Women's Studies Commons^™

Review Of George Eliot's Feminism: 'The Right To Rebellion', June Skye Szirotny

The George Eliot Review Online, ISSN: 2831-5375

This luminous new work - dedicated to 'the millions of women deprived of life, liberty, and the pursuit of happiness by society's misogynist myths' - casts fresh light on George Eliot's feminism, which has often been the subject of controversy. 'I want to show' , says the author, 'that however ambivalent George Eliot was about practical matters, she strongly accepted most of the ideals of contemporary feminists […]. [S]he moves, through her works, from a repudiation of rebellion against conventional views of women to an acceptance of that rebellion in her later works; and, in each of her major works, …

Review Of Sophie And The Sibyl: A Victorian Romance, Patricia Duncker

The George Eliot Review Online, ISSN: 2831-5375

George Eliot's afterlife in adaptations of and sequels to her works is thin compared to those of such contemporaries as Dickens and the Brontes, and similarly the number of novels in which she appears as a character is meagre. True, as early as 1881 the characterization of Theresa in The Autobiography of Mark Rutherford was inspired by the friendship of its author, William Hale White, with Marian Evans in the 1850s, when both lived in publisher John Chapman's house at 142 Strand. Theresa is an idealized character, but recall White's corrective to George Eliot's Life ... by her husband 1. …

Silas Marner: George Eliot's Most Coleridgean Work?, Jen Davis

The George Eliot Review Online, ISSN: 2831-5375

In 1861 Henry Crabb Robinson compared George Eliot's Silas Mamer with Coleridge's 'The Ancient Mariner'. He noted the novel's 'great affinity' with the poem: 'A little child, its mother having frozen to death at his solitary hovel, is taken in by Silas [ ...]. It is to him what the blessing of the animals is to the Ancient Mariner.' 1 In 1977, U. C. Knoepflmacher argued that: '[b]oth The Mill on the Floss and Silas Mamer hark back to those poems of severance, loss, and expiation that had haunted the imaginations of Coleridge and Wordsworth at the turn of the …

Review Of Silas Marner. Read By Anna Bentinck. Naxos Complete Classics, Michael Slater

The George Eliot Review Online, ISSN: 2831-5375

Audiofile praises the 'pleasant cadence' of Anna Bentinck's voice in this recording of George Eliot's Wordsworthian masterpiece but, initially at least, I found her reading with its beautiful elocution sounded a bit too like Mrs. Miniver (contrast Eileen Atkins's sensitive reading of The Mill on The Floss for Cover to Cover). The pace, moreover, is generally rather slow and becomes slower still when Bentinck comes to voice rural speakers like Jem Bryce or the company at the Rainbow Inn, and almost unbearably slow in the case of Snell the landlord (the exception is Dowlas, the quarrelsome farrier, for whom she …

Review Of The Dog In The Dickensian Imagination, Beryl Gray

The George Eliot Review Online, ISSN: 2831-5375

The nineteenth century saw great changes in the way the English thought about animals. This wasn't only because of Darwinian revelations; it was also the result of increased urbanization and industrialization. Less frequently confined to the farmyard or the hunting kennels the dog, in particular, entered the daily life of humans as never before. It became a domestic pet, a fellow worker, the object of scientific enquiry; in today's accepted phrase, it became a member of 'a companion species', deserving understanding and concern. Dorothea Brooke, we might recall, was 'always attentive to the feelings of dogs, and very polite if …

Felix Holt: The Radical And The Gusset Of Cryptic Futurity, Rodney Stenning Edgecombe

The George Eliot Review Online, ISSN: 2831-5375

Most Victorian novels avail themselves of tidying codas in which the author projects the story into a future-turned-present and, counterpointed by wedding bells, maps out as close an approximation to the 'happily ever after' formula as the constraints of realism will allow. The locus classicus for this procedure occurs at the end of Martin Chuzzlewit:

And coming from a garden, Tom, bestrewn with flowers by children's hands, thy sister, little Ruth, as light of foot and heart as in old days, sits down beside thee. From the Present, and the Past, with which she is so tenderly entwined in all …

