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"Rear Window": Polio As A Cultural Ambience, Taylor Tucker 2020 Swarthmore College

"Rear Window": Polio As A Cultural Ambience, Taylor Tucker

Swarthmore Undergraduate History Journal

Note: In lieu of an abstract, this is the article's first paragraph.

"In the 1950’s, the question of polio as a disease that could be eradicated was still unanswered and the struggle to develop a vaccine was the frenetic backdrop for the biomedical field. Culture and daily life was infused with narratives and metaphors that attempted to control and understand the illness. “Rear Window” directed by Alfred Hitchcock was an example of a product of this ambience and though it never explicitly names polio it is infused with concepts and elements of the disease. The themes that course throughout the …


Black Identity, Representation, And Identification In Comic Book Movies, Ayo McKinney 2020 Xavier University of Louisiana

Black Identity, Representation, And Identification In Comic Book Movies, Ayo Mckinney

XULAneXUS

The study of Black representation in comic book movies involving the variables representation, Black identity, and identification has never been done before. Black representation in comic book movies is a significant topic of study due to the prevalence of comic book movies in popular culture, because of the increasingly diverse casts of such films, and the impacts representation can have psychologically, socially, and historically. The researcher hypothesized that Xavier University of Louisiana students would identify more with comic book movie characters of the same race, and that stronger Black identity would be related to higher dissatisfaction with current Black representation …


Building Their Own Ghost In The Shell: A Critical Extended Film Review Of American Live-Action Anime Remakes, Sara Haden 2020 CSUSB

Building Their Own Ghost In The Shell: A Critical Extended Film Review Of American Live-Action Anime Remakes, Sara Haden

History in the Making

No abstract provided.


“Oh My”: The Internment Of George Takei In They Called Us Enemy, Giovanni Gonzalez 2020 CSUSB

“Oh My”: The Internment Of George Takei In They Called Us Enemy, Giovanni Gonzalez

History in the Making

No abstract provided.


Film Review: Midway, Natassja Martin 2020 CSUSB

Film Review: Midway, Natassja Martin

History in the Making

No abstract provided.


The Great War Through Film: An Aggregated Film Review Of They Shall Not Grow Old, 1917 And Tolkien, Sara Haden, Kenya Ortiz Carrillo CSUSB 2020 CSUSB

The Great War Through Film: An Aggregated Film Review Of They Shall Not Grow Old, 1917 And Tolkien, Sara Haden, Kenya Ortiz Carrillo Csusb

History in the Making

No abstract provided.


Aggression And Violence Against Females: Analyzing The Similarities Between Myth And Film, Julia Papanastou 2020 College of the Holy Cross

Aggression And Violence Against Females: Analyzing The Similarities Between Myth And Film, Julia Papanastou

Parnassus: Classical Journal

No abstract provided.


Poetry For Seers Or The Peruvian Visual Poetic Tradition In Front Of New Media, Michael Hurtado, Pamela Medina, Enrique García, Michael Prado 2020 Pontificia Universidad Catolica del Peru

Poetry For Seers Or The Peruvian Visual Poetic Tradition In Front Of New Media, Michael Hurtado, Pamela Medina, Enrique García, Michael Prado

Electronic Literature Organization Conference 2020

Since the first decades of the twentieth century, Peruvian poetic tradition has been characterized by experimental uses of language. Among these possibilities, some records tensioned this medium from the link with the plastic arts, as in the case of the poetry of José María Eguren, while others opted for the playing with the spatiality and visuality of the blank sheet, such as in the case of the work of Carlos Oquendo de Amat. However, it is not until the appearance of the poetry of César Vallejo, specifically with a poems like Trilce in 1922, that these breakages force us to …


Glitch Reading: [Re]Mediation And The Protocols Of Reading, Jacob Reber 2020 SUNY University at Buffalo

Glitch Reading: [Re]Mediation And The Protocols Of Reading, Jacob Reber

Electronic Literature Organization Conference 2020

In this paper, I outline a methodology for reading poetic works that operate between media environments, noting the subtle shifts and failures that mark the material changes. The space between mediums and processes of remediation produce residue from the various material substrates and protocols of reading that adhere to works moving through networks. The attention to the residue can be understood as glitches, which proliferate the possibilities of reading and reveal the construction of imbricated reading environments. This is a practice I want to consider through the framework of glitch reading. Drawing on Rosa Menkman's theorization of glitches and Tan …


Twine And The Challenge To Reading, Stuart Moulthrop 2020 University of Wisconsin-Milwaukee

Twine And The Challenge To Reading, Stuart Moulthrop

Electronic Literature Organization Conference 2020

The article considers the Twine story-game platform in relation to important critiques of earlier forms of electronic literature (specifically hypertext) from which it descends. Arguments for the significance of Twine are made based on aesthetic approaches (the fusion of literature and game culture) and the refinement of writing itself.

