Open Access. Powered by Scholars. Published by Universities.®

Film and Media Studies Commons™

Open Access. Powered by Scholars. Published by Universities.®

9,101 Full-Text Articles 7,869 Authors 17,894,407 Downloads 305 Institutions

All Articles in Film and Media Studies

Faceted Search

9,101 full-text articles. Page 201 of 393.

Permeable Viewpoints And Parasitic Influence In Bbc And Netflix's Dracula, Laure Blanchemain Faucon 2020 University of Toulouse

Permeable Viewpoints And Parasitic Influence In Bbc And Netflix's Dracula, Laure Blanchemain Faucon

Journal of Dracula Studies

No abstract provided.


Title Pages, Vol. 22, 2020, 2020 Kutztown University

Title Pages, Vol. 22, 2020

Journal of Dracula Studies

No abstract provided.


Vampires In Japan: From Yokai To Anime, Adam L. Miller 2020 Kutztown University

Vampires In Japan: From Yokai To Anime, Adam L. Miller

Journal of Dracula Studies

No abstract provided.


A Monstrous Outbreak: Epidemics And Biology In The Creative Porcess Of Fuillermo Del Toro's Symbolic Vampires, Maria Teresa DePaoli 2020 Kansas State University

A Monstrous Outbreak: Epidemics And Biology In The Creative Porcess Of Fuillermo Del Toro's Symbolic Vampires, Maria Teresa Depaoli

Journal of Dracula Studies

No abstract provided.


Simply The Best: Louis Jourdon As Count Dracula, Victoria Amador 2020 Kutztown University

Simply The Best: Louis Jourdon As Count Dracula, Victoria Amador

Journal of Dracula Studies

No abstract provided.


Unlearning Disney: Developing A Feminist Identity While Critiquing Disney Channel Original Movies, Maura Leaden 2020 Rollins College

Unlearning Disney: Developing A Feminist Identity While Critiquing Disney Channel Original Movies, Maura Leaden

Honors Program Theses

In this paper, I apply feminist and critical theories through the use of autoethnography and textual analysis to explore how my past consumption of Disney Channel Original Movies (DCOM) has worked to influence my gender identity, reinforce my white, middle-class, and heterosexual privilege, and undermine my agency as a woman. I situate myself as a feminist critical media scholar who is eager to understand my gender identity and move forward with more agency towards my gender expression and consciousness in my media consumption. I am building on the work of other Disney researchers and critical cultural scholars to argue that …


El Manso Y El Guapo De Cara: Masculinidades Alternativas Y Marginalizadas Y Sexualidades Masculinas En La Buena Estrella, De Ricardo Franco, Iker Gonzalez-Allende 2020 University of Nebraska-Lincoln

El Manso Y El Guapo De Cara: Masculinidades Alternativas Y Marginalizadas Y Sexualidades Masculinas En La Buena Estrella, De Ricardo Franco, Iker Gonzalez-Allende

Spanish Language and Literature Papers

Este artículo analiza la representación de las masculinidades en la película española La buena estrella (1997), dirigida por Ricardo Franco, para proponer que aboga por una masculinidad alternativa a la hegemónica, no centrada en la penetración sexual y basada en el cuidado y la paternidad activa. Asimismo, la obra muestra las consecuencias dañinas para los hombres y su entorno de la masculinidad marginalizada que sigue los parámetros de la hegemónica, rechazando la vulnerabilidad y realizando actos violentos para probar su virilidad. Por medio del entendimiento y acercamiento entre los dos personajes masculinos, la película también ofrece una homosocialidad positiva y …


Critical Media Effects Framework: Bridging Critical Cultrual Communication And Media Effects Through Power, Intersectionality, Context, And Agency, Srividya Ramasubramanian, Omotayo O. Banjo 2020 Syracuse University

Critical Media Effects Framework: Bridging Critical Cultrual Communication And Media Effects Through Power, Intersectionality, Context, And Agency, Srividya Ramasubramanian, Omotayo O. Banjo