Conference Report: Annual George Eliot Conference: Middlemarch, Institute Of English Studies, 22 November 2014, A.G. Van Den Broek

The George Eliot Review Online, ISSN: 2831-5375

Only by combining papers on Romola and Felix Holt. did the 2013 George Eliot Conference manage to attract a tolerably-sized audience; no such problems for the 2014 Conference on Middlemarch. This excellent event was oversubscribed and had to be moved to the biggest room in the Institute of English Studies at the University of London. Barbara Hardy (Birkbeck, London and Swansea) and Louise Lee (Roehampton) yet again organized everything, bringing together a group of speakers who made us think about widely differing issues to do with Eliot's occasional uncertainty, Eliot and Mrs. Gaskell, the sex lives of young nineteenth-century women, …

Review Of George Eliot And Money: Economics, Ethics And Literature, Dermot Coleman

The George Eliot Review Online, ISSN: 2831-5375

This is an important book which fills a gap in George Eliot studies by exploring with impressive authority the novelist's handling of money and economics in her life and work, on the premise that, for her, the economic was an essential constituent of a 'comprehensive ethical understanding' (p. 8). The author is unusually well-qualified for an analysis of economic theory and practice, having co-founded a hedge fund in the late 1990s and retired from the business of investment management shortly before the financial crisis of 2008. He modestly disclaims any foreknowledge of that crisis but points out that his knowledge …

How Much Did Dorothea And Celia Know? Sexual Ignornace And Knowledge Among Unmarried Girls In Middlemarch, Marianne Burton

The George Eliot Review Online, ISSN: 2831-5375

Readers, in my experience, often make an assumption that unmarried girls in nineteenth century novels know nothing about sex, and this seems to be particularly the case regarding Dorothea Brooke. Had she only known about sex, so the adage goes, she would never have made her disastrous marriage choice. In this article I would like to examine this assumption in closer detail, looking not just at Dorothea and Celia, but also Rosamond Vincy and Mary Garth. I do not necessarily want to turn the notion on its head - I am not going to claim these girls were closet readers …

Review Of Middlemarch: Critical Approaches To The Novel, Barbara Hardy

The George Eliot Review Online, ISSN: 2831-5375

This book is a reprint of the 1967 edition published by the Athlone Press, one of '56 classic works of literary criticism' that Bloomsbury is reprinting from Athlone Press. This opportunity to revisit and reassess works that were highly regarded in their day should be welcomed and one hopes that the archives of other academic publishers may also be subject to similar treatment. It is not good for the health of literary criticism if significant studies of the past are not easily accessible to readers and critics in the present.

I remember reading this book fairly close to when it …

Japanese Branch Report- 2014, Eri Kobayashi

The George Eliot Review Online, ISSN: 2831-5375

On 29 November 2014, at the 18th General Meeting of the George Eliot Fellowship of Japan, three papers on George Eliot's novels were read in the morning session. In the afternoon, a symposium on Eliot's poems was held and in the evening session a keynote speech was given by Professor Minoru Kawakita.

Chaired by Professor Kimitaka Hara (Nihon University), the morning session saw our first speaker, Masako Ishii (Kyoto University), discussing The Mill on the Floss from the standpoint of the destiny of Maggie Tulliver, especially in relation to her conflict with the socially restrictive norms of a provincial town …

Mr. Booke's Thinking Organ, Kate Osborne

The George Eliot Review Online, ISSN: 2831-5375

A scene in Middlemarch's thirtieth chapter describes how the creative process can slip out of a writer's control.! A letter has arrived from Mr. Casaubon's estranged cousin, Will Ladislaw, asking whether Will may visit Casaubon and Dorothea at their home at Lowick. But Casaubon is gravely ill and Dorothea is so overwhelmed by her husband's illness and also by the thought of seeing Will that she cannot even read the letter. She asks her uncle, Mr. Brooke, to reply in her stead, 'to let Will know that Casaubon had been ill, and that his health would not allow the reception …

