washington Heights, a neighborhood in New York City. Using peer-reviewed scholarly sources and movie reviews, this comprehensive literature …

Ideology And Iconography In Gustav Machatý’S Ecstasy (1933), Karl E. Toepfer

Open Educational Resources

This essay discusses the cinematic construction of sexual ecstatic experience in Gustav Machaty's 1933 film Ecstasy. Sergei Eisenstein's theory of cinematic montage governs the shapes the way the filmmakers organize the representation of erotic desire and rapture. But the film also shows affinity with the Czech "Poetist" movement of the 1920s in constructing a guiding view of ecstatic experience. The essay analyzes many images in the film, and concludes with an application of montage theory of ecstatic cinema to the consumption of erotic videos and internet imagery.

Always Green, Ever Living, Anna Plante

Honors Theses

The Creative Honors Thesis, “Always Green, Ever Living," is an experimental essay film that explores the complexities and contradictions of environmental conservation, up against the contemporary climate crisis. The film is centered on Muir Woods National Monument and follows a young girl's relationship with nature. The film reflects on how protected natural spaces are influenced by systems of funding, access, and interpretation, as well as broader environmental pressures. Using a combination of archival footage, original imagery, narration, and ambient sound, the project adopts the essayistic structure that prioritizes reflection over linear storytelling.

Genre Based Analysis Of Sustainability In Contemporary U.S. Film Production: Inception Or Illusion?, Tanner Ennis

Interdisciplinary Studies | Senior Theses

Anthropogenic activity is actively leading to environmental degradation, highlighting the need for large industries to take responsibility for their environmental impact, particularly the film industry. While sustainable practices in the film industry such as virtual production, recycling of set construction materials, or the use of renewable energy present opportunities to improve sustainability, there is still a substantial amount of progress to be made. For example, research has demonstrated that increases in production budget correlate with higher carbon dioxide emissions, with fuel, utilities, and travel acting as the top contributors (Sustainable Entertainment Alliance, 2022). Conversation among the scholarly community is centered …

Shameful Susan: Bending The Binary In The Big Combo, Katie Stebbins

Staff & Administration

An essay written for Ignite Films 4K restoration and physical media release of the 1955 film noir The Big Combo, directed by Joseph K. Lewis. This is one of several essays written for the booklet accompanying the release, and focuses on Susan Lowell, played by Jean Wallace.

The Transforming Image | Wintersession 2026 Syllabus, Hunter Whitaker-Morrow, Movement Lab

Course Materials

This studio course engages the contemporary digital moving (and sounding) image as a medium undergoing rapid development. Advancing the exploratory ethos of early video art, participants will probe new possibilities for experimentation against the contemporary backdrop of ubiquitous access to smartphones and production capabilities as well as the proliferation of tools for digital signal manipulation, media recycling, and image sequencing.

Coursework will center on a variety of hands-on creative exercises that challenge predominant conceptions of the moving image and engage with medium-specific approaches including video installation, desktop performance, generative cinematics, recycling media, realtime audio-visual performance, and notions of digital materiality. …

The Transforming Image | Class 1.1, Hunter Whitaker-Morrow, Movement Lab

Course Materials

No abstract provided.

The Transforming Image | Class 1.2, Hunter Whitaker-Morrow, Movement Lab

Course Materials

No abstract provided.

The Transforming Image | Class 1.3, Hunter Whitaker-Morrow, Movement Lab

Course Materials

No abstract provided.

The Transforming Image | Class 3.2, Hunter Whitaker-Morrow, Movement Lab

Course Materials

No abstract provided.

Transversal Storytelling Course Work, Patrick Buhr, Movement Lab

Course Materials

No abstract provided.

The Postmodern Frontier: Richard Prince And The Neoliberal Spectacle Of The American Dream, Taïs Khassanova

MA Theses

This thesis examines the oeuvre of Richard Prince’s as a sustained allegory of contemporary American visual culture, beginning with his Cowboys series as the point of origin from which his later appropriations, including Girlfriends, Spiritual America, and New Portraits, unfold. Through the recursive gesture of appropriation, Prince’s Cowboys expose the myth of rugged independence as a corporate fiction, revealing how the frontier ethos was redeployed under the Reagan presidency to naturalize neoliberal ideology. Building on this premise, the thesis traces how such logic extends throughout Prince’s subsequent body of work, as his Girlfriends refigure the cowboy’s masculine autonomy as the …

The Collapse Of The New Tendencies: How Did A Movement That Never Existed Cease To Exist, Tonka Protega

MA Theses

This thesis examines the short lifespan of the New  Tendencies. Although the  New Tendencies have gained renewed recognition over the last couple of years, there is still limited research on their final phase. To address this topic, I analyzed the narrative history of the  New Tendencies  , alongside the essays published in the exhibition catalogues. Additionally, I considered the historical and political situation in Croatia during this period, which influenced the manifestations. Ultimately, this thesis argues for the non-existence of the  New Tendencies  as a movement in the history of art and identifies the key reasons that led to its …

The Critique Repository Volume 1, Sandrine Schaefer, Egypt Anderson, Taylor Houston, Chris Mayer, Gabriella Seebode

Visual Arts

This workbook is for students, faculty, and practitioners of all kinds. It is designed to playfully and insightfully strengthen your skills in giving and receiving feedback. It’s also a call to action: to examine how our personal biases, cultural frameworks, and institutional structures shape the ways we respond to creative work. Throughout the pages that follow, you’ll find exercises intended to deepen your critique practice.

The Critique Repository: Volume 1 emerges from the collaborative work of students and faculty in the Patterns and Feedback: Trauma-Informed Critique research group through the Center for Collaborative Research, Edwards College of Humanities and Fine …