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Selected Bibliography For The Study Of Belief In Contemporary Global Capitalism, Fu-Jen Chen, Su-Lin Yu

CLCWeb: Comparative Literature and Culture

No abstract provided.

Mindfulness And Heightened Consciousness In Phillip Zarrilli’S Psychophysical Approach To Acting, Tsu-Chung Su

CLCWeb: Comparative Literature and Culture

In his article "Mindfulness and Heightened Consciousness in Phillip Zarrilli’s Psychophysical Approach to Acting," Tsu-Chung Su intends to explore the significance of mindfulness and heightened consciousness in Zarrilli’s psychophysical approach to acting. Su first traces and discusses the Chinese and Indian sources, resources, and knowledge that have forged Zarrilli’s psychophysical acting techniques, theories, and approaches. Then, he critically examines and assesses the efficacy of Zarrilli’s approach which combines Western theatrical concepts and techniques with what he self-consciously borrows from Chinese qi and taijiquan, Indian ayurvedic medicine, Vedic philosophy, performing aesthetics, Hindu religion, kathakali, yoga, meditation, massage, and kalarippayattu …

A Sinful Reaction To Capitalist Ethics In No Quiero Quedarme Sola Y Vacía (2006), Celina Bortolotto

CLCWeb: Comparative Literature and Culture

In her article “A Sinful Reaction to Capitalist Ethics in No quiero quedarme sola y vacía (2006)” Celina Bortolotto analyzes how Lozada’s characterization of the main character, La Loca, questions the ideals of free agency offered by consumerist capitalism and the urban gay male ideal under the promise of a liberating gay lifestyle in a social context defined by identity politics. The novel is a fictionalized autobiographical account of Puerto Rican author Angel Lozada’s misadventures in the early 2000s gay scene in New York. This essay plays with the punitive sense of the word “capital” in the seven capital sins …

The Rise Of The Neoliberal Chinese Female Subject In Go Lala Go, Su-Lin Yu

CLCWeb: Comparative Literature and Culture

Built upon feminist critique of neoliberalism, this paper will examine a prominent medium through which neoliberal feminist ideology is disseminated: Go Lala Go. By analyzing the film, I will show how it co-opts the discourse of neoliberalism, and reworks it to construct neoliberal female subjects. First, I will explore what kind of role neoliberalism has enacted in the formation of an emergent type of female subject in China. Then, I will demonstrate how the contentious process of neoliberal feminism affects young career women’s identities. More than career guides promoting different techniques for making women more successful at their workplaces, …

Introduction To Belief In Contemporary Global Capitalism, Fu-Jen Chen

CLCWeb: Comparative Literature and Culture

This special issue addresses the broad and complex nexus among three topics: belief, subjectivity, and contemporary global capitalism. It explores the intersection of material practices, ideational dimensions, and the subjective dynamics of global capitalism. The interdisciplinary contributions in this special issue come from authors in Australia, New Zealand, Taiwan, South Korea, Turkey, and the United States. And the articles gathered in this issue are to explore a wide range of topics, varying from entrepreneurship and digital capitalism to neoliberalism and postfeminism; from fundamentalism and terrorism to Protestantism and contemporary homosexual identity; from body and ableism to mind and New Age …

Eternal Now: Recent Time Loop Movies And The Sanctity Of The Moment, John C. Lyden

Journal of Religion & Film

I will examine three time-loop films—Source Code (2011), About Time (2013), and Before I Fall (2017)—to suggest that while they all look to this world as the place where meaning can be found, they do not entirely reject transcendence. The hero of Source Code actually transcends the cycle only when he accepts to exist in it fully, suggesting a view like Buddhism that one only finds transcendence when one stops looking for it. In About Time the hero learns that he must accept certain things that he cannot change, and that his ability to relive the past without changing …

