Western Theory And Historical Studies Of Chinese Literary Criticism,
2020
East China Normal University
Western Theory And Historical Studies Of Chinese Literary Criticism, Zhirong Zhu
CLCWeb: Comparative Literature and Culture
This paper examines the formation of modern historical studies of classical Chinese literary criticism in terms of its interaction with and transformation of western theory. The discipline emerged during the eastward movement of Western ideas in the early twentieth century, promoting the “scientific study” of classical Chinese learning, and instituting curriculum and textbooks in Chinese universities. The reception of Western concepts of “literature” and “literary criticism” in the early twentieth century, largely through Japan, laid the very foundation of historical studies of classical Chinese literary criticism as an independent subject of study. This paper argues that when adopting Western methods …
The Chuanyue (Traversing) Of Western Cultural Industry Theories In China,
2020
Shandong Normal University
The Chuanyue (Traversing) Of Western Cultural Industry Theories In China, Hui Li, Naihai Zhai
CLCWeb: Comparative Literature and Culture
This paper discusses the reception and transformation of western theories of Culture Industry in China during the Reform Era (1978-present). It proposes the term 穿越 (chuanyue, traverse), rather than communication or traveling theory, in order to probe into the complexity of the interaction, modification and transformation of western theories of Culture Industry and creative industries in China. The paper focuses on 1) issues of time lag or disjunction, in that it took more than half a century for the critique of Culture Industry to enter China; 2) divergent interpretations of Culture Industry with a strong critical edge of …
Cinematic Representation Of Ethnic Minorities In Prc And Postcolonialism,
2020
East China Normal University, Shanghai
Cinematic Representation Of Ethnic Minorities In Prc And Postcolonialism, Xinyu Lu
CLCWeb: Comparative Literature and Culture
This paper explores the notions of “Sinophone” and “Chinese-language cinema” under the rubrics of postcolonialism in Chinese film studies both in China and elsewhere around the world. The paper argues that these postcolonial-inspired notions misconstrue Chinese national identity building as imperialist/colonialist endeavours, and dichotomize Han and Chinese ethnic minorities. The paper offers its counterargument by examining cinematic practices of people’s cinema, minority nationality films and native-language films in the PRC.
“Western Marxism” In Mao’S China,
2020
Shanghai University,China
“Western Marxism” In Mao’S China, Jun Zeng, Yichen Wang
CLCWeb: Comparative Literature and Culture
China’s reception of “Western Marxism” is a critical part of the global history of Marxism. This paper examines three aspects of the reception of Western Marxism in literary and art criticism during the early years of Mao’s China (1949-65): the Western Marxist critique of surrealism, debates over Marx’s Economic and Philosophical Manuscripts of 1844, and Sartrean existentialism and Western Marxism. The impacts of Western Marxist literary thought upon Chinese literary studies during the early years of the PRC are discussed, along with the extensive influx of Western Marxism that began in the reform era of post-Mao China (1978- ) …
The Vampire That Refused To Die: Dracula And Nosferatu,
2020
University of Western Ontario
The Vampire That Refused To Die: Dracula And Nosferatu, Louis J. D'Alton
Proceedings from the Document Academy
This paper considers the efforts of the Stoker estate to stop an infringing work, Nosferatu, in a new medium while simultaneously attempting to create new vehicles to exploit the legacy of Dracula. Focusing on the works as they pass and transform through overlapping and related frames allows the consideration of both the private and public lives of the document. It also highlights the limitations of policy frames and the continuing relevance of these historical processes in discussions of the document.
Mulan: An Exploration Of Culture And Representation In Hollywood,
2020
Chapman University
Mulan: An Exploration Of Culture And Representation In Hollywood, Annie Okuhara, Bernadine Cortina, Hung Le, Ryan Nakahara, Jerry Zou
Student Scholar Symposium Abstracts and Posters
'Mulan: An Exploration of Culture and Representation in Hollywood' is a presentation and detailed analysis of various representational, cultural, and minority-related issues in the context of Hollywood and western media. The presentation will focalize specifically around the recent live-action remake of the 1998 film "Mulan". The remake, premiered in March 2020, received critical backlash from various audiences (mostly from the BIPOC community), bashing the film for its misrepresentation of Ancient China and Ancient Chinese culture. Through this misrepresentation, the Hollywood film ultimately reflects views of cultural appropriation, misogyny, and overall minority underrepresentation in the United States. The research presents the …
Justifying Force: Police Procedurals And The Normalization Of Violence,
2020
Arcadia University
Justifying Force: Police Procedurals And The Normalization Of Violence, Emily Brenner
Faculty Curated Undergraduate Works
Much like the CSI effect in forensic crime dramas, portrayals of law enforcement in crime media can potentially skew a viewer’s perception of what the profession actually entails. Many studies address the depiction of law enforcement in the media, but few solely examine the use of force by television police officers, and the impact this may have on frequent viewers. In an era of calls for accountability over growing attention towards police brutality and misconduct, the media as an influencer has the potential to play a role in how real-world instances of brutality are perceived, and more importantly, how it …
Adoption Of Bonded-Cellular Technology,
2020
Indiana State University
Adoption Of Bonded-Cellular Technology, Gregory Edward Phipps
All-Inclusive List of Electronic Theses and Dissertations
This study analyzed four determinant factors attributed to the acceptance of Bonded Cellular (BC) technology and applies the tenants of Diffusion of Innovation and Technology Acceptance Models. BC “bonds” available cellular channels and transmits a multiplexed signal to a broadcaster. This study will advance the understanding of factors that may impact the acceptance of BC at the management level. Research Questions 1. Can behavioral intention (BI) to adopt BC tools be predicted by using an independent variable representing Perceived Ease-Of-Use (PEOU)? 2. Can behavioral intention (BI) to adopt BC tools be predicted by using an independent variable representing Perceived Usefulness …
An Experiential Analysis Of Job Site Safety: Delineating Between Positive Safety Culture And Excessive Safety,
2020
Indiana State University
An Experiential Analysis Of Job Site Safety: Delineating Between Positive Safety Culture And Excessive Safety, Steven Tighe
All-Inclusive List of Electronic Theses and Dissertations
In general industry and in construction many safety requirements are mandated on job sites and in facilities. Many requirements move past simple compliance and enter the realm of cultural safety. This high level of cultural safety is what is typically the level most safety professionals strive for in any company. The balance is tipped to excessive when we move past the cultural safety into redundant or multi layers of requirements that affect production rates and have no actual value to safety but have the appearance of safety. This research looked into a large construction project that had multiple layers of …
Late Postmodernism,
2020
University of Illinois in Chicago
Late Postmodernism, Nicholas Brown
CLCWeb: Comparative Literature and Culture
No abstract provided.