Media Studies - Open-Access Faculty Scholarship

In this essay, we advance the Critical Media Effects (CME) framework as a way of bridging two major subfields of communication that seldom speak to one another: media effects scholarship and critical cultural communication. Critical Media Effects is situated within the dominant mode of social scientific theorizing within media effects scholarship and draws on four key interrelated concepts from critical cultural communication: power, intersectionality, context, and agency. Critical Media Effects advocates for greater reflexivity, rigor, and nuance in theorizing about media effects to better respond to the complexity and dynamicity of emerging global sociopolitical mediated contexts. Recommendations, salient examples, and …


Once Upon A Time In Tarantino’S West: Persistence Of The Western As An American Fairy Tale, Beth Jane Toren 2020 West Virginia University

Once Upon A Time In Tarantino’S West: Persistence Of The Western As An American Fairy Tale, Beth Jane Toren

Faculty & Staff Scholarship

Traditionally associated with fairy tales, “Once upon a time” invites us to suspend disbelief, leave time behind, and be transported to an alternative world. Sergio Leone’s Once Upon a Time in the West (C’era una volta il West, 1968), a follow-up to his Dollars Trilogy, invites us to visit “The West” not as a historical landscape but a surreal domain. Like the fairy-tale worlds of Grimm or Perrault, or in the film medium of Leone’s, Quentin Tarantino’s cinematic universes invite the audience to experience another dimension entirely. Not surprisingly then, his ninth film Once Upon a Time in …


Escaping Suburbia: A Study In Film Auteur Pertaining To Tim Burton And The Coen Brothers, Morgan Bedard 2020 Central Washington University

Escaping Suburbia: A Study In Film Auteur Pertaining To Tim Burton And The Coen Brothers, Morgan Bedard

Undergraduate Honors Theses

This project will focus on the concept of “Auteur Theory” which is a particular film theory branch that emphasizes the filmmaker as the “author” of their work. “Auteur” is a French word meaning “author” in the sense of a person holding complete creative control. Studying Auteur Theory allows for viewers to better understand the filmmaker as a person by connecting visual patterns to the auteurs’ own life. The “filmmaker” in Auteur Theory is defined as the director and they must exercise almost or complete control of all aspects of a film. Distinct visual characteristics as well as repeated casting of …


Seeds Of Doubt, Amber Hilson 2020 University of Central Florida

Seeds Of Doubt, Amber Hilson

Electronic Theses and Dissertations, 2020-2023

Seeds of Doubt is a two-dimensional (2D) animated film that explores how anxiety can stifle personal growth. The film demonstrates how accepting and coping with this anxiety can help you return to a place of calm and allow you to blossom. Roma, a young witch, struggles to use her magic to successfully make her crops grow. Her lack of confidence leaves her stuck inside the greenhouse until she is ready to move on to the tomato fields outside. She must first re-center herself and overcome her self-doubt before it consumes her completely. This idea is sourced largely from my own …


Filming Reconciliation: Indigenous Screen Cultures In An Age Of Redress, Kyle L. Killebrew 2020 Northern Illinois University

Filming Reconciliation: Indigenous Screen Cultures In An Age Of Redress, Kyle L. Killebrew

Graduate Research Theses & Dissertations

This dissertation examines Indigenous cinematic cultures in the United States and Canada since 1998 in the context of international reconciliation movements between settler and Indigenous states. This project examines the contested intersections of twenty-first century Indigenism and multiculturalism, exploring the ways in which Native voices in media navigate international cultural marketplaces. I focus on Georgina Lightning’s Older than America, Igloolik Isuma’s Atanarjuat: The Fast Runner, Sherman Alexie and Chris Eyre’s Smoke Signals, and Elle-Máijá Tailfeathers’ A Red Girl’s Reasoning. Specifically, I am concerned with Indigenous cinemas and media that envision and enact models of reconciliation, healing, and social justice using …


El Engaño De La Piel: La Transmutación Alquímica Del Sujeto Transexual En “La Piel Que Habito”, Antonia Delgado-Poust 2020 University of Mary Washington

