Women's Studies Commons^™

Conflicting Cultural Identity And The Baz Benin In Edwidge Danticat’S Claire Of The Sea Light, Kellianne Rinearson

Best Integrated Writing

Rinearson explores the connection between the gangs in Edwidge Danticat’s Claire of the Sea Light and mythological figures in Haitian folklore thus adding nuance to the discussion of Caribbean cultural identity.

The Grimké Sisters: Radical Defenders Of Women’S Rights And Abolition, Megan Bailey

Best Integrated Writing

Bailey examines the intersection of gender and religion in the abolition movement of the American Civil War and argues that the Grimké sisters’ effectiveness in preaching against slavery was undermined by the perception that they were too radical.

Medical Journal Of Leontius, Slave Of Vitus Aelianus: A First-Person Historical Fiction Written From The Perspective Of A Roman ‘Doctor’, Amanda Bucher

Best Integrated Writing

Bucher conveys the attitudes towards gender and sexuality in the Roman world through the use of first person historical fiction.

A Gray Area, Lindsay Smith

Best Integrated Writing

Smith conducts a close reading of Homer’s Odyssey and presents the gender dynamics that subvert, through the depiction of a powerful Circe, prevailing attitudes of male superiority.

Best Integrated Writing 2016 - Complete Edition

Best Integrated Writing

Best Integrated Writing includes excellent student writing from Integrated Writing courses taught at Wright State University. The journal is published annually by the Wright State University Department of English Language and Literatures.

Taking On The Man: Female Rebellion Against Gender Roles In Classical Greek Drama, Gabrielle Killough

Senior Honors Theses

The portrayal of women in Ancient Greek drama seems at times opposed to the societal gender roles within Classical Athens. In the plays, women are strong and dynamic figures who enact change and upheaval in their world. Ancient dramas, like Agamemnon, Medea, Antigone, and Lysistrata, portrayed women with strong autonomy and minds which matched their male counterparts; whereas the women in Classical Athens found themselves in more limited circumstances. In analyzing the nature of these disparities, it seems that the constant factor is that the plays concern the violation of the household. The female characters respond in one of …

Seeing The Light, Hearing The Call: Women Religious As Spectators And Subjects Of Popular Nun Films, Maureen A. Sabine Professor

Journal of Religion & Film

Though popular films like The Bells of St. Mary’s (1945), Heaven Knows, Mr. Allison (1957), The Nun’s Story (1959), and The Sound of Music (1965) have routinely been criticized for circulating polarized stereotypes about nuns, convent memoirs indicate that some women felt the stirrings of a religious vocation from watching these movies. This article arose out of interest in whether other women heard God’s call through nun films, and is based on a survey of 86 sisters from 28 different communities who had entered the convent between 1947 and 2007, and were prepared to discuss what they saw in these …

Penelope’S Daughters, Barbara Dell`Abate-Çelebi

Zea E-Books Collection

A feminist perspective of the myth of Penelope in Annie Leclerc’s Toi, Pénélope, Margaret Atwood’s The Penelopiad and Silvana La Spina’s Penelope.

At the origin of Western literature stands Queen Penelope—faithfully waiting for her husband to come home: keeping house, holding on to the throne, keeping the suitors at arm’s length, preserving Odysseus’ place and memory, deserted for the pursuit of war and adventures, and bringing up a son alone, but always keeping the marriage intact. Yet recently the character of Penelope, long the archetype of abandoned, faithful, submissive, passive wife, has been reinterpreted by feminist criticism and re-envisioned by …

Our Counter-Life Herstories: The Experiences Of African American Women Faculty In U.S. Computing Education, Shetay Nicole Ashford

USF Tampa Graduate Theses and Dissertations

The purpose of this life history qualitative study was to explore the Counter-Life Herstories of African American women faculty in U.S. Computing Education. Counter-Life Herstories are derived from Counterstories, life histories, and herstories as powerful social justice tools to uncover hidden truths about marginalized groups’ experiences. Through the collection of timelines, counter-life story interviews, and reflective journal writings, I co-constructed and interpreted the Counter-Life Herstories of five participants using an integrative conceptual framework that included critical race theory and Black feminist thought as interpretive frameworks, and Afrocentric feminist epistemology to govern my knowledge validation process. As an emerging African American …