Play this paper in Twine


“Decolonize” E-Literature? On Weeding The E-Lit Garden (A Riposte To Anna Nacher's "Gardening E-Literature"), Kathi Berens 2020 Portland State University

“Decolonize” E-Literature? On Weeding The E-Lit Garden (A Riposte To Anna Nacher's "Gardening E-Literature"), Kathi Berens

Electronic Literature Organization Conference 2020

This essay, a RiPOSTe to Anna Nacher's forthcoming "Gardening E-Literature" in Electronic Book Review (5 July 2020), asks: Should the e-literature community include third-generation works in collections, syllabi, databases, prizes? A related question: do third-gen makers have a role in “decolonizing” e-literature? Who or what “colonizes” e-lit? E-literature began as a coterie and has become a scholarly field. Using the comparison of a field versus a walled garden, the essay examines critiques of e-literature and variations on field definitions. It ends with two ideas about how to "decolonize" e-literature; about how equity and inclusion work in tandem with decolonization; and …


Productive Misreading In Intermedia Art: Four Approaches By A Musician, Jeff Morris, Elisabeth Blair 2020 Texas A&M University

Productive Misreading In Intermedia Art: Four Approaches By A Musician, Jeff Morris, Elisabeth Blair

Electronic Literature Organization Conference 2020

This discussion examines the evolution and lessons of four artistic performance works that engage with text and imagery with the mindset of a composer, rather than as an author or visual artist. The works involve computer music, improvisation, video art, generative art techniques, and challenging aesthetics. An analytical discussion reveals that different forms and mechanisms of reading are manifest in the artworks, and reflections upon these elucidate the intermedial nature of reading and the productive, expressive potential of interfering with these processes.


I Love You, Go Away (A Novel), John Matthew Steinhafel 2020 Western Kentucky University

I Love You, Go Away (A Novel), John Matthew Steinhafel

Masters Theses & Specialist Projects

I Love You, Go Away, a novel set in Milwaukee, tells the story of a twenty-two year-old nobody, Gabriel Driscoll, who meets and befriends a middle-aged, drug addicted, recluse actor, Beau Brooks. But less than six months into their friendship Beau commits suicide. At the funeral Gabriel meets a twenty-nine-year-old corporate executive, Michelle, the daughter of Beau’s long-time girlfriend. Gabriel and Michelle bond over their mutual grief and quickly strike up a romance. At the same time, Gabriel’s semi-estranged mother, Sadie, a recovering heroin addict, reaches out to him in an effort to rebuild their relationship. What follows for Gabriel …


Werewomen: An Exhumation Of Transness In Horror Cinema, Sam Miller 2020 Lawrence University

Werewomen: An Exhumation Of Transness In Horror Cinema, Sam Miller

Lawrence University Honors Projects

The original idea for this paper occurred because I watched a film titled Ginger Snaps (John Fawcett, 2000). I related to it (or rather, to the figure of the werewolf within it) to an almost uncomfortable degree. This was not something I had expected at the outset. Ginger Snaps is a modestly budgeted Canadian horror film about a teenage girl who is bitten by, and subsequently transforms into, a werewolf—nothing about it pre-viewing struck me as potentially profound or paper-inspiring. And, to be fair, it was not the narrative of the movie that struck me or even any specific technical …


Film/Tv Response & Critique, Janelle Poe 2020 CUNY City College

Film/Tv Response & Critique, Janelle Poe

Open Educational Resources

This extra credit assignment was designed for a joint humanities course in English and Black Studies, combining first-year writing and an introductory survey of African American Literature. Throughout the semester, students are encouraged to complete extra credit assignments, such as this film/tv review, to earn additional points (up to 5%).

