En Quête D’Image(S) : L’Emploi Des Archives Pour La Construction D’Une Mémoire (Visuelle) Palestinienne,
2019
EHESS, Paris
En Quête D’Image(S) : L’Emploi Des Archives Pour La Construction D’Une Mémoire (Visuelle) Palestinienne, Charlotte Schwarzinger
Regards
By relying on the works of two Palestinian directors – one being a found-footage documentary and the other an experimental piece – this article examines the importance of archives in the elaboration of Palestinian visual memory. Through its complex cinematographic history and the “missing image / ‘invisibled’ image,” Palestinian creators today use the medium of film to bear witness to their presence. The author aims to think through the use of archives in this struggle against invisibility and toward the recognition of a history, a culture, and a memory that are constantly threatened by erasure. At the border between historical …
Iconoclasme, Blasphème Et Liberté De L’Art,
2019
Université de Cergy-Pontoise
Iconoclasme, Blasphème Et Liberté De L’Art, Hassouna Mansouri
Regards
Based on two films – La Ricotta by Pier Paolo Pasolini and The Message by Mustapha Akkad – this paper examines the relationship between art and religion. At the core of this debate lies an opposition between two semiotic approaches, defined by Umberto Eco as in verbis and in factis. In dealing with works of art, I will highlight the connection between these two concepts and the idea of “The Open Work.” I will then argue that the conflict arises from a shift in the debate from aesthetics to politics, and thus revolves around a certain margin of tolerance …
الهامش باعتباره خياراً والتحلّي بالهشاشة مقابل العنف,
2019
IESAV, Université Saint-Joseph de Beyrouth
الهامش باعتباره خياراً والتحلّي بالهشاشة مقابل العنف, Abdullah Al-Kafri
Regards
.قراءة في بعض ما يُقدَّم ضمن مشهد فنون الأداء في بيروت خلال عامي 2017 و2018
« Regards », Nouvelle Formule,
2019
Université Saint-Joseph de Beyrouth
« Regards », Nouvelle Formule, Joseph Korkmaz
Regards
Après vingt ans d’existence, la revue Regards se métamorphose entièrement. D’une revue annuelle limitée à une diffusion interne et rédigée en grande partie par des enseignants et des étudiants de l’Institut d’Études Scéniques, Audiovisuelles et Cinématographiques (IESAV) de l’Université Saint-Joseph de Beyrouth (USJ), elle passe à une publication semestrielle et comprend désormais un comité scientifique et un comité de lecture internationaux. Elle s’ouvre également aux contributions de chercheurs et d’universitaires, aussi bien locaux qu’étrangers...
Mémoire Et Conflit Dans « Le Dernier Jour Du Printemps » (آخر يوم في الربيع" 2018") De Fidaa Zidan,
2019
IFPO – INALCO
Mémoire Et Conflit Dans « Le Dernier Jour Du Printemps » (آخر يوم في الربيع" 2018") De Fidaa Zidan, Najla Nakhlé-Cerruti
Regards
Last Day of Spring (آخر يوم في الربيع" 2018") is a monodrama written and performed by Fidaa Zidan (فداء زيدان, b. 1989), premiered in July 2018 at the National Palestinian Theatre/El-Hakawati in Jerusalem. The play tells, in the first person, the story of a young girl from a Druze village in the Galilee who finds herself alone with her parents after the death of her brother during his military service in the Israeli army, compulsory for men of the Druze community in Israel since 1956, and who had been buried in a military cemetery. The sister wants to fulfil her …
La Mémoire Comme Ressource Et Enjeu De Lutte Dans Les Documentaires Syriens De L’Après 2011,
2019
Université de Genève
La Mémoire Comme Ressource Et Enjeu De Lutte Dans Les Documentaires Syriens De L’Après 2011, Nicolas Appelt
Regards
In Syrian cinematographic creation – essentially documentary – which escapes the control of the regime, memory occupies an important place in the representation of the conflict that tears the country apart. Drawing from three Syrian documentary films shot after 2011 – Houses without Doors, 194, Us Children of the Camp and The Taste of Cement – we will put into perspective how the memory of one side is mobilized as a resource for representing the conflict, including after leaving Syria, and, on the other hand, how it is an issue in reclaiming the story of this conflict, in a …
De L’Historien Au Citoyen : Une Nouvelle Génération D’Artistes Libanais À La Conquête De La Réconciliation D’Après-Guerre,
2019
ENS Lyon
De L’Historien Au Citoyen : Une Nouvelle Génération D’Artistes Libanais À La Conquête De La Réconciliation D’Après-Guerre, Joséphine Parenthou
Regards
Twenty-eight years after the ceasefire, the Lebanese civil war remains a constant theme for Beirut artworks and speeches, whereas society and institutions have made it a taboo. Art constitutes a fortunate entrance for apprehending the social world and its evolutions in a context of a long post-war period. The effectiveness of the reconciliation process, even its takeover by artworld actors, can be measured through unofficial paths. Moreover, the transformation of war social representations within the artworld, between a war generation and a post-war generation, reflects a redefinition of both the artist’s figure and function in its relationship to politics: formerly …
Decay As Political Metaphor In Ely Dagher's "Waves '98" And Mounia Akl's "Submarine",
2019
University of Edinburgh, Scotland
Decay As Political Metaphor In Ely Dagher's "Waves '98" And Mounia Akl's "Submarine", Joey Ayoub
Regards