Home V. Hospital: Power And Birth, An Examination Of Control Within Birth Models In The United States, Sarah W. Rosene

SEWSA 2016 Intersectionality in the New Millennium: An Assessment of Culture, Power, and Society

In this paper I examine why some women in the United States choose midwife attended homebirth over the medical model of birth. Why do women make this decision and what are the outcomes? I examined both qualitative and quantitative data on homebirths and have identified key reasons why women chose to give birth outside of the hospital. I focused on how the mother's feelings of control impacted her satisfaction with the birth experience, and how women’s control is affected in home versus hospitalized birth. My findings reveal that home births allow the woman more agency and an environment in which …

The Archaeology Of Appetites, Molly S. Schonert

SEWSA 2016 Intersectionality in the New Millennium: An Assessment of Culture, Power, and Society

Through use of examining how food is produced, stored, distributed and consumed, one can take a glimpse into the past, present and even future of this planet–to better understand the complexity of human identity and the social practices or roles that define an individual, community or society. So this begins an exploration of the archaeology of food as a gendered commodity throughout our evolutionary past, emphasizing the infinite ways in which foodway practices exceeds the nutritional value of what our ancestors, family, friends and ourselves consume(d) on a daily basis. Foodways practices is an invaluable tool in any archaeologists’ tool …

The Moral Obligation For Sex Worker Rights, Lori A. Durham

SEWSA 2016 Intersectionality in the New Millennium: An Assessment of Culture, Power, and Society

The female body is the site of endless controversy, with sex work as one of the most hotly debated issues. Historically viewed as an ethical and moral issue, arguments to criminalize sex work were dominant until the mid-to-late twentieth century when sex workers began to argue for decriminalization of adult “consensual” commercial sex. As one of the most marginalized populations in the world, sex workers are subjected to a multitude of violations against their bodies and their human rights. They routinely face physical and sexual violence, arrest and incarceration, extortion and harassment (frequently by police and other members of law …

Gender As A Socially Constructed Phenomenon, Jamie Smith

SEWSA 2016 Intersectionality in the New Millennium: An Assessment of Culture, Power, and Society

In the historical and social landscape that currently exists in America, the concept of gender, and especially the concept of women, has been created and enforced through societal expectations. From essentialism in the past, social and psychological theory has evolved to consider the social impact on gender construction. Foucault’s prison theory, Berger’s theory of surveying, and Mulvey’s theory of the Male Gaze can be used to show that gender, though it used to be viewed as inherent to a person’s identity, is actually a process of social conditioning. Women are shaped by society but continue to follow their roles because …

Clever On Sunday: A Visual Artist Interpretation Of The Post-Wwii Persuasion Of Consumer Marketing And The Gender Gap, Courtney L. Starrett

SEWSA 2016 Intersectionality in the New Millennium: An Assessment of Culture, Power, and Society

The visual arts transform concepts and philosophies into tangible and aesthetic depictions. Women’s studies and gender issues are common sources of inspiration for artists. This paper will unveil the process and development of an installation inspired by gender roles as defined by the post-WWII persuasion of consumer marketing. Clever on Sunday is an installation of custom, hand-cast, and functional silicone doilies. Each doily pattern is generated by sourced data and statistics reflecting selected information to be presented as implied substance for a potential narrative to be rendered by the viewer. The data sets used range from PhDs Earned by Women …

Did The Shrew Tame You: An Exploration Of Sexual Politics In Shakespeare's The Taming Of The Shrew, Marisa Stickel

SEWSA 2016 Intersectionality in the New Millennium: An Assessment of Culture, Power, and Society

