Film and Media Studies Commons^™

The Rhetoric Of Spirituality, Gender, And The Environment In The Wicker Man (1973) And Midsommar (2019), Emma Frances Bloomfield

Far West Popular Culture Association Annual Conference

The Wicker Man (1973) and Midsommar (2019) are horror films that address dominant ideologies including the patriarchy, anthropocentrism, and Christianity. Both films have a nature-connected cult that sacrifices for the community and performs rituals informed by pagan eco-spirituality. I perform an ecofeminist rhetorical criticism to analyze how, despite these shared themes, spiritual, gender, and environmental messages differ between the two films. In The Wicker Man, the audience is invited to sympathize with Neil’s character, his Christianity, and his individualistic masculinity as he is sacrificed in the cult’s harvest ritual. Alternatively, the main character in Midsommar, Dani, gets revenge …

Bong Joon Ho, Okja (2017): Wounding The Feelings, Nagehan Uzuner

Markets, Globalization & Development Review

Okja is a cute fictitious pig which is created in the laboratory as a solution for the meat industry to prevent hunger, which is one of the important problems of our contemporary century and the near future of the humanity. This pig-like, depicted as an ecological food source of the industrial society, is commodified for the mediation of the spheres within the society. Okja, as a film, falls within the intersections of food industry, feminism, orientalism, mediatization and globalization concepts. I try to understand and redefine the movie through contradictions such as East-West, women-men, good-evil. The review reexamines multiple interacting …

16mm Filmmaking Flm 316, Joanna Burkhardt

Library Impact Statements

No abstract provided.

Lost & Found: Samuel Fuller’S Tigrero And Accidental Ethnography, Andrew Howe

Far West Popular Culture Association Annual Conference

In 1954, Darryl Zanuck commissioned Samuel Fuller to journey to the Amazon and shoot footage of the Karaja tribe, around which the director would construct a screenplay based upon the life of Sasha Siemel, a big game hunter of note. Zanuck had optioned Siemel’s best-selling autobiography, Tigrero. Although John Wayne and Ava Gardner were soon attached to the project, executives at Fox would not sanction a shoot in such a dangerous location. The project was set aside and forgotten.

Nearly 40 years after his visit to Brazil, Fuller would return to the Karaja tribe. Out of this experience came …

Influential Storytelling At Its Finest: Why The Postwar West Took Notice Of Yasujirō Ozu’S Tokyo Story, Abigail Deveney

Japanese Society and Culture

Tokyo Story (1953) came to fame in 1958, when Yasujiro Ozu’s postwar film about a fragmenting family won the Sutherland prize at the London Film Festival – or so cinematic scholarship suggests. There is, however, a much more complex tale to be told. In fact, director Ozu’s shomingeki-genre film was being discussed and promoted internationally long before what is considered that watershed moment.

This dissertation explores why the western world took note. It argues that Tokyo Story’s nuanced and humanist narrative was a unique form of soft power, attracting and persuading decades before that concept was formally articulated. Tokyo Story’s …

Gazetarët Ndërmjet Ligjit Dhe Zbatimit Të Tij Në Mediat E Kosovës, Pajtim Çuni

Theses and Dissertations

Kosova si shtet i ri e me demokraci në zhvillim, vlerësohet se ka ligje mjaftë të mira dhe në harmoni me praktikat ndërkombëtare, ndonëse problem mbetet zbatimi i brishtë i ligjit. Mbi këtë bazë, punimi trajton aspektin teorik të kornizës ligjore që ndërlidhet me lirinë e shprehjes, punën dhe lirinë e mediave e gazetarëve në Kosovë si dhe zbatimin e saj në mediat kryesore në vend. Për realizimin e punimit është përdorur metoda deskriptive, intervistimi, anketimi dhe krahasimi. Mbështetur në shqyrtimin teorik dhe gjetjet nga puna hulumtuese, punimi arrin në përfundimin se: Kosova e ka mjaftë mirë të zhvilluar dhe …

Black Magic & White Supremacy: Witchcraft As An Allegory For Race And Power, Nicholas Charles Peters

University Honors Theses

This paper examines dramatic representations of witchcraft in contemporary television, and their roots in stereotypes from 17th century dramas, exploring the function of witchcraft as an allegory for race and power in America. Television is a form of cultural media that can explore these stereotypes and create representation that influences the audience's perception of society, and can function as a call to action for social justice.