Lebanese cinema serves as a useful tool with which to assess postwar dynamics given the dominance of the civil war in artistic production since 1990. As the first postwar generation reached adulthood, we have been witnessing the inevitable rise of a “second wave” of postwar Lebanese cinema – defined as the generation of filmmakers born towards the end of or after the civil war. This essay analyses two postwar Lebanese films, Ely Dagher’s 2015 Waves ’98 and Mounia Akl’s 2016 Submarine, as unique responses to a feeling of despair brought about by the city/nation, explored through the theme of …
Ya Omri (104 Wrinkles) De Hady Zaccak,
2019
IESAV, Université Saint-Joseph de Beyrouth
Ya Omri (104 Wrinkles) De Hady Zaccak, Joseph Korkmaz
Regards
Elle est dure, la vieillesse. Simone de Beauvoir en sait quelque chose. Ici, l’âge de Henriette (104 ans), l’héroïne du film et grand-mère maternelle du réalisateur, ne laisse place à aucun euphémisme. Elle n’est pas une personne âgée, ni une femme d’un certain âge, mais bel et bien une vieille, et même une très vieille dame, car les stigmates des années vécues sont flagrants […]
Entretien Avec Hady Zaccak,
2019
IESAV, Université Saint-Joseph de Beyrouth
Entretien Avec Hady Zaccak, Joseph Korkmaz
Regards
Pourquoi un film sur votre grand-mère ? Aviez-vous un rapport particulier avec elle ou vous vous êtes intéressé à elle parce qu’elle est un cas rare d’une centenaire encore alerte ? Quand est-ce que vous avez commencé à la filmer ?
Un film sur ma grand-mère car le documentaire est un moyen de lutter contre la mort et de préserver la mémoire de ceux qu’on aime […]
« Cinematheque Beirut » Entretien Avec Nour Ouayda,
2019
IESAV, Université Saint-Joseph de Beyrouth
« Cinematheque Beirut » Entretien Avec Nour Ouayda, Yara Nashawaty
Regards
En juin 2018, Cinematheque Beirut, un projet dédié à la conservation de l’héritage cinématographique libanais, fut inauguré par l’association Metropolis Cinema. Ce dernier-né est sans doute son projet le plus ambitieux, car il résulte d’une multitude d’initiatives déjà mises en place par l’association et ne pourrait réellement évoluer qu’en s’inscrivant dans la durée. De plus, miser sur la préservation d’un héritage en danger relève d’une lourde responsabilité auprès d’un public souvent sceptique, témoin impuissant du bafouage, voire du sabotage, de son héritage culturel depuis le début de la guerre civile, puis durant la période dite de reconstruction dans les années …
Filming Against The System In North Africa: Pioneering Women Documentary Makers And Their Common Aesthetics,
2019
University of Glasgow
Filming Against The System In North Africa: Pioneering Women Documentary Makers And Their Common Aesthetics, Stefanie Van De Peer
Regards
This article draws attention to the pioneering women of North African documentary making, and specifically their work in addressing the image of women on screen in rapidly changing societies. Highlighting the creativity of the filmmakers in defying the contemporary censor or addressing taboo topics such as women’s rights, the history of women contributing to politics, or women’s roles in the wars for independence, this article uncovers neglected “feminist” histories and the ways in which women documentary makers tackle audio-visually challenging topics. The films under discussion show their creative potential to address difficult themes through a poetics of permissibility. This is …
"La Llorona": Evolución, Ideología Y Uso En El Mundo Hispano,
2019
Louisiana State University
"La Llorona": Evolución, Ideología Y Uso En El Mundo Hispano, Raquel Sáenz-Llano
LSU Master's Theses
This thesis studies the evolution, ideology and use of the myth of La Llorona through time in the Hispanic World. Considering this myth as one of the most known traditional narratives of the American continent, I begin by providing visual, ethnohistorical and ethnographical insights of weeping in Mesoamerica and South America and the specific mention of a weeping woman in some Spanish chronicles to say how western values were stablished in “the new continent” through this legend. I suggest that during the postcolonialism the legend did not tell anymore about a mother that cries and search a place for their …
Shifting Perspectives For Social Change: The Urban Art Of Jr,
2019
University of Arkansas Little Rock
Shifting Perspectives For Social Change: The Urban Art Of Jr, Jana E. Miller
Theses and Dissertations
French street artist JR (who prefers to keep his real name, birthdate, and other personal information private) raises awareness of world problems while crossing national borders, cultural boundaries, and language barriers. He promotes social change by altering the way people see each other through projects that connect, humanize, and enlighten with a combination of artistic storytelling and activism while taking advantage of technological advancement and globalization. JR gives hope that the world can change and that art can be the stimulus. He gives a voice to the marginalized, defends the oppressed, and continuously fights to unite the world’s population by …
A Political Psychology Of Obituary,
2019
Embry-Riddle Aeronautical University
A Political Psychology Of Obituary, Ibpp Editor
International Bulletin of Political Psychology
This article ascribes political psychological relevance to the recent death of Russian critic and documentarian Maya Turovskaya.
