Women's Studies Commons^™

The First Thirteen Years, Crystal Gonzalez Callison

AWE (A Woman’s Experience)

No abstract provided.

The Female Gothic And Marianne Dashwood: The Gothic Heroine Of Sense And Sensibility, Samantha Cottle

English (MA) Theses

In the late eighteenth-century, the rise of the English Gothic novel propelled an extension referred to as the Female Gothic. Through the complexity of the English Gothic genre, writers—particularly women writers—explore the intersectionality of gender, class, natural horrors, and race, creating a space where the heroines of these Gothic novels exist beyond the confinement of the domestic sphere. The Female Gothic was a way for these women writers to acknowledge the natural horrors that plagued the experiences of being a woman—it addressed the oppression of a patriarchal society in which the subversion of the female body was perceived as an …

Full Issue

AWE (A Woman’s Experience)

No abstract provided.

Front Matter

AWE (A Woman’s Experience)

No abstract provided.

The Creation Coat, Jane Wilson Boyle

AWE (A Woman’s Experience)

MINERVA TEICHERT AWARD 2025

As a woman, I often wonder what my role will be in the next life, and I am struck by how much we still do not know about the earth’s creation. This coat grew out of my struggle with the idea of cocreation—how women and men work together in ways both known and unknown.

Weight Of The World, Makenna Durfee

AWE (A Woman’s Experience)

No abstract provided.

The Miscarriage, Madi Mykal

AWE (A Woman’s Experience)

No abstract provided.

Midnight Stroll, Emma Wilson

AWE (A Woman’s Experience)

No abstract provided.

Abused And Confused, Marilyn Quach

AWE (A Woman’s Experience)

No abstract provided.

Belly Blessins’, Drew Rigby

AWE (A Woman’s Experience)

No abstract provided.

To Have A Sister, Crystal Gonzalez Callison

AWE (A Woman’s Experience)

No abstract provided.

What Makes A Cozy Game Cozy? Looking Through The Lens Of Feminism And 4e Cognition, Mary Catherine M. Wilcox

All Theses

Why do some games feel cozy, and others miss the mark, even if they are tricked out in bright colors and festooned with bows? This thesis examines the emerging genre of “cozy games” to better understand why some titles successfully evoke comfort and relaxation while others fail, despite relying on conventionally cute aesthetics or farming-sim mechanics. Although cozy games have grown rapidly in popularity over the past decade, the genre remains under-studied and is often dismissed as frivolous, reflecting the broader historical devaluation of media associated with women. Accordingly, this study argues that understanding cozy games requires examining women’s relationship …

Tindakan Diskriminasi Terhadap Pekerja Wanita Dalam Film I Don't Fire Myself, Marsha Azzahra Putri, Euis Sulastri

Multikultura

This study examines the discrimination experienced by Park Jeong-eun in the film I Don't Fire Myself and analyzes it from the perspective of Mary Wollstonecraft's liberal feminist theory. This research employs a descriptive qualitative method, using scenes and dialogues from the film as the primary data source, while books, online sources, and previous studies serve as secondary data sources. Data were collected through repeated observation of the film and note-taking of scenes depicting discriminatory practices. The findings reveal that the discrimination experienced by Park Jeong-eun is reflected in unfair company policies, unequal job distribution, and workplace social relations characterized by …

A Comparative Critique Of Masculine Domination In Madame Bovary (1856) And Gemma Bovery (1999), Aqeela Hamarthya Czecheska Humayra, Diah Kartini Lasman

International Review of Humanities Studies

This study examines how social construction influences the representation of female autonomy through the transition of medium and temporal context. Its primary focus is to compare the mechanisms of masculine domination in Gustave Flaubert’s classic novel Madame Bovary (1856) with Posy Simmonds’ graphic novel adaptation Gemma Bovery (1999). Utilizing Hutcheon’s adaptation theory (2013) and de Beauvoir’s existential feminism (1949), complemented by Freytag’s dramatic structure analysis (1900) as the main framework, this research proceeds from the premise that the transposition from text to visual medium has significant implications for changes in narrative strategies and plot. This study highlights the differing manifestations …

Book Review: Sex, Desire, And Taboo In South Asia: Religion, Culture Of Ability, And Patriarchy, Ritu Varghese

Journal of International Women's Studies

No abstract provided.

Book Review: Unmasking (New) Maternal Realities: Pregnancy, Childbirth, Postpartum In Global Literature, Cinema, And Media, Julie Glickman

Journal of International Women's Studies

No abstract provided.

Relational Knowledge In The Women’S Majlis: Towards A Culturally Grounded Qualitative Methodology In The United Arab Emirates, Gareth Davey, Suaad Al Oraimi

Journal of International Women's Studies

Women-centered qualitative research in the United Arab Emirates (UAE) requires methodological approaches attentive to the places and practices through which Emirati women produce, share, and interpret knowledge. While feminist, decolonial, and participatory methodologies have challenged research approaches centered around men that are adapted for use in the UAE, comparatively little attention has been paid to grounding research in the everyday epistemic practices and social worlds of Emirati women. In this article, we develop a majlis-based relational methodology as a women-centered qualitative approach in the UAE. Our approach is centered on the women’s majlis—an Arabic term meaning a communal gathering place …

Recent Femvertising And The Flying Kick To Patriarchy: A Cross-Cultural Interpretation Of South Asian Media, Saheeh Shafi

Journal of International Women's Studies

This study bridges a critical gap in scholarship on “femvertising”—advertising aimed at women that promotes women’s empowerment—by shifting the focus from the Global North to South Asia’s under-researched media landscape. Using an explanatory sequential mixed-method design, the quantitative phase of the research analyzed 145 femvertising advertisements from India, Pakistan, Bangladesh, and other international campaigns using chi-square tests to examine associations between gender portrayals and three empowerment types: woman-to-woman (solidarity among women), man-to-woman (patriarchal negotiation), and woman-to-self (self-determination). The qualitative phase employed semi-structured interviews with twenty women consumers to explore how they interpret, experience, and respond to these empowerment narratives. Findings …

Career, Self-Worth, And The Need For Self-Care: Understanding Urban Indian Women’S Journeys From Career Break To Re-Entry, Prabha Masilamani, Priya Gupta

Journal of International Women's Studies

Women often take career breaks as a response to major life events such as marriage, childbirth, and migration; nevertheless, the emotional complexities and nuanced decision-making attached to these events are hardly discussed. This study explores the lived experiences of twenty-two urban Indian women from the information technology sector who took career breaks and then returned to work. Using an interpretivist phenomenological approach and reflexive thematic analysis, five themes were identified across the three phases of career transition: before, during, and after the career break. Drawing on feminist frameworks including Kabeer’s (1999) agency within constraints and Kandiyoti’s (1988) patriarchal bargaining, the …

The Unseen Burden: A Rural Indian Woman’S Resistance To Political Marginalization And Mankeeping, Suraj Kumar Verma

Journal of International Women's Studies

This qualitative study examines how “mankeeping”—invisible emotional labor— undermines women’s political autonomy and sense of belonging in rural India, despite the implementation of gender equality policies. Women often perform unrecognized emotional, interpretive, and relational labor to maintain intimate relationships and community cohesion. Drawing on contemporary concepts of intersectionality, epistemic injustice, testimonial injustice, hermeneutical injustice, and the “third shift,” this study systematically employs a reflexive, narrative inquiry approach focused on Varsha, a forty-five-year-old lower-caste woman from Uttar Pradesh, India. The study reveals how her daily care work, such as caregiving, managing household dynamics, and navigating community expectations, affects her access to …