Other Film and Media Studies Commons^™

Episode 07: Flirting Under The Influence, Binglin Wu

Season 3: Standards of Behavior

No abstract provided.

Episode 06: Forgive Me, Father, For I Have Ginned, Austin Williamson

Season 3: Standards of Behavior

No abstract provided.

Episode 05: Who's To Blame, Laylah Funk

Season 3: Standards of Behavior

No abstract provided.

Episode 04: Fresh Blood, Elizabeth Kyle

Season 3: Standards of Behavior

No abstract provided.

Episode 03: Livin' La Vida Loko, Nancy Pertierra

Season 3: Standards of Behavior

No abstract provided.

Episode 02: Fragmented Reality, Colleen Hehir

Season 3: Standards of Behavior

No abstract provided.

“Mad As Hell”: The Corruption Of Personal Humanity In Network Through Satire, Sophie J. Watson

Undergraduate Research Conference

A film has the power to connect to its viewers through dark or absurd humor, revealing truths we may not want to face. My paper explores how Network shows the corruption of different types of people through satire.

Episode 01: Jack In The Box, Rachel Zinck

Season 3: Standards of Behavior

No abstract provided.

Actor Biographies, University Of Dayton

Season 3: Standards of Behavior

No abstract provided.

Author Biographies, University Of Dayton

Season 3: Standards of Behavior

No abstract provided.

Game Of Thrones Versus History: Written In Blood. Brian Pavlac, Joseph Young

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

No abstract provided.

The Reflection Of Sub Continental Primitive Archetype Mother In The Films Of Ritwik Ghatak, Zuairijah Mou

Ray Browne Conference on Cultural and Critical Studies (2015-2021)

Ritwik Ghatak is one of the significant Indian filmmakers in the Indian subcontinent. The touch of the culture of Bengal is clearly evident in the films of Ritwik Ghatak. Before analyzing the role of the primitive mother archetype in the scenes or in the development of the characters in his films, it is necessary to understand the origin of the primitive mother archetype.

The primitive mother archetype or maternal form is the statements, figure, myth, pattern, form, use etc. which has been existing in any culture for a long time. For example, the form of 'Mother' in Bengal is worshiped …

Realness Over Reality: Analyzing Gender Binary Deconstruction In Rupaul’S Drag Race, Jonah Wilson

Ray Browne Conference on Cultural and Critical Studies (2015-2021)

From its conception in 2009, RuPaul’s Drag Race (RPDR) has grown incredibly in popularity, quality, and potential to serve as a mainstream way of change and acceptance for varying gender performances and identities. Particularly working within frames of commercialism, homonormativity, and queer commodification, RPDR loses a lot of its potential to serve as a radical, decentering challenge to the rest of mainstream television. In regards to rigid western ‘borders’ of gender and the gender binary, RPDR has done a considerable amount to deconstruct sociocultural boundaries that restrict individuals from presenting their gender identities and allowed a stage for transgender and …

Two Ways Out/Back “Home”: Two Transnational And Literary Perspectives In Chinese Puzzle And Budapeste, Seth A. Compaoré

Vernacular: New Connections in Language, Literature, & Culture

In the current global cinematic practices, it almost becomes a natural phenomenon that filmmakers leave home to film in the spaces beyond the borders of their homelands. These films are often categorized as transnational films. According to Hamid Naficy (2003: 204), “transnational films are framed within the “national cinemas” of their host countries and established cinematic genres”. Budapeste (2009) directed by Walter Carvalho and Chinese Puzzle (2013) directed by Cédric Klapisch are both transnational films from two different regions: South America, Mercosul (Brazil) and the European Union (France). Because both films present transitional places (airports) and transnational spaces, the physical …

In-Between: The Spaces Of Modernity, Elisa Fabris Valenti

LSU Master's Theses

During the past three years as a graduate student, I have experienced loneliness. Having recently emigrated from Italy, I have often asked myself why I am experiencing such hard times adjusting to a different country. My thesis explores this question. Referring to Marc Augé’s idea of non-place, I have chosen a geographical and spatial starting point to approach my work. Italian cities are built around the central piazza where social, political, and economic life revolves. In my thesis, I depict American spaces that lack specific location and create solitude within the urban corridors. Private feelings, such as loneliness, are paradoxes …

Conceptions Of Nietzsche In Popular Film And Television, Jeffrey Willicut

Senior Theses

There are few faces or names in the field of philosophy more recognizable than Friedrich Nietzsche’s. His cartoonish, bushy mustache and stern, unwelcoming brow appear in posters on the walls of angsty teens, in the street art and murals of trendy and upcoming urban neighborhoods, and even in the punishingly glossy pages of every high school history textbook. More recognizable still are his ideas, which have found their way into the ears or eyes of just about everyone in the Western world, whether they know it or not. His concept of the Übermensch, or his notion that God is dead, …

The Effect Of Post-Production On Storytelling In Narrative And Documentary Filmmaking, Natalie Pace

Senior Honors Theses

Documentaries and narrative films both tell stories in different ways. A common saying states that narrative filmmakers write one movie, shoot another, and edit a third. In postproduction, timelines are rearranged, montages are created, new dialog and voiceovers are written, and the score can alter the mood and meaning entirely. Documentaries can change even more over the course of their creation. Usually, the script of the documentary is not written until the edit, after most of the interviews and B roll have been shot. This paper examines whether documentary post-production makes more or less use of storytelling techniques than does …

Ficcionalización Del Trauma En El Cine De Horror Y Ciencia Ficción: Moebius, Aparecidos (Argentina) Y El Páramo (Colombia), David Vasquez Hurtado

Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía

Este ensayo analiza la ficcionalización del trauma en tres obras cinematográficas de fantasía, dos argentinas: Aparecidos (2007) y Moebius (1996), y una colombiana: El páramo (2011). Se aplica la teoría psicoanalítica sobre la figura paterna y la castración simbólica, para mostrar elementos comunes a la representación cinematográfica de los regímenes autoritarios a través del género gótico, de horror y ciencia ficción. Los filmes coinciden en representar la función paterna como una figura autoritaria que reitera indefinidamente el evento reprimido de la castración simbólica. La situación de violencia extrema impide que la castración simbólica conduzca al establecimiento de la ley y …

The Problem With David: Masculinity And Morality In Biblical Cinema, Kevin M. Mcgeough

Journal of Religion & Film

The King David of the Bible, and especially as portrayed in the books of Samuel, is one of the most complex characters in ancient literature. We are told his story from his youth as a shepherd until his death as king of Israel. He kills a mighty warrior with a slingshot, goes to war with his king and later his son, and has an affair that threatens to throw his kingdom into disarray. The stories surrounding David seem perfect for cinematic adaptation yet what makes this character so compelling has been problematic for filmmakers. Here, three types of Biblical filmmaking …

Motherhood Makes A Matriarchy, Lily Mann

Undergraduate Honors Thesis Projects

This analysis will discuss the topic of matriarchies, how they created, and how they are sustained. Nathaniel Hawthorne’s The Scarlet Letter, and Ryan Murphy’s American Horror Story: Coven are used as examples of matriarchies, wherein Hawthorne’s matriarchy is at its start, whereas Murphy’s matriarchy is coming to a potential end. This will be examined through a comparative analysis between the characters in Hawthorne’s early American work with the characters in Murphy’s contemporary work. Ultimately, Hawthorne’s matriarchy is much more insidious and potentially damaging to a patriarchal norm than Murphy’s reclusive patriarchy. Hawthorne’s matriarchy has the option to disrupt a patriarchal …