Neo-Gnosticism At The Movies, Michael Kaler

Journal of Religion & Film

A number of American films released in the mid/late 1990s drew on, or have been discussed in the context of, gnosticism—a loose, imprecise umbrella term usually applied to a number of heterodox early Christian literary traditions. The Matrix is the most famous of this group of films, which also includes such films as Pleasantville, Dark City, The Truman Show, and Thirteenth Floor. This curious trend would not have been possible had it not been for the emergence of gnosticism in mainstream culture generally; as well, gnosticism’s emphasis on the spectacular, constructed and ultimately illusory nature of apparent reality became especially …

Screening Religiosity In Contemporary Polish Films. The Role Of Religious Motifs In Visual Communication., Mariola Marczak

Journal of Religion & Film

In the paper the Polish contemporary cinema has been explored as a vehicle through which films can reflect and communicate social issues, such as religiosity of Polish society, the character of it, the ways of expression and values promoted by it. The main components of modern Polish religiosity are shown as they are exhibited in film works perceived as part of modern visual culture. The examination also comprises most frequently and typically tools used for communicating or revealing the transcendent sphere in the contemporary Polish films, such as Christ-figures - including apocryphal ones and parables. They are considered as a …

Visual Grandeur, Imagined Glory: Identity Politics And Hindu Nationalism In Bajirao Mastani And Padmaavat, Baijayanti Roy

Journal of Religion & Film

This paper examines the tropes through which the Hindi (Bollywood) historical films Bajirao Mastani (2015) and Padmaavat (2018) create idealised pasts on screen that speak to Hindu nationalist politics of present-day India. Bajirao Mastani is based on a popular tale of love, between Bajirao I (1700-1740), a powerful Brahmin general, and Mastani, daughter of a Hindu king and his Iranian mistress. The relationship was socially disapproved because of Mastani`s mixed parentage. The film distorts India`s pluralistic heritage by idealising Bajirao as an embodiment of Hindu nationalism and portraying Islam as inimical to Hinduism. Padmaavat is a film about a legendary …

‘Love-Jihad’ And Bollywood: Constructing Muslims As ‘Other’, Nadira Khatun

Journal of Religion & Film

In the postcolonial nation state that is India, cinema has become an important tool for propagating the idea of nationalism. In recent times, one of the most controversial components of Hindu nationalism has been the hate campaign against what is termed as ‘love-jihad’, which is deployed as a weapon to mobilize, polarize, and communalize citizens. The Indian Hindi-language film industry, popularly known as Bollywood, has also become a controversial site. In this paper, I argue that if ‘Indian nationalism’ is to be represented as ‘Hindu nationalism’ and ‘Indian culture’ as ‘Hindu culture,’ it logically follows that this majoritarian construction needs …

Myth And Monstrosity: Teaching Indigenous Films, Ken Derry

Journal of Religion & Film

The past few times that I have taught my course on religion and film I have included a number of Indigenous movies. The response from students has been entirely positive, in part because most of them have rarely encountered Indigenous cultural products of any kind, especially contemporary ones. Students also respond well to the way in which many of these films use notions of the monstrous to explore, and explode, colonial myths. Goldstone, for example, by Kamilaroi filmmaker Ivan Sen, draws on noir tropes to peel back the smiling masks of the people responsible for the mining town’s success, …

‘I Am That Very Witch’: On The Witch, Feminism, And Not Surviving Patriarchy, Laurel Zwissler

Journal of Religion & Film

While contemporary discussions about witchcraft include reinterpretations and feminist reclamations, early modern accusations contained no such complexity. It is this historical witch as misogynist nightmare that the film, The Witch: A New England Folktale (2015), expresses so effectively. Within the film, the very patriarchal structures that decry witchcraft – the Puritan church from which the family exiles itself, the male headship to which the parents so desperately cling, the insistence, in the face of repeated failure, on the viability of the isolated nuclear family unit – are the same structures that inevitably foreclose the options of the lead character, Thomasin.

A Journey Into The Heart Of God: Darren Aronofsky’S Noah (2014) As A Subversive Kabbalistic Text, Lindsay Macumber, Magi Abdul-Masih

Journal of Religion & Film

The title of this paper reflects our interpretation of this film as a subversive mystical text, from within the Jewish tradition of Kabbalah. This interpretation is itself the product of a long journey of thinking about, and wrestling with this film in various ways. In this paper, we will outline this journey, concentrating on our first impressions of the film, some notable shifts in our thinking on this film that alerted us to the connection between the film and Jewish mysticism, and some concluding remarks about the implications of this reading.

