Film and Media Studies Commons^™

Ergativity In Na'vi, Jacob Barnett

Liberty University Research Week

Undergraduate

Textual or Investigative

The Journey Of Life Itself, Ashton Webb

Symposium of Student Scholars

Life Itself, written and directed by Dan Fogelman, is a heartbreaking tale featuring three different couples and the journey that life takes them on. Throughout the film there are common themes of heartbreak, marital problems, and death. The three stories are joined together by one devastating event, and Fogelman shows how beauty can be made from ashes. In this presentation, I will explore the themes of love, heartbreak, and depression and how these themes shaped the film, allowing Fogelman to intertwine three stories into one in order to tell an interconnected story. Though the film was not well received by …

Documentary Review: Belly Of The Beast, Clare Daniel

Feminist Pedagogy

Belly of the Beast (Cohn, 2020) chronicles the legal and political battle surrounding forced and coerced sterilization of women incarcerated in the Central California Women’s Facility during the late 1990s and early 2000s. Uncovering a contemporary example of eugenics and the institutional logics that protect and justify those practices, this film provides a crucial tool for feminist educators teaching about reproductive injustice, racism, gender-based oppression, and the power of feminist activism. In what follows, I briefly summarize the film and offer a discussion of how it might be used as a tool of feminist pedagogy by 1) providing an opportunity …

Demonstrating The Complexity And Consistency Of God’S Creation Through Broadcast Video Shading, James Black

Liberty University Research Week

Graduate

Creative and Artistic

Rodcon, Flier, 2022, University Of Northern Iowa. Rod Library.

RodCon Documents

Rodcon
Saturday April 9, 2022
10 a.m.-4 p.m.
Free and open to the public

Flier used in promotion of the event.

Without A Trace: Missing And Murdered Indigenous Women And Exclusion In The Media, Nellasa Mackenzie Stewart

Honors College Theses

The research in this paper is designed to explore the lack of media coverage of missing and murdered indigenous women through primarily qualitative methods and techniques as well as interpret the significance of the lack of coverage through the lens of a critical analysis. The research will address how the coverage of missing indigenous women qualitatively differs with the coverage received by missing white women in the United States and Canada. The research approaches include the analysis of news sources detailing cases of missing indigenous women and missing white women and how their coverage qualitatively differs, as well as a …

A Man Not A Monster : Reimagining Disability In Hollow Crown's Richard Iii, Taylor E. Uphus

Honors Theses

Traditional portrayals of William Shakespeare’s Richard III (1592) in film interpret Richard’s physical disability as an outward reflection of his evil. In recent years, disabilities studies scholars have reconsidered the historic association of Richard’s physical deformity with immorality. Unlike previous Richard III films, the BBC’s Hollow Crown: Richard III (Dominic Cooke, 2016) highlights Richard’s mental abuse and trauma. While the film does not shy away from Richard’s villainy, its more empathic depiction of Richard contests the one-dimensional stage and film representation of him as a conniving monster. Ultimately, this film presents Richard III to critique society’s treatment of disabled individuals.

New Approaches To Islam In Film, Sophia Rose Arjana

Journal of Religion & Film

This is a book review of Kristian Petersen, ed., New Approaches to Islam in Film (New York: Routledge, 2021).

Giving The Devil His Due: Satan And Cinema, Brandon R. Grafius

Journal of Religion & Film

This is a book review of Jeffrey Andrew Weinstock and Regina M. Hansen, eds., Giving the Devil His Due: Satan and Cinema (New York: Fordham University Press, 2021).

Deities & Devotees: Cinema, Religion, And Politics In South India, Rebecca Peters

Journal of Religion & Film

This is a book review of Uma Maheswari Bhrugubanda, Deities & Devotees: Cinema, Religion, and Politics in South India (Oxford University Press, 2019).

Bollywood Horrors: Religion, Violence And Cinematic Fears In India, Sen Meheli

Journal of Religion & Film

This is a book review of Ellen Goldberg, Aditi Sen, and Brian Collins, eds., Bollywood Horrors: Religion, Violence and Cinematic Fears in India (Bloomsbury Academic, 2021).

Refocus: The Films Of Paul Schrader, Elijah Siegler

Journal of Religion & Film

This is a book review of Michelle E. Moore and Brian Brems, editors, ReFocus: The Films of Paul Schrader (Edinburgh University Press: 2020).

