Women's Studies Commons^™

Big Girl | Little Girl, Emily Mueller

Graduate School of Art Theses

In my thesis document, I unpack the relationship of my photographs to space, bodies, language, and childhood through a feminist lens. The interaction with these various aspects alludes to larger societal structures that inform identity. I am interested in the negotiation between gender and the way it informs the occupation of space, both photographic and physical. The intersection between subjects and objects is dissected using the definitions of these terms set forth by Judith Butler. Becoming a subject does not indicate that one is free from the power that creates it. The figure in my photographs wonders if attempting to …

Masculine Failure And Male Violence In Noah Hawley’S Fargo, J. T. Weisser

Journal of International Women's Studies

‘Quality’ television drama is drama marketed as being filmic and boundary-pushing, yet it tackles the concept of masculinity in highly normative ways. Scholars argue that many quality television shows feature narratives of men struggling against emasculation at the hands of contemporary society before using violence to assert their masculinity by force. However, this interpretation is limited, assuming that all quality television shows which engage with violent masculinities root this violence in normative, ‘aggressive’ masculinity. In many cases, the violent masculinities of quality television are anything but normatively masculine: they are inescapably queer and othered. Using a queer theoretical framework, this …

The Pussyhat Project: Texturing The Struggle For Feminist Solidarity, Katja May

Journal of International Women's Studies

This article moves beyond binary conceptions of the Pussyhat Project as “good or bad activism”, or indeed as good or bad feminism (Zouggarri, 2018, p. 1). Instead, I use the concept of texture as a lens through which to trace the different threads that have shaped and continue to shape the Pussyhat Project and its reception, while simultaneously paying attention to the entangled nature of these threads. Attending to the different textures of the process of making as well as the finished object serves to question or, at least, complicate dominant narratives and concepts of feminist solidarity, protest and craft. …

A Critique Of Anti-Carceral Feminism, Amy Masson

Journal of International Women's Studies

In analysing carceral logics in the context of the ‘unholy alliance’ of neoliberal and neoconservative hegemony, this paper seeks to acknowledge the central place of a distinctly moralistic, authoritarian neoconservative philosophy implicated in the crime control agenda. Thus, it is contended that carceral politics are in fact produced by a fusion of neoliberal and neoconservative ideas. Anti-carceral feminists argue that ‘carceral feminism’ has been co-opted by neoliberalism but fails to recognise and name these neoconservative forces, collapsing them into a confused conceptualisation of neoliberalism, lacking in theoretical clarity. In doing so, they do not see the spaces where their own …

The Communal Violence Bill: Women’S Bodies As Repositories Of Communal Honour, Zara Ismail

Journal of International Women's Studies

This article examines the measures taken under the various iterations of India’s Communal Violence Bill to tackle sexual violence in communally charged areas. It focuses on the 2002 violence in Gujarat to illustrate ‘sexual impunity’ in India, the workings of izzat (honour) within the discourse around communal violence, and to argue that citizens of India are not always equal before the law. Using decolonial, feminist and postcolonial theory, the author builds on a rich history of activism and scholarship to argue that not only are the measures proposed under the government’s draft of the Communal Violence Bill inadequate, but also …

Liminal Space And Minority Communities In Kate O’Brien’S Mary Lavelle (1936), Amy Finlay-Jeffrey

Journal of International Women's Studies

Despite blatant references to homoerotic desire in Kate O’Brien’s oeuvre — two of her novels Mary Lavelle (1936) and As Music and Splendour (1958) contain lesbian characters, whilst gay male characters appear in Without my Cloak (1931) and The Land of Spices (1941) — it is only in recent years that scholarship has considered O’Brien as a writer of homosexual themes. There are obvious reasons as to why the lesbianism in O’Brien’s work and others who wrote about it during the mid-twentieth century has suffered from such neglect. It is only since second-wave feminism that an academic critique of sexuality …

Postfeminist Hegemony In A Precarious World: Lessons In Neoliberal Survival From Rupaul’S Drag Race, Phoebe Chetwynd

Journal of International Women's Studies

The popularity of the reality television show RuPaul’s Drag Race is often framed as evidence of Western societies’ increasing tolerance towards queer identities. This paper instead considers the ideological cost of this mainstream success, arguing that the show does not successfully challenge dominant heteronormative values. In light of Rosalind Gill’s work on postfeminism, it will be argued that the show’s format calls upon contestants (and viewers) to conform to a postfeminist ideal that valorises normative femininity and reaffirms the gender binary. Through its analysis of RuPaul’s Drag Race, I further intend to develop our understanding of the relationship between neoliberalism …