Musical Artists As Entrepreneurs: Assessing Popular Artists’ Brand Partnerships, Social Media Usage, And Performance Of Identity Politics,
2019
Western University
Musical Artists As Entrepreneurs: Assessing Popular Artists’ Brand Partnerships, Social Media Usage, And Performance Of Identity Politics, Amara Pope
FIMULAW
Today’s popular music artists have the potential power to shape hegemonic ideologies of identity categories across multiple media and industries. This position of power is unique to modern musical artists due to recent changes in the music industry’s business model and the introduction of social media. Record sales have diminished. Labels and artists have adapted in new and creative ways with a heavier reliance on brand partnerships. I wish to fill a gap in the literature that explores how brand partnerships may affect modern musical artists’ performances of identity politics through three case studies: Drake, Post Malone, and Cardi B.
Anti-Fascist Aesthetics From Weimar To Moma: Siegfried Kracauer & The Promise Of Abstraction For Critical Theory,
2019
University of South Florida
Anti-Fascist Aesthetics From Weimar To Moma: Siegfried Kracauer & The Promise Of Abstraction For Critical Theory, Maxximilian Seijo
USF Tampa Graduate Theses and Dissertations
This thesis re-examines the life's work of German-American critical theorist, Siegfried Kracauer, to recover abstraction from tacit historical associations with modern fascism. Evoked in critical theory more generally, the abstraction-to-fascism-teleology imagines 20th century fascism as the dialectical fulfillment of modern alienation. Rooting such alienation in the flawed Liberal and Marxist conceptions of monetary relations, critical theorists conduct their aesthetic analyses via ambivalent condemnations of abstraction’s assumed primordial alienation. In the thesis, I critique the abstraction-to-fascism-teleology through an affirmation of neochartalist political economy’s conception of money’s essential publicness and abundance. Drawing from this abstract legal mediation, I trace Kracauer’s various condemnations …
Objectification Of Women In Bollywood Item Numbers,
2019
University of South Florida
Objectification Of Women In Bollywood Item Numbers, Zahabia Z. Slatewala
USF Tampa Graduate Theses and Dissertations
Although sexual objectification is commonplace in media culture, music videos provide the most potent examples of it. The current investigation makes an important contribution to the relevant literature regarding the objectification of women in song lyrics while simultaneously broadening the content used to assess objectification. It reflects the ways of objectification of women in India by analyzing Bollywood rap and item songs. Based on objectification theory, one of the primary goals in the present study was to measure differences between visual and behavioral sexual objectification, drawing on theoretically derived indicators of sexual objectification. It also concentrated on measuring the change …
A Commentary On Narrative Platforms, Cinematic Universes, And Consumers Formerly Known As The Audience,
2019
Bilkent University
A Commentary On Narrative Platforms, Cinematic Universes, And Consumers Formerly Known As The Audience, Andreas Treske, Aras Ozgun
Markets, Globalization & Development Review
No abstract provided.
The Unfree Space Of Play: Emergence And Control In The Videogame And The Platform,
2019
Indiana University, Bloomington
The Unfree Space Of Play: Emergence And Control In The Videogame And The Platform, Logan Brown
Markets, Globalization & Development Review
This article attempts to understand the economic and informatic ramifications of the convergence between increasingly connective games and massive online platforms by considering recent trends in both that center around designing for emergence. Scholarship on emergence as a property of games overwhelmingly treats emergent design as a liberating force that privileges player agency in a virtual space. Yet, as games fuse with surrounding platform ecosystems like Steam, Facebook, and Google, those emergent behaviors are subject to vast systems of inscription that analyze user behavior in order to reshape the free space of emergence and extract greater social and financial capital. …
