Other Film and Media Studies Commons^™

Electronic Journals, Prestige, And The Economics Of Academic Journal Publishing, Steven Tötösy De Zepetnek, Joshua Jia

CLCWeb: Comparative Literature and Culture

In their article "Electronic Journals, Prestige, and the Economics of Academic Journal Publishing" Steven Tötösy de Zepetnek and Joshua Jia discuss the current state of the academic journal publishing industry. The current state of the industry is an oligopoly based on a double appropriation model where academics produce work for at no cost only to have publishers earn significant profit margins by selling the work back to academics. Publishers are able to do this given the price inelasticity and weak bargaining power of its main consumer, university libraries. Publishers' ability to increase prices is also supported by what the authors …

"Punk-Ass Book Jockeys": Library Anxiety In The Television Programs Community And Parks And Recreation, Eamon Tewell

Library Philosophy and Practice (e-journal)

Library anxiety, defined as the fear of using libraries, is a psychological barrier that impedes academic achievement and the development of information literacy. Using key episodes and protagonists from Community and Parks and Recreation, this paper will demonstrate how library anxiety is represented in these series. From the infamously manipulative public librarian Tammy Swanson in Parks and Recreation to the library as pillow fight battlefield in Community, these indications of anxiety towards libraries will be evaluated with the intent of illuminating current discourse in popular television regarding library use.

Silent Film Online, Julie Decesare Cicilline

Library Faculty and Staff papers

Alexander Street Press (ASP) has become a leader in providing libraries and institutions access to streaming video and multimedia content. Since 2006, their offerings of online and streaming video databases have grown quickly. Recently, they released Silent Film Online (SFO), a collection of silent films, clips, trailers, and documentaries about filmmaking during the silent film era. ASP pricing is average for this content, and flexible, based on type of institution, budget, and FTE. Annual subscription or one time purchase of perpetual rights are options. Like other ASP online video databases, functionality is high. ASP is currently in beta with a …

Narratives Of Violence: The White Imagination And The Making Of Black Masculinity In “City Of God”, Jaime Alves

Publications and Research

The article explores the representation of young-black men in the 2002 film City of God. The film deploys “pathological scripts” of Black masculinity in Brazil as criminal and deviant. The controlling image of Black men’s bodies as a source of danger and impurity sustains Brazilian regime of racial domination, and the narratives of violence make explicit the ways in which the Brazilian nation is imagined though a racial underpinning. Blackness is consumed as an exotic commodity, yet is also understood as a threat to national harmony. The nation is, then, written and re-imagined as a racial paradise, but mostly by …

Pratfalls, Seduction And The Farce Of Marriage: How The Screwball Comedy Redefined American Preconceptions Of Traditional Feminine Morality, Fletcher Parrott Thornton Iv

History

No abstract provided.

Reporting The Irish Famine In America: Images Of "Suffering Ireland" In The American Press, 1845-1848, James M. Farrell

Communication

This chapter is a study of American newspaper reporting on the Great Irish Famine. The study examines six master narratives that constrained the image of Ireland and the Irish people presented to American readers. Those narrative constraints predisposed Americans to respond with hostility when Irish Famine refugees began to arrive in the United States.

Economies Of Desire: Reimagining Noir In Nicholas Ray's They Live By Night, Ria Banerjee

Publications and Research

This essay argues that Nicholas Ray reimagines the conventions of the film noir genre in his movie, They Live By Night. This book chapter is part of a study of director Nicholas Ray's oeuvre, Lonely Places, Dangerous Ground: Nicholas Ray in American Cinema, eds. Steve Rybin and Will Scheibel. New York: SUNY Press, 2014

“All Data Is Credit Data,” Or, On Close Reading As A Reciprocal Process In Digital Knowledge Environments, John Hunter

Faculty Journal Articles

The new knowledge environments of the digital age are often described as places where we are all closely read, with our buying habits, location, and identities available to advertisers, online merchants, the government, and others through our use of the Internet. This is represented as a loss of privacy in which these entities learn about our activities and desires, using means that were unavailable in the pre-digital era. This article argues that the reciprocal nature of digital networks means 1) that the privacy issues that we face online are not radically different from those of the pre-Internet era, and 2) …

American Indians In Feature Films: Beyond The Big Screen, Daisy V. Domínguez

Publications and Research

This article examines whether library collections represent the breadth of portrayals of American Indians in feature film and provides collection development resources for developing and strengthening feature film collections by and about American Indians.

Reviews Of Thunder: A Film About Ferron, Sarabah, And The Punk Singer: A Film About Kathleen Hanna, Sarah Dougher

University Studies Faculty Publications and Presentations

Sarah Dougher reviews three films in this issue of Films for the Feminist Classroom: Thunder: A Film about Ferron. Directed by Bitch and Billie Jo Cavallaro; Sarabah. Directed by Maria Luisa Gambale & Gloria Bremer; and The Punk Singer: A Film About Kathleen Hanna. Directed by Sini Anderson.

Troika Of Fortune Tellers, Sophia D. Kalin

Scripps Senior Theses

This film is an oral history about the intergenerational relationship between three women: my grandmother, my mother, and I. Through our connection I explore the Russian traditions that my grandmother has cultivated and shared among the three of us, in particular, the tradition of fortune telling. I also explore my grandmother's struggle with dementia. Although her memory is fading, she can still remember the practice of reading fortunes and that tradition has preserved our bond and her legacy.