Impossible Origins: Trauma Narrative And Cinematic Adaptation, Linda Belau

Literatures and Cultural Studies Faculty Publications

In this essay, I explore the cinematic adaptation and the representation of trauma, while I further consider the role and significance of the notion of the origin in both trauma and in cinematic adaptation. Through an initial consideration of the relationship between the theory of the impossible origin, particularly as it is articulated by Walter Benjamin, the essay goes on to analyze the significance and role of an impossible origin in the elemental form of adaptation. To this end, the essay considers the movement of adaptation from an autobiographical trauma memoir to a feature film, considering the success or failure …

Challenging Faith And Gaining Power: Women In Film Who Reject And Subvert Religion, Annika Murrah

Religion and Film

This paper examines the ways that women seize power through rejection and subversion of religion by relating women in film to the real world. Rejection of faith is exemplified by characters in the films The Little Hours (2017) and The Miseducation of Cameron Post (2018). Subversion of faith is understood through the films Whale Rider (2003), Jennifer’s Body (2009), and Transparent (2014). Narrative analysis of these films is contrasted with studies of orthodox religion as examined by Dr. Brenda E. Brasher and Dr. Mary Gerhart. The importance and effect of women’s newly-gained power is applied to social change as recorded …

What Do You Think She’S Gonna Do With A Set Of Real Claws?: Gender, Race, And Sexuality In Onscreen Portrayals Of Women Werewolves, Ashleigh K. Williams

Dissertations, Theses, and Capstone Projects

This thesis analyzes 13 disparate portrayals of werewolfism in film and television as they relate to uncontrolled and uncontrollable femininity. A necessary component of this project is the visual assemblage: my findings are displayed in the format of a zine, in an attempt to capture the bright, furious, aggressive sensory experience of witnessing women becoming werewolves onscreen. Research questions include: How are conventionally masculine werewolf markers feminized in werewolf narratives? How are the women in these pieces of media ultimately punished for embodying creatures that aren’t feminine enough, or are too feminine in exactly the wrong ways? Many she-wolf centered …

“A Space Where You Can Imagine In”: Queer World Building With Wynne Greenwood’S Tracy + The Plastics, Colleen M. O'Shea

Dissertations, Theses, and Capstone Projects

Tracy and the Plastics was a video and music project conceived and performed by artist Wynne Greenwood from 1999 - 2006. In it, Greenwood played lead singer Tracy alongside keyboard player, Nikki and drummer, Cola (both also played by Greenwood) where Tracy performed live alongside prerecorded images of Nikki and Cola. For Greenwood, the interaction between Tracy, the Plastics, and the audience provided an opportunity to create new, intentional worlds together. In this paper, I will demonstrate that Greenwood relies on collisions and alternative temporalities to instigate the creation of these worlds with her audience. I will incorporate the principles …

Framing The Border: Liminality In The Network Narratives Of Alejandro González Iñárritu, Muhammad Muzammal

Dissertations, Theses, and Capstone Projects

This thesis explores liminality conveyed as displacement before death in the network narrative films of Alejandro Gonzalez Iñárritu. Due to their depiction of existential crises and possibly fatal scenarios of several characters in different countries and regions, these network narrative films are colloquially referred to as the “Death Trilogy.” Therefore, rearranging the many strands of death-related abstractions and notions in these films around liminality becomes a jumping-off point to explore deeper layers of these works. Through interdisciplinary yet markedly film studies excavations, this thesis projects the liminal spaces of Iñárritu’s films onto border spaces. With borders considered as sites of …

Transmedia Strategies For Participatory Politics In Russia: Alexey Navalny’S Grassroots Campaign, Sergei Medvedev