This paper explores the sexual politics present in Shakespeare's The Taming of the Shrew, examining the gender roles that influence the relationship between Katherine and Petruccio. By analyzing Petruccio’s attempts at taming Katherine, in comparison to the ending of the play where she is supposedly tamed, I will emphasize Katherine's abilities to manipulate a patriarchal society’s rule over women. While she seems to demonstrate acquiescing full sovereignty to her husband, my argument will pose that Katherine assumes the role of a proper wife to trick Petruccio, allowing her access to marital dominance. By examining the patriarchal society of the time …

Rebuilding A Bridge Burned, Lamonica J. Jones

SEWSA 2016 Intersectionality in the New Millennium: An Assessment of Culture, Power, and Society

The purpose of this essay is to explore intersectionaility and shine a light on the plight of marginalized groups of women. Much too often are women grouped together in this assumed sisterhood, and people automatically assume that just because we are all women, we are all the same. There are many factors that affect many different women, and the reliance on a common biological make up alone will not change that. A white woman will not experience the same struggle as a black woman; an upper middle-class woman will not experience the same struggles as a working-class woman; and a …

Gay Doesn’T Begin To Cover It: Non-Binary Sexuality In Community’S Dean Pelton”, Jessica Mae Harmon

SEWSA 2016 Intersectionality in the New Millennium: An Assessment of Culture, Power, and Society

In modern media, characters whose sexuality lies outside of binary gender and sexuality representations are few and far between. Most queer characters in mainstream American television are labeled as either gay or lesbian, and in a few rare cases bisexual. Bisexuality, while least visible among sexual minorities that fit within the prescribed LGBT acronym, is most visible outside of the gay/straight dichotomy. Meanwhile the spectrum of non-binary sexualities is largely ignored. In this essay I will examine one character that breaks this mold and forces the modern viewer to consider non-binary sexuality, Dean Craig Pelton of NBC/Yahoo’s Community. The …

Femme-Ing The Fandom: A Cross-Cultural Approach, Lynslei Harris

SEWSA 2016 Intersectionality in the New Millennium: An Assessment of Culture, Power, and Society

In our ever-global society, fandoms, with their ability to reach and reproduce across cultures, have emerged as an important new media worthy of study. As the participatory practices of fans are explored, it is necessary to also apply the intersection of gender. Although each fandom constitutes a public, female members often participate in ways that allow them to form an artistic counterpublic. While male fans tend to gather data and act as gatekeepers of the fandom, their female counterparts engage in dress up or cosplay (costume play) and produce almost all of current fan fiction. These kinds of participatory practices …

Masks And Performance As Representations Of Gender Oppression And Repression In Edith Wharton’S The House Of Mirth And Nella Larsen’S Passing, Carrie A. Wilson

SEWSA 2016 Intersectionality in the New Millennium: An Assessment of Culture, Power, and Society

Edith Wharton and Nella Larsen’s literature focus on metaphorically representing gender oppression and repression as masked social performances that result in death being the ultimate release from the drama. Edith Wharton’s The House of Mirth depicts the heroine Lily Bart who, in the public social realm, attempts to mask herself as a disturbingly superficial character. Wharton’s masquerade imagery demonstrates the extent to which Lily socially capitalizes her beauty. Lily fixates on "clearness" and "lucidity" in events leading up to her death, which shows how dying releases her from the dishonest social masquerade (260). Nella Larsen’s heroine Irene Redfield similarly uses …

Consumed By The Broken Staccato: A Feminist Reading Of Zelda Fitzgerald’S Save Me The Waltz, Caitlin Mcgraw

SEWSA 2016 Intersectionality in the New Millennium: An Assessment of Culture, Power, and Society

Zelda Fitzgerald’s Save Me the Waltz is a novel in which art, text, and body intersect to become one. Her writing techniques, though often criticized, preserve the artistic liberation and affective state for which Fitzgerald seems to strive. She eliminates the line between the artist and her work, creating a novel that opens up to aspects of feminist theory. Zelda Fitzgerald’s texts become performative, constructing her own identity through her writing and painting, just as Alabama, the main character of Save Me the Waltz, strives to do so with her dancing. Like Fitzgerald herself, Alabama removes the barrier between …