Solidarity Beyond Obligation: Three Billboards Outside Of Ebbing, Missouri, Grace Chiou

Journal of Religion & Film

In his film, Three Billboards Outside Ebbing Missouri, writer-director Martin McDonagh creates a compelling parable regarding suffering, justice and solidarity. This unfiltered and witty, dark comedy examines the interlaced connections between humans and non-human agents during periods of anguish. Frequently, the ensuing communication includes abusive or belittling language and violent physical attacks. These extraordinary assaults are then contrasted with small gestures of kindness. While the film has faced various critiques, this piece of cinema creates a dynamic narrative to consider the human experience of grief and experiencing grace from one’s enemies. In doing so, Three Billboards paints an inclusive …

Telling The Good News, Allyson R. Escobar

Capstones

In light of recent clergy abuse scandals, cover-ups and leadership shake-downs, it is a divided time in the Catholic Church: but this isn’t the whole story. My final capstone project is a critical essay of how Catholicism (and religion overall) is represented in mainstream media--particularly in secular news publications and entertainment (horror films) in the United States. By examining the coverage and how conversations differ within members of the Catholic Church--from journalists and critics to active Catholics, religious men and women--this project calls for greater accountability, fairness, faith representation in all media, and the overall claim that there are Catholic …

Rhetoric In Film: Three Explorations Of Influence In Documentaries And Digital Stories, Emily Knapp

Masters Theses, 2010-2019

This thesis is made up of three distinct articles, two written with the intention of publication while the third consists of a digital story and subsequent reflection on the process of creation. The first article serves to answer the question “Do documentary films inspire activism?” by analyzing data gained after surveying 266 members of the James Madison University community. The results suggest that viewers are moved to emotion when witnessing struggle but that they are moved to action when said action directly impacts their own life. The second article is a rhetorical analysis of the 2013 documentary film Blackfish. …

Transgressed Bodies, Estephani Cano Martinez

Capstones

In 2005, desperate to feminize her figure, Paola Gil, a 43-year-old trans woman from Guatemala, decided to get silicone injections in her hips for $1,000. Two hours after the illegal procedure, she started vomiting and defecating blood. She ended up in a coma in the hospital for a month.

The medical record shows that Paola received a silicone injection mixed with mineral and castor oil. She still suffers serious consequences, including difficulty walking, kidney and liver failure, and depression, after seeing her body disfigured.

Because of discrimination, lack of economic resources, and misinformation, many trans women like Paola see liquid …

Guardians Of Virtue, Tamsen Maloy, Tasia Jensen

Capstones

Guardians of Virtue is a short documentary following Tamsen Maloy as she explores how the church of her upbringing--the Church of Jesus Christ of Latter-Day Saints (Mormon church)--handles sexual assault. It is quickly revealed that the church does not have adequate resources for sexual assault survivors. On the contrary, the culture and system of the church enables assault and encourages survivors to feel they are to blame.

Link to capstone: https://tantproductions.wordpress.com/

Overheard And Misheard: The Paranoid Unreliable Narrator Of The Conversation, Ryan Jones

Cinesthesia

The Conversation is a character study of an individual consumed by his fear of the death of privacy. Each of the film’s major formal elements ultimately seek to trap the audience in the world of Harry Caul: the paranoia, the desperate need for privacy, the isolation. Through careful sound and visual design, the film keeps its audience at the level of its characters and implicates them in the fear that pushes the protagonist to overturn his life. This paper seeks to describe the formal aspects of the film which produces these reactions.

A Culture Of Loyalty And Secrecy: Spotlight And The Power Of Organized Religion In America, Sara E. Juarez

Cinesthesia

The paper utilizes the imagery and story of Tom McCarthy's 2015 film Spotlight to create reveal how deeply rooted Christian values are in American society. The paper also challenges this dominant ideology by highlighting the corrupt institutional efforts to maintain a pure image of the Church.