Doctoral

Transmedia storytelling scholarship has been progressing rapidly over recent decades. Yet, a question that remains open is the lack of analysis of political transmedia campaigns. This political communication thesis contributes to filling that gap. Its goal is to develop a flexible and locally-specific approach to analysing transmedia political campaigning. To understand the context that affects the destinies of transmedia grassroots campaigns, the study turns to social movement and grassroots activism scholarships. In particular, it employs the idea of political opportunity structures to conceptualise those external opportunities and threats that affects transmedia campaigns in politics. To mitigate the negative aspects of …

The One-Armed Viewer: Voyeurism And Masturbation In Nudist Imagery And Film Spectatorship, Benjamin Eleanor Adam

Dissertations, Theses, and Capstone Projects

Nudist magazines and newsletters were among the first commercial, legal, and widely-available images of nudity which circulated in the late Comstock Era. To evade censorship, producers developed framing strategies that obscured the sexualized nature of these images, even as they also enabled the viewing practices their sales relied upon. This dissertation traces these framing strategies as they evolved through nudist still-imagery, camp films, and nudie cuties, and considers the evolution of spectatorial pleasures associated with Russ Meyer's early nudie cuties.

Video On Film: Video Essay, Videographic Criticism, And Digital Academic Publishing, Tian Leng

Dissertations, Theses, and Capstone Projects

In the 2010s, an academic practice called “videographic criticism,” utilizing video essay creation and digital academic publishing, became a popular form of film criticism in the field of film studies. The emergence of such a videographic trend in academia and the existence of video essays in public video-sharing websites have made the task of justifying the scholarly values of video essays an urgent one. Through the analysis of the relationship between the video essay and the essay film, this study shows that the essayistic mode is crucial to distinguish videographic criticism from popular commentary. To understand the potentials of videographic …

From Object To Icon: The Unpredictable Path To Everlastingness, Donna M. Desideri

Dissertations, Theses, and Capstone Projects

This thesis explores how a squeaky-clean object transformed into a girl-next-door icon and became a role model for generations to come. And in an industry built on illusions and dreams, reality wore many masks.

Still in its beginning stages and looking to sell tickets, the motion picture industry needed to reconstruct its current downscale public image by presenting a much-improved polished and upscale public image to audiences, all while silencing contradictory images and information. Appealing to a middle-class sensibility to boost this new public image gave the motion picture industry the acceptance it was seeking. By marketing to middle-class audiences, …

Auto®Ficción Latinx De Nueva York (1999–2020), Jacqueline Herranz Brooks

Dissertations, Theses, and Capstone Projects

This research on the intersection of Literary Criticism, Latino Studies, Persona Studies, and Performance Studies has led me to question the accepted definitions of autoficción (Doubrovsky, Gasparini, Alberca, Casas, Schlikers) and expand that definition into a more multifaceted and operational term. Hence, I created auto®ficción, a new term describing the hybrid creations of a group of underrepresented contemporary Latinx authors living/producing/circulating their work in New York City, during the first two decades of the 21^st Century. For these authors, their life experiences and quotidian uses of this city’s spaces are the subjects of their work. Auto®ficción draws attention …

Coda, John C. Lyden

Journal of Religion & Film

This is a film review of CODA (2021), directed by Siân Heder.

Our Place: Notes On Love And Longing, Nadia M. Mohamed

Theses and Dissertations

Produced during the COVID-19 pandemic, this experimental documentary uses found footage from the personal and political archive to witness and question how personal and political transformation connect, particularly as it relates the material and conceptual legacies we inherit and innovate.

Theme-Based Second Language Learning Through Multimodal Experimental Animation, Bailu Li, Yuan Xu

Chinese Language Teaching Methodology and Technology

In a digital, multimedia, and globalized world, new theories such as multimodality, multiliteracies, and theme-based instruction have signaled a shift in the Chinese as language art and Chinese as second language teaching and learning. However, these theoretical frameworks have not been frequently integrated and implemented in the field of CFL. Focusing on the theme of "Personal and Public Identity'', the article proposed a new attempt to synthetically combine multimodal texts, multiliteracies pedagogy, and thematic learning in CFL classrooms. Through the three selected experimental animations, the article discussed teaching methods and procedures in the topics of individuals and families, individuals and …