Unending And Uncertain: Thinking Through A Phenomenological Consideration Of Self-Harm Towards A Feminist Understanding Of Embodied Agency, Veronica Heney

Journal of International Women's Studies

Agency has been much discussed in both popular and academic feminist discourse, particularly in the context of empowerment and sexual practices. Following a third-wave emphasis on women’s ability to respect women’s choices and ability to exercise agency free from domination, postmodern feminist scholars have critiqued such a view as thoroughly implicated in discourses of neoliberal individualism and compulsory self-discipline. However, these critiques have not entirely succeeded in providing convincing alternative approaches for incorporating concepts and experiences of change and intentionality within frameworks which emphasise the governmentality of discourses of empowerment. Thus, this essay explores the benefits of shifting the frame …

Feminist Comforts And Considerations Amidst A Global Pandemic: New Writings In Feminist And Women’S Studies—Winning And Short-Listed Entries From The 2019 Feminist Studies Association’S (Fsa) Annual Student Essay Competition, Carli Rowell

Journal of International Women's Studies

No abstract provided.

Female Roles In Antiquity: The Dichotomy Between The Stage And The Page, Bella Biancone

Undergraduate Research and Scholarship Symposium

The women portrayed in Greek drama were often strong, courageous, and integral to the storyline. In contrast to their real-life counterparts (who may have not even been allowed to see the plays), these women stood out as individuals in their respective stories. They are bold, dynamic, intelligent and respected. They are meant to be seen and heard. Women in drama emerge as heroines of their own stories and serve to educate the audience on some aspect of women in Greece. On other hand, the women of Homeric epics tended to be subdued and traditional; they are background characters, merely present …

The Contradictory Interpretations Of Genesis 4:7—Ellen G. White Versus The Theology Of Ordination Study Committee Position 1, Michael F. Younker

Andrews University Seminary Student Journal

Reflecting a widespread tension throughout the world of biblical interpretation, Ellen G. White and the Theology of Ordination Study Committee Position 1 (TOSC1) propose contradictory interpretations of Genesis 4:7. Given the content of Genesis 4:7, which addresses issues relating to psychology and authority, which are often connected with Genesis 3:16 and gender, and its use by the TOSC1, the promotion of the TOSC1 interpretation of Genesis 4:7 within Seventh-day Adventist circles as well as broader Christianity will encourage further unpleasant confrontations concerning the issues related to the psychology of gender and authority in Scripture.

Her Voice On Air: How Irish Radio Made Strides For Women's Rights, Emilie R. Hines

Pell Scholars and Senior Theses

Radio is the voice of the people; this is no less true in Ireland, a nation that prefers talk radio and phone-ins. These formats were popular from 1970-2000, formative years for the feminist movement. Scholarship suggests a correlation between radio and women’s issues in Ireland but does not answer what elements create this. Here, I analyze 10 archival radio clips from Ireland’s national public service broadcaster, RTÉ, looking at how women’s issues are framed. After analyzing these clips, I found that Irish identity embedded in the shows allows for the discussion of controversial ideas. Radio promotes an inclusive environment, by …

Women In Socialist Cuba: Political And Economic Equality, Julia E. Rogers

Senior Honors Projects, 2020-current

Gender equality is recognized as a fundamental human right and goal by the United Nations. The 1959 Cuban Revolution advocated for widespread social changes including equality for women. Cuba is a critical case because it both confirms and refutes assumptions about gender equality. The central research question explored in this thesis is: How do domestic and global factors combine to affect the rhetoric and experiences of gendered and racial groups with respect to economic and political opportunities in socialist Cuba? I examine whether the divergences between expectations and experiences conform to the general literature. I find that women did achieve …

Playing To Win: The Marriage Market In Jane Austen’S Northanger Abbey, Sense And Sensibility And Emma, Caroline Elizabeth Nall