Religion And Film: Representation, Experience, Meaning, Sérgio Dias Branco

Journal of Religion & Film

This is a book review of Stefanie Knauss, Religion and Film: Representation, Experience, Meaning (Brill, 2020).

Indonesian Cinema After The New Order: Going Mainstream, Ahmad Nuril Huda

Journal of Religion & Film

This is a book review of Thomas Barker, Indonesian Cinema after the New Order: Going Mainstream (Hong Kong University Press, 2020).

The Bible As Relic, Fetish Or Talisman In Nollywood Films: A Semiotic Perspective, Floribert Patrick C. Endong

Journal of Religion & Film

Many Nollywood Christian films tap into a plurality of myths and idiosyncrasies prevailing in Nigeria in particular and the Christendom in general. Some of these myths and idiosyncrasies revolve around the perceived magical powers of the Bible, particularly the Holy Book’s ability to neutralize or prevent the designs of paranormal and satanic entities. In line with such Christian myths, many Nollywood Christianity-based films deploy various typologies of artifacts, signs and special effects to represent the Bible as an object which is more than a mere carrier of holy scriptures and the voice of God. In this paper, attention is given …

Transforming Leviathan: Job, Hobbes, Zvyagintsev And Philosophical Progression, Graham C. Goff

Journal of Religion & Film

The allegory of Leviathan, the biblical serpent of the seas, has undergone numerous distinct and even antithetical conceptions since its origin in the book of Job. Most prominently, Leviathan was the namesake of Thomas Hobbes’s 1651 political treatise and Andrey Zvyagintsev’s 2014 film of the same name, a damning indictment of Russian corruption. These three iterations underscore the societal transition from the recognition of power as being derived from God to the secularization of power in Hobbes’s philosophy, to the negation of the legitimacy of divine and secular institutional power, in Zvyagintsev’s controversial film. This examination of Leviathan’s three unique …

Seeing And Interpreting Visions Of The Next Age In Interstellar, Nancy Wright

Journal of Religion & Film

Christopher Nolan’s Interstellar (2014) uses multiple styles of cinematography – documentary, painterly and expressionistic – to guide interpretation of its apocalyptic review of history. Within the prologue and epilogue of the science fiction film, clips from interviews originally filmed for Ken Burns’s The Dust Bowl (2012) invite questions about how to interpret documentary, revisionist and eschatological reviews of history. Cinematography functions as a self-reflexive cue to spectators within and outside the mise-en-scène to engage in eschatological interpretation. The representation of spectatorship and vision reveals the challenge of interpreting prophetic visions of the last things and the next age, which are …

Gender, Race, And Religion In An African Enlightenment, Jonathan D. Lyonhart

Journal of Religion & Film

Black Panther (2018) not only heralded a new future for representation in big-budget films but also gave an alternative vision of the past, one which recasts the Enlightenment within an African context. By going through its technological enlightenment in isolation from Western ideals and dominance, Wakanda opens a space for reflecting on alternate ways progress can—and still might—unfold. More specifically, this alternative history creates room for reimagining how modernity—with its myriad social, scientific, and religious paradigm shifts—could have negotiated questions of race, and, in turn, how race could have informed and redirected some of the lesser impulses of modernity. Similar …

Hacking The Mind: Internet Memes As Tools Of Propaganda, Joshua Nieubuurt

College of Arts and Letters Posters

Internet memes are one of the latest evolutions of “leaflet” propaganda and an effective tool in the arsenal of digital persuasion. In the past such items were dropped from planes, now they find their way into social media across multiple platforms and their territory lacks spacial boundaries. Internet memes can be used to target specific groups to help build and solidify tribal bonds. Due to the ease of creation, and their ability to constantly reaffirm axiomatic tribal ideas, they have become an adroit tool allowing for mass influence across international borders. This poster seeks to display some of the common …

The Role Of The Filmmaker: Truth And Awareness, Amy Litofsky

Richard T. Schellhase Essay Prize in Ethics

Documentary can be defined as motion picture that shapes and interprets factual material for purposes of education or entertainment. The problem with most documentary films, though, is that the filmmaker never does enough in their film. Filmmakers are too focused on simply exposing the truth on the issues being filmed and not focused enough on providing solutions for these issues. This is something apparent in all genres of documentary, from cinema verité, which Bill Nichols explains, “seldom offered the sense of history, context, or perspective that viewers seek” (640), to observational film, which “appears to leave the driving to us. …