Edward Steichen And Hollywood Glamour, Alisa Reynolds

Theses and Dissertations--Art and Visual Studies

As a word, glamour is hard to define, but is instantly recognizable. Its association with Hollywood movie stars fully emerged in the 1930s in the close-up celebrity portraits by photographers like George Hurrell. The aesthetic properties in these images that help create glamour are characterized by the Modernist style, known for sharp focus, high contrast, seductive poses, and the close-up (tight framing). My essay will explore the origins of the visual aesthetics of glamour, arguing that their roots can be found in the still life photographs of the 1910s, produced by fine art photographers such as Edward Steichen. This essay …

Nonfiction, Documentary And Family Narrative: An Intersection Of Representational Discourses And Creative Practices, Kristine T. Weatherston

Theses and Dissertations

Nonfiction, Documentary, and Family Narrative:
 An Intersection of Representational Discourses and Creative Practices explores the role of personal memory, family history, and inter-generational storytelling as the basis for making a nonfiction film. The film, American Boy, tells the story of my mother’s immigration to the United States after the failed Hungarian Revolution of 1956, opening a discussion of four generations of my family life in the context of historical events, exile, self re-invention, and identity formation. As a media producer and nonfiction author, I narrate my understanding of these events to my infant son, as a way of communicating …

Science-Fictional North Korea: A Defective History, Seo-Young J. Chu

Publications and Research

Kafkaesque, Orwellian, eerie, surreal, bizarre, grotesque, alien, wacky, fascinating, dystopian, illusive, theatrical, antic, haunting, apocalyptic: these are just a few of the vaguely science-fictional adjectives that are now associated with North Korea. At the same time, North Korea has become an oddly convenient trope for a certain aesthetic – an uncanny opacity; an ominous mystique – that many writers and artists have exploited to generate striking science-fictional effects in texts with little or no connection to North Korean reality. (The 2002 Bond film Die another Day, for example, draws from North Korea’s science-fictional aura to animate North Korean super-villains who …

A Delicate Balance: Polish Portraits In U.S. Film During World War Ii, Joseph W. Zurawski

Jan Karski Conference

No abstract provided.

The Persistence Of Austen In The 21st Century: A Reception History Of The Lizzie Bennet Diaries, Laura Jane Ramsburg

Liberal Studies (MA) Final Essays

In 2012, the first episode of The Lizzie Bennet Diaries aired online via YouTube.com, offering a modernized serial form of Jane Austen’s 1813 novel Pride and Prejudice. With only word-of-mouth marketing, this series gained hundreds of thousands of views, a loyal following, and an Emmy award. In this paper, I will explore the reception history of The Lizzie Bennet Diaries by referencing its source material, analyzing its target demographics, and explaining its success.

An Exploration Into The Potential Of Irish Films (1896-1962) For Empathic Approaches To The History Classroom, Thomas Mcgraw Lewis

Doctoral

This thesis applies historical empathy as a lens through which Ireland’s filmic heritage can be explored within the teaching of history. In its approach, the research asserts that critical perspective recognition and affective exploration can be achieved through a sustained model of historical narrative inquiry. Undertaking textual analysis of a series of pre-televisual films from the National Film Archive, it argues that there is value in these records for understanding the formulation and assessment of political and social representation in the nascent Republic. While remaining cognizant of the constraints placed on both the educational and archival professions in Ireland, the …

On World Literatures, Comparative Literature, And (Comparative) Cultural Studies, Ning Wang

CLCWeb: Comparative Literature and Culture

In his article "On World Literatures, Comparative Literature, and (Comparative) Cultural Studies" Ning Wang argues that cultural studies is characterized by being opposed to (elite) literary studies not only because it points to popular or non-elite literature, but also because it challenges the discipline of comparative literature. On the other hand, (comparative) cultural studies complements literary studies in that it contributes a great deal to the reconstruction of a sort of new comparative literature. Wang illustrates how some of the representative Anglo-American comparatists are now doing cultural criticism while still engaging in comparative literature and they paved the way for …

Interdisciplinary Studies And Comparative Literature In China And The West, Aaron Lee Moore

CLCWeb: Comparative Literature and Culture

In his article "Interdisciplinary Studies and Comparative Literature in China and the West" Aaron Lee Moore addresses the arguments on the part of Chinese and Western scholars against and for the full inclusion of interdisciplinary studies within the discipline of comparative literature. Interdisciplinary studies, in general, have been resisted in Chinese scholarship as it once was in the U.S. and other Western countries. Moore discusses the major Chinese arguments for and against interdisciplinary studies in general and interdisciplinary studies within comparative literature. Moore's main argument is that the study of literature by necessity must always cross disciplinary boundaries and the …

Western And Oriental Worlds Of Literature And Modern Greek Literature, Maro Kalantzopoulou

CLCWeb: Comparative Literature and Culture

In her article "Western and Oriental Worlds of Literature and Modern Greek Literature" Maro Kalantzopoulou explores the extent to which modern Greek literature can be seen as linked to Western and Oriental literary cultures. She discusses examples of literary phenomena featuring Western influences, as well as works which are linked in different ways to Southeastern Europe in general, the Ottoman world, and Oriental literary cultures. Kalantzopoulou's claim is that scholarship tends to associate modern Greek literature with Western literary cultures and dismisses non-Western contributions and influences. Kalantzopoulou suggests that by acknowledging the historical situatedness of such assumptions and by examining …