Honors Theses

This thesis aims to analyze the implications of the marriage market in Jane Austen’s novels Northanger Abbey, Sense and Sensibility and Emma. In these books, the main focus will be on Isabella Thorpe, who is actively participating in the “game” of the marriage market, Charlotte Palmer, who has won the “game” of marriage, and Miss Bates, who has lost the “game” of marriage. The historical context of these situations, taking place in eighteenth and nineteenth century England, has been taken into account. Austen has created characters to demonstrate the many aspects of a female’s life and how it relates …

Whose Right Is It Anyway? A Study Of Human Rights Language On Both Sides Of The Abortion Debate In Post-Dictatorial Argentina, Ysabella Carmen St. Amant

Honors Theses

In August of 2018, thousands of protestors waited to hear results of the vote on the Voluntary Termination of the Pregnancy bill in the Argentinian Senate. Though the bill failed by seven votes, the near passage of the bill and the outpouring of protestors indicated that the issue of abortion had gained an increasing foothold in the legislature and in public discourse. This project seeks to explore in greater detail the emergence of activism on abortion legislation in the decades following the re-democratization of Argentina in 1983. Particularly throughout the 2000s and 2010s, advocates for both the expansion and repression …

Talent Against Tradition: The Art And Life Of Kate Freeman Clark, Grace Moorman

Honors Theses

This paper explores the art of Holly Springs, Mississippi, painter Kate Freeman Clark, especially in association with the work of her teacher William Merritt Chase. Much of this paper is based on two extensive biographies: Cynthia Grant Tucker’s Kate Freeman Clark: A Painter Rediscovered, and Carolyn J. Brown’s The Artist’s Sketch: A Biography of Painter Kate Freeman Clark. Using a number of object studies, this paper explores the development of Clark’s work under the tutelage of Chase, highlighting similarities and differences that lead to the conclusion that Clark had a very real talent that she seemed reluctant to …

Iron Manicures: Sex, Power, And Sedition In Margaret Atwood's Writing, Anna Zarra Aldrich

Honors Scholar Theses

Margaret Atwood has often been criticized as a bad feminist writer for featuring villainous, cruel women. Atwood has combatted this criticism by pointing out that evil women exist in life, so they should in literature as well. Every story requires a villain and a victim, for Atwood these roles are both usually played by women. This thesis will explore the idea of the woman as spectacle in both behavior and body. Women are controlled by the idea that they must care. When they stop caring, they become a threat. At the heart of Atwood’s writing are the relationships between women …

Female Leaders Navigate The Arts, Post 'Me Too', Peyton Kennedy

Senior Honors Projects, 2020-current

As the lights dim and the curtain rises on a theatrical production, there are roles to fill onstage and off. Perhaps the most important roles in modern theatre are those of leadership. Leaders in the arts have the power to influence company communication, shape the culture of the rehearsal room and navigate through a crisis. However, leadership and power can be manipulated, as the world witnessed through the ‘me too’ movement. As allegations rose against prominent leaders, the push for change strengthened. We are now three years past Hollywood’s ignition of the ‘me too’ movement, which prompts the question: have …

Honoré De Balzac’S Portrayal Of The Feminine Condition In The Wild Ass’S Skin, Père Goriot, And The Lily Of The Valley, Brooke V. Musmeci

Honors Theses

In 19th century France, women appeared to be second class citizens. They were often limited in their abilities to have independence and secure their own wealth. This perception of women perhaps justifies why, as Honoré de Balzac’s novels illustrated the realities of French society, he attempted to characterize women’s struggles to obtain control and power in their lives. In his novels The Wild Ass’s Skin (1831), The Lily of the Valley (1835), and Le Père Goriot (1835), Balzac sought to prove how women could improve their lot.

Firstly, in studying how women had been relegated to second-class citizens under their …

The (In)Visible Woman: A Performative Autoethnographic Exploration Of Queer Femme-Ininity And Queer Isolation, Bri Ozalas

Masters Theses, 2020-current

This thesis is a performative autoethnographic exploration of my experiences existing betwixt-and-between the intersection of queer femme-ininity and isolation. Through a creative, affective rendition of my experiences, I detail and connect the nuances of queerness, femme-ininity, and queer isolation to provide a closer look at understanding queer identity with an absence of connection to the queer community. First, I provide an overview of the main theoretical and methodological approaches, and main concepts I utilize throughout my project. I then provide the intricacies of queer theory, queer intersectionality, and affect theory to provide theoretical explanations of my approach to queer isolation. …