Sedimented Forms: Coming Back To Autonomy,
2020
Goldsmiths, University of London
Sedimented Forms: Coming Back To Autonomy, Marina Vishmidt
CLCWeb: Comparative Literature and Culture
No abstract provided.
The Minimal Politics Of Autonomy,
2020
University of Warwick
The Minimal Politics Of Autonomy, Myka Tucker-Abramson
CLCWeb: Comparative Literature and Culture
No abstract provided.
Immanuel Kant’S Manifesto For Dad Rock,
2020
Williams College
Immanuel Kant’S Manifesto For Dad Rock, Christian Thorne
CLCWeb: Comparative Literature and Culture
No abstract provided.
Genre’S Autonomy, Autonomy’S Genre,
2020
Goethe University, Frankfurt
Genre’S Autonomy, Autonomy’S Genre, Tim Lanzendörfer
CLCWeb: Comparative Literature and Culture
No abstract provided.
Admiring Autonomy,
2020
State University of Campinas (Unicamp)
Admiring Autonomy, Fabio Akcelrud Durão
CLCWeb: Comparative Literature and Culture
No abstract provided.
When ‘Interplay Is The Content Of The Work’—A Response To Nicholas Brown’S Autonomy,
2020
University of Illinois in Chicago
When ‘Interplay Is The Content Of The Work’—A Response To Nicholas Brown’S Autonomy, Elise Archias
CLCWeb: Comparative Literature and Culture
No abstract provided.
Aesthetics Today,
2020
Duke Univeristy
Aesthetics Today, Fredric Jameson
CLCWeb: Comparative Literature and Culture
No abstract provided.
The Jewish Vamp Of Berlin: Actress Maria Orska, Typecasting, And Jewish Women,
2020
Gettysburg College
The Jewish Vamp Of Berlin: Actress Maria Orska, Typecasting, And Jewish Women, Kerry Wallach
German Studies Faculty Publications
“Maria Orska, she is simply the actual embodiment of the human beast.... here, again, she is the man-beguiling Lulu, so vivid in her performance that one can almost hear her words.” With these lines in his review of Die Bestie im Menschen (1920/21), critic Fritz Olimsky describes Orska as she was widely regarded: a femme fatale Lulu or vamp type known for her tragic, expressive performances, who was often cast in psychologically complex roles involving dramatic love affairs. Orska, like her Hollywood contemporary Theda Bara, rarely moved beyond her reputation for playing this type of character. In addition to exploring …
El Abrazo De La Serpiente O Un Mise-En-Scène Sin Fronteras,
2020
University of Colorado Boulder
El Abrazo De La Serpiente O Un Mise-En-Scène Sin Fronteras, Sandra Ortiz-València
South East Coastal Conference on Languages & Literatures (SECCLL)
El abrazo de la serpiente es una de las obras cumbre del cine latino americano que más reconocimiento internacional ha obtenido, pero ¿por qué el filme de Ciro Guerra fascinó a un público tan amplio y diverso, obteniendo premios en lugares tan alejados y dispares como Montreal o Yereván, por nombrar alguno? Esta presentación realiza un análisis en profundidad de la puesta en escena en El abrazo para explicar el lenguaje audiovisual con el que el filme de Ciro Guerra construye una narrativa cinematográfica alejada de las formas dominantes, pero habilitada para emocionar a audiencias de todo el mundo. Tomando …
Plastic Goes Concrete: "Plasticnic" And "Plasticpoems", Two Animated Poetry Videos About Plastic Pollution,
2020
Simon Fraser University
Plastic Goes Concrete: "Plasticnic" And "Plasticpoems", Two Animated Poetry Videos About Plastic Pollution, Fiona Tinwei Lam, Nhat Truong, Tisha Deb Pillai
The Goose
The author describes the creation of two short animated video poems about plastic pollution that originated in concrete/visual poems. "Plasticnic" is a humorous and colourful narrated video based on a shaped poem depicting how we enjoy nature while simultaneously harming it through plastic consumption. "Plasticpoems" is a text-based, unnarrated animated video poem about plastic pollution based on two shaped/visual/concrete poems.
