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Climbing Mother By Brian Kershisnik: Representing Mothers As Sacred Spaces, Elijah Clark 2026 Brigham Young University

Climbing Mother By Brian Kershisnik: Representing Mothers As Sacred Spaces, Elijah Clark

AWE (A Woman’s Experience)

Brian Kershisnik’s collection The Difficult Part is a series of artworks that includes paintings from throughout the artist’s career. A repeated theme in this collection is motherhood. One particularly striking painting, Climbing Mother, is an oil on canvas piece painted in 2013 (wall text for Climbing Mother). Brian Kershisnik is a Latter-day Saint artist known for depicting mundane things as holy and for making holy things more approachable to modern audiences. For example, Kershisnik has many paintings of the Madonna and Christ child where they are shown as real people in everyday scenarios. The normalcy of his paintings …


Persuasions And Proposals: Female Agency In Pride And Prejudice, Mansfield Park, Emma, And Persuasion, Hannah Swenson 2026 Brigham Young University

Persuasions And Proposals: Female Agency In Pride And Prejudice, Mansfield Park, Emma, And Persuasion, Hannah Swenson

AWE (A Woman’s Experience)

In all six of her completed novels, one of Jane Austen’s primary interests is the theme of persuasion—particularly as it relates to the lives and decisions of young women. Her final book Persuasion, published six months after her death, can therefore be read as a final culmination of the topic of accepting and exerting influence. As scholar Ann Molan has observed, Austen “penetrates the intrinsic doubleness of persuasion, its ability to destroy and fashion, its ineradicable presence in all human dealings, and the riskiness of deciding one’s lot by something uncertifiable” (108). Although the theme of persuasion and persuadability …


Patterned After Poppies, Elise Marie Hatch 2026 Brigham Young University

Patterned After Poppies, Elise Marie Hatch

AWE (A Woman’s Experience)

No abstract provided.


A Self-Portrait: Staring The Male Gaze Right In The Eye, Brynne Petty 2026 Brigham Young University

A Self-Portrait: Staring The Male Gaze Right In The Eye, Brynne Petty

AWE (A Woman’s Experience)

The late nineteenth and early twentieth century was a time of constant change. Artists were constantly finding newer and more creative, often more bizarre, ways of expressing themselves through their art. Social norms were being broken down, with the subjects of many artworks becoming increasingly unconventional, bold, and, in many cases, provocative. Women swiftly became the subject of many paintings, often portrayed in the nude. Of course, a painting of a nude woman was not a new concept, but the way in which women were depicted was increasingly more sexual and erotic. Thus, the term male gaze—defined as “a …


God’S Reflection, Shannon Lindsay 2026 Brigham Young University

God’S Reflection, Shannon Lindsay

AWE (A Woman’s Experience)

No abstract provided.


Red Awe, Ella Marie Paligo 2026 Brigham Young University

Red Awe, Ella Marie Paligo

AWE (A Woman’s Experience)

No abstract provided.


Insecurity, Ana Gabriela 2026 Brigham Young University

Insecurity, Ana Gabriela

AWE (A Woman’s Experience)

No abstract provided.


On And Off, Madison Sacriste 2026 Brigham Young University

On And Off, Madison Sacriste

AWE (A Woman’s Experience)

No abstract provided.


Jael The Kenite, Madison Sacriste 2026 Brigham Young University

Jael The Kenite, Madison Sacriste

AWE (A Woman’s Experience)

No abstract provided.


End Matter, 2026 Brigham Young University

End Matter

AWE (A Woman’s Experience)

No abstract provided.


The First Thirteen Years, Crystal Gonzalez Callison 2026 Brigham Young University

The First Thirteen Years, Crystal Gonzalez Callison

AWE (A Woman’s Experience)

No abstract provided.


It Is Literally Impossible To Be A Monologue: The Misplaced Generalizations Of Barbie, Mabel Court 2026 Brigham Young University

It Is Literally Impossible To Be A Monologue: The Misplaced Generalizations Of Barbie, Mabel Court

AWE (A Woman’s Experience)

The summer of 2023 was a hot pink pressure cooker that transformed the Barbie brand from a dusty relic into an omnipresent cultural phenomenon. The Barbie movie’s savvy marketing team colored billboards bright fuschia, with the film’s mystery-shrouded plot fueling a thunderous roar of speculative chatter that crescendoed until its long-anticipated release. A star-studded cast and auteur director Greta Gerwig were the cherries on top, rocketing the film to critical and economic success. The film was heralded as thematically ambitious, one of the best comedies in recent memory, and a “feminist self-aware masterpiece” (Barbie Movie Reviews). Although Barbie marked a …


Shake Hands: A Challenge And A Statement On The Woman’S Role In American Society, Brynne Petty 2026 Brigham Young University

Shake Hands: A Challenge And A Statement On The Woman’S Role In American Society, Brynne Petty

AWE (A Woman’s Experience)

Nineteenth-century America was a time ripe with change. New inventions were created every day; many felt the call of Manifest Destiny and pushed for Westward Expansion; and the country endured a brutal civil war, all while enduring the growing pains of a young nation. Every decade delivered more opportunities for artists to create paintings that told of epic battles and the courage of men as they faced the wild frontier. Yet, somewhere in the midst of all this, the American ideal shifted. Many artists turned their efforts toward creating genre paintings that depicted the everyday lives of the middle and …


The Female Gothic And Marianne Dashwood: The Gothic Heroine Of Sense And Sensibility, Samantha Cottle 2026 Chapman University

The Female Gothic And Marianne Dashwood: The Gothic Heroine Of Sense And Sensibility, Samantha Cottle

English (MA) Theses

In the late eighteenth-century, the rise of the English Gothic novel propelled an extension referred to as the Female Gothic. Through the complexity of the English Gothic genre, writers—particularly women writers—explore the intersectionality of gender, class, natural horrors, and race, creating a space where the heroines of these Gothic novels exist beyond the confinement of the domestic sphere. The Female Gothic was a way for these women writers to acknowledge the natural horrors that plagued the experiences of being a woman—it addressed the oppression of a patriarchal society in which the subversion of the female body was perceived as an …


Full Issue, 2026 Brigham Young University

Full Issue

AWE (A Woman’s Experience)

No abstract provided.


Front Matter, 2026 Brigham Young University

Front Matter

AWE (A Woman’s Experience)

No abstract provided.


The Creation Coat, Jane Wilson Boyle 2026 Brigham Young University

The Creation Coat, Jane Wilson Boyle

AWE (A Woman’s Experience)

MINERVA TEICHERT AWARD 2025

As a woman, I often wonder what my role will be in the next life, and I am struck by how much we still do not know about the earth’s creation. This coat grew out of my struggle with the idea of cocreation—how women and men work together in ways both known and unknown.


Weight Of The World, Makenna Durfee 2026 Brigham Young University

Weight Of The World, Makenna Durfee

AWE (A Woman’s Experience)

No abstract provided.


The Miscarriage, Madi Mykal 2026 Brigham Young University

The Miscarriage, Madi Mykal

AWE (A Woman’s Experience)

No abstract provided.


Midnight Stroll, Emma Wilson 2026 Brigham Young University

Midnight Stroll, Emma Wilson

AWE (A Woman’s Experience)

No abstract provided.


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