Combining rhetorical analysis with applied research, students have a list of films or television shows to choose from, as well as the ability to select their own related media, and write a response that includes a synopsis, analysis of plot, character development and themes, and personal response to the text …


Election Day — Documentary, John Thomas Tarpley 2020 University of Arkansas, Fayetteville

Election Day — Documentary, John Thomas Tarpley

Graduate Theses and Dissertations

Election Day is a three-channel documentary chronicling the places, personalities, and tone of Little Rock, Arkansas, during its titular midterm Election Day in November 2018. Throughout the course of the day, the film branches across the city, capturing mini-narratives, bits of conversation, and tableau of civic activity in the public sphere. It is less concerned with the quantitative facts of the day as it is with conveying the transitory social expressions and moods of a modern, southern city on a uniquely American day. This project represents my continued documentary interest in creating inclusive, contemporary local portraits and counter-historical chronicles of …


New Flesh Cinema: Japanese Cyberpunk-Body Horror And Cinema As Catharsis In The Age Of Technology, Sarah Henry 2020 University of Arkansas, Fayetteville

New Flesh Cinema: Japanese Cyberpunk-Body Horror And Cinema As Catharsis In The Age Of Technology, Sarah Henry

Graduate Theses and Dissertations

This thesis provides a critical analysis of a specific group of films that combine the subgenres of cyberpunk and body horror which I call New Flesh Cinema. Films of this subgenre counter fears and anxieties of technological advancements by re-imagining the rise of technology and its societal effects as a transitional process through the illustration of literal and visceral depictions of the necessary alterations people will have to undergo in order to transition successfully into the new world. To contradict apocalyptic fears of advancing technology, these films offer a vision of a “New Flesh.” I argue the films share three …


Beyond The Infinite Interpretations: The Reception Of 2001: A Space Odyssey And The Reframing Of Stanley Kubrick's Authorial Reputation, Seth Friedman 2020 DePauw University

Beyond The Infinite Interpretations: The Reception Of 2001: A Space Odyssey And The Reframing Of Stanley Kubrick's Authorial Reputation, Seth Friedman

Communication & Theatre Faculty Publications

2001: A Space Odyssey (1968) cemented Stanley Kubrick's reputation as Hollywood's most visionary director. Many accounts attribute its success to Kubrick's calculated artistic decisions and the film's countercultural appeal; however, 2001's production and reception histories as well as archival evidence reveal that collaborators intervened to bolster its performance after shaky theatrical premieres. This essay charts how MGM and other partners employed strategies to mitigate initial frustrations with 2001's unconventional properties. These improvised efforts gradually helped audiences contend with the film's ambiguities. This ultimately fostered Kubrick's enduring brand and aligned him with European art-cinema auteurs and proto-transmedia storytelling.


Technology Attributes, Organizational Learning Attributes, Service Attributes, And Electronic Health Record Implementation Success, Anuradha Rangarajan 2020 Indiana State University

Technology Attributes, Organizational Learning Attributes, Service Attributes, And Electronic Health Record Implementation Success, Anuradha Rangarajan

All-Inclusive List of Electronic Theses and Dissertations

Electronic Health Record (EHR) is a technology innovation which has the potential to offer valuable benefits to the healthcare industry such as improved quality of patient care and safety, optimization of healthcare workflow processes and availability of electronic data for clinical research. The implementation success of EHR is therefore significant to the healthcare industry in the United States and around the world. Prior studies in research literature have considered the impact of technology attributes, organizational learning attributes, and service attributes on information technology implementations in various other domains based on theories such as Theory of Reasoned Action (TRA), Theory of …


Horror’S Aesthetic Exchange: Immersion, Abstraction And Annihilation, Ashley Morgan Steinbach 2020 University of South Florida

Horror’S Aesthetic Exchange: Immersion, Abstraction And Annihilation, Ashley Morgan Steinbach

USF Tampa Graduate Theses and Dissertations

This thesis uncovers a remote entanglement of phenomenological experience and abstract aesthetics in postmodern horror, a space that historically celebrates the former and critically undervalues the latter. Framed as a case study, I mobilize close readings of Alex Garland’s science fiction horror film, Annihilation (2018), to complicate the immersion/abstraction binary that implicitly structures much of contemporary horror scholarship. By recovering horror’s distanced and decentered forms and aesthetics I point to the interdependent faculty of a composite aesthetic collaboration.

These collaborations, which I refer to as aesthetic exchanges, place pressure on the localized emphasis of horror’s situated assaultive and reactive positions. …


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