Women And Violence In The Age Of Migration, Lilia D. Monzó, Peter Mclaren

Education Faculty Articles and Research

"Women from across Latin America are migrating north at great peril to their lives – their intended destination is, as expected, the US – that giant powerhouse that in spite of its well documented historical and continued imperialist violence and exploitation against Latin America is still able to create the ideological haze that encourages hope for that illusive “American dream.” Pushed to the brink of desperation resulting from unimaginable poverty, privation, and fear, these women muster the courage that only women of color know that they have (it is imbued in their flesh and in their hearts as a result …

Reflections On Making Women's Histories Beyond National Perspectives, Pamela S. Nadell

AWE (A Woman’s Experience)

Making Women’s Histories affirms the political nature of writing women’s histories. The development of women’s history and its historiographies—the books and articles historians, whether scholars or amateurs, have produced—has long contributed to the work of advancing the status of women in society.

Expanding The Literary Enterprise: How We Experience The Texts Of The Advanced Placement English Literature And Composition Curriculum, Molly Ostrow

Honors Theses

How we read the texts of the Advanced Placement English Literature and Composition curriculum.

"Fine Dignity, Picturesque Beauty, And Serious Purpose": The Reorientation Of Suffrage Media In The Twentieth Century, Emily Scarbrough

Masters Theses

Throughout the first half century of the woman's suffrage movement, the women of the movement were depicted as dastardly, masculine women who usurped the family structure with their penchant for politics. In the twentieth century, a new generation of woman's suffragists took command of their appearance in the media. Instead of controversial figures, woman's suffragists were envisioned as normal, beautiful women and mothers. Through the use of mass media, woman suffragists restructured their campaign to convince the general public that society needed women to clean up politics. In doing so, suffragists sacrificed their goals of sexual equality in favor of …

Mrs. Agentic: Perceptions Of Women Who Sustain Their Birth Surname After Marriage, Ashley C. Lee, Rachael D. Robnett

McNair Poster Presentations

As more women earn higher education degrees every year, it is clear gender roles are becoming more egalitarian within Western society. More common than ever before, women are earning more degrees than men and are taking on different roles then what was once expected of them. With this new freedom, women have shifted from playing a supportive role within society to branching out and creating their own established identity. Not only are women maintaining a separate identity in the professional world, but they are also maintaining a separate identity in their marriages. Correlating with the increased number of women in …

Drawing Testimony, Coming To Writing: Ebe Cagli Seidenberg’S Le Sabbie Del Silenzio And Il Tempo Dei Dioscuri, Eveljn Ferraro

Modern Languages & Literature

This essay considers the question of how “coming to writing” describes the creative process, how mourning becomes language, and how the emptiness of silence turns into word, in relation to the life and literary work of Italian Jewish writer Ebe Cagli Seidenberg. In other words, how did Cagli’s exile to the U.S. facilitate her voice? And how did language become, for her, nothing less than a form of “country”? In examining her journey to testimonial writing, I contend that visual imagery—a combination of visual artifacts and visual memories—plays a major role in getting past the wall of silence, overcoming the …

Women's Research Institute Of Nevada Newsletter, Joanne Goodwin, Women's Research Institute Of Nevada

Newsletters

No abstract provided.

Fifty Shades Of Fucked Up: On The Use And Abuse Of A Sexual Subculture To Sell Books, Viviane Panagiotis Linos

Undergraduate Honors Thesis Collection

In Fifty Shades of Grey, James masterfully utilizes a first person narrative to ease readers into unfamiliar sexual territory. However, while introducing relatively accurate terminology to enlighten her readers on BDSM practices, James further perpetuates the pseudo-acceptance of such sexual deviance by relying on mainstream, vanilla, or non- BDSM practitioning audience members to insert their own normative framework into the narrative (Weiss, 2006, p. 114). This literary approach allows readers to unknowingly utilize these fictional texts as an educational tool to understand BDSM. Fifty Shades of Grey utilized as a pedagogical tool is counterproductive to an accurate understanding of BDSM. …