El Engaño De La Piel: La Transmutación Alquímica Del Sujeto Transexual En “La Piel Que Habito”, Antonia Delgado-Poust

Modern Languages & Literatures Articles

This article considers the creative and transformative process undergone by the main protagonist –a transsexual- of La piel que habito (2011) while comparing it to the age-old alchemical process, as the two share a common objective: the perfection, imitation, and adulteration –or falsification- of nature. The main purpose of this essay, aside from delineating the alchemical motifs present throughout the film, is to explore the (con)fusion of a particular set of binaries, such as the authentic and the artificial, the masculine and the feminine, and the Self and the Other. The author maintains that, as with alchemy, Almodóvar presents the …


Review Of Early Women Filmmakers 1911–1940, Wheeler Winston Dixon 2020 University of Nebraska-Lincoln

Review Of Early Women Filmmakers 1911–1940, Wheeler Winston Dixon

Department of English: Faculty Publications

After more than a half century of neglect, pioneering women filmmakers are finally getting some of the attention they deserve. Foremost among these women is the figure of Alice Guy Blaché—also known simply as Alice Guy, before she married Herbert Blaché in 1907—who was responsible for numerous “firsts” in cinema history: the first film with narrative La Fée aux Choux (The Cabbage Patch Fairy; 1896), as well as early experiments with color dye processes, synchronized sound recording, multi-reel films, and other cinematic advances. Gaumont put out a set of her French films for that company—she was the …


Reclaiming The Narrative Of A Generation: The Representation Of Argentina’S Last Dictatorship Through Cinema, Hana Kristensen 2020 Connecticut College

Reclaiming The Narrative Of A Generation: The Representation Of Argentina’S Last Dictatorship Through Cinema, Hana Kristensen

Hispanic Studies Honors Papers

Over 453 films have been made focusing on the topic of the last dictatorship in Argentina (1976-1983), otherwise known worldwide as the Dirty War. This time period is characterized by the vile human rights abuses committed by the military junta against those who opposed the government, leading to the disappearances of 30.000 people, many of whom left children behind. These children were often forced to grow up, giving up their childhood, due to their parents' militancy. In the national story of the dictatorship, these children's stories and experiences have often been forgotten. This thesis will investigate the portrayal of the …


Harlan County Usa, WVU Humanities Center, WVU Libraries 2020 West Virginia University

Harlan County Usa, Wvu Humanities Center, Wvu Libraries

2019-2020

Poster for film aired February 5, 2020 as part of the Local to Global 19-20 Film Series.


The Return Of Navajo Boy, WVU Humanities Center 2020 West Virginia University

The Return Of Navajo Boy, Wvu Humanities Center

2019-2020

Poster for film was aired April 22, 2020 as part of the Local to Global 19-20 Film Series.


Biutiful, WVU Humanities Center 2020 West Virginia University

Biutiful, Wvu Humanities Center

2019-2020

No abstract provided.


Tank Girl, WVU Humanities Center 2020 West Virginia University

Tank Girl, Wvu Humanities Center

2019-2020

Poster for film to be aired April 1, 2020 as part of the Local to Global 19-20 Film Series. The presentation was cancelled due to University response to the COVID-19 pandemic.


Setting The Terms Of Our Own Visibility A Conversation Between Sam Feder And Alexandra Juhasz On Trans Activist Media In The United States, Alexandra Juhasz 2020 CUNY Brooklyn College

Setting The Terms Of Our Own Visibility A Conversation Between Sam Feder And Alexandra Juhasz On Trans Activist Media In The United States, Alexandra Juhasz

Publications and Research

In the summer of 2016, I sat down at my computer and Skyped with my friend and fellow queer media activist Sam Feder about their film, Disclosure: Trans Lives on Screen. What follows is a highly edited transcript of our conversation, paying particular attention to Sam’s core research findings about trans representational history and how their findings might align with their processes and goals as a trans activist media maker committed to telling this complex story.


Digital Commons powered by bepress