Theory's Estrangement From Literature And Literature's Control Of Theory: A Survey Of The Relationship Between Theory And Literature In The Last Hundred Years,
2013
Theoretical Studies in Literature and Art
Theory's Estrangement From Literature And Literature's Control Of Theory: A Survey Of The Relationship Between Theory And Literature In The Last Hundred Years, Liang Xu
Theoretical Studies in Literature and Art
The capitalized "Theory" emerged from literary theories, but Theory's progress showed a gradual estrangement from literature. The "Theory" has entered almost every field from cultural semiotics to Foucault's school, but it apparently ignores the field of traditional literature. Some scholars of post- theories try to turn back to the pre-Theory period to change the trend while some scholars maintain that literature has controlled academics. The paper argues that the concept of "literature" and the relations between literature and theory should be reconsidered. The linguistic turn highlights the intransitivity of language, which leads to the ubiquity of literariness, and as a …
On The Artistic Origin Of Wen Tingyun's Music Bureau Style And Its Influence On Ci-Poetry,
2013
Theoretical Studies in Literature and Art
On The Artistic Origin Of Wen Tingyun's Music Bureau Style And Its Influence On Ci-Poetry, Qinghai Liu
Theoretical Studies in Literature and Art
Wen Tingyun's poetry of Music Bureau style inherits mostly from Li He but also from Li Bai and the Music Bureau poetry of the Southern Dynasties. The artistic character of Wen's Music Bureau style comprises of a suggestive way of representation and a flowery language, and the style exerts an obvious influence on Wen's ci-poetry. Wen Tingyun introduced a pompous style into the literati's ci-poetry of late ages, but the influence of Wen's style on ci-poetry can be traced back even to Han Hong in the Dali period in the Tang Dynasty.
Power, Representation And The Advocating Of Modern Chinese Literature: With A Study On Totalistic Anti-Tradition In The May Fourth Era,
2013
Theoretical Studies in Literature and Art
Power, Representation And The Advocating Of Modern Chinese Literature: With A Study On Totalistic Anti-Tradition In The May Fourth Era, Qinghua Cao
Theoretical Studies in Literature and Art
The paper maintains that the slogan of "Literature Revolution" in the May Fourth Era calls actually for a revolution of representation, and at the foremost of the revolution is the transformation of the means and manner of representation. The discursive construction in the content of "new literature" focuses on the discipline and description of the represented objects, the position of the representation and the relationship between representation and the represented objects, but the essential concern is on how to empower the representation. The totalistic anti-tradition in the May Fourth Era can then be understood as the totalistic anti-representation which opposes …
The Aesthetic Ideas In The Taichi Diagram And Chinese Calligraphy Art,
2013
Theoretical Studies in Literature and Art
The Aesthetic Ideas In The Taichi Diagram And Chinese Calligraphy Art, Lei Wei
Theoretical Studies in Literature and Art
As the fruit of Chinese ancient philosophy and the vivid expression of Chinese culture, Taichi diagram is a concrete and intuitive summarization of The Book of Change. The endless flowing curve of the S-shape in the Taichi diagram represents the ideal of harmony in the binary opposition of "Yin and Yang," implying the coexistence of Emptiness and Fullness, as well as the combination of the hard and the soft. This supreme realm of harmonious integration becomes the fundamental basis of the art of Chinese calligraphy. The expression of meaning through imagery in Taichi diagram conveys ancient Chinese philosophy and aesthetic …
The Body Prescribed, The Subject Of Desire, And The Discourse Of Body In Literary Criticism,
2013
Theoretical Studies in Literature and Art
The Body Prescribed, The Subject Of Desire, And The Discourse Of Body In Literary Criticism, Xuezhi Niu
Theoretical Studies in Literature and Art
Literary criticism as an intellectual act about literature has caused quite some contradiction, and the most direct reason may be related to the pan-axiology of criticism. The discourse of body is a value choice of criticism focusing on the body narrative in literature. It concerns how body is conditioned by culture, how it is restrained as object of desire, and where the discourse of body as a mode of criticism functions when the body narrative goes out of control, etc. only by avoiding the contradiction of pan-axiology can this mode of criticism be so examined as to activate the dormant …
The Art Form, National Image And Culture Discount In Korean Movies: An Empirical Study Based On The North American Market,
2013
Theoretical Studies in Literature and Art
The Art Form, National Image And Culture Discount In Korean Movies: An Empirical Study Based On The North American Market, Linxia Chen, Ying Du
Theoretical Studies in Literature and Art
Korean movie industry's quick rise in the late 1990s becomes an example of successful economic transformation among Asian countries in the global industrial upgrading. Korean movie industry tried to promote its commercial success through extreme narrative, which entails a kind of culture discount in the intercultural communication, leading to an overseas market share far less than Korean TV drama, music and other popular cultural products. In the North American market, the largest market with the most intense competition, Korean movies' box office is just passable, because the movies generally have strong political and nationalistic agendas, trying to create a favorable …
The Dao Shown In Skills Or Integrated Into Skills: An Examination Of Zhuangzi's Aesthetics On Skills,
2013
Theoretical Studies in Literature and Art
The Dao Shown In Skills Or Integrated Into Skills: An Examination Of Zhuangzi's Aesthetics On Skills, Huoqing Chen
Theoretical Studies in Literature and Art
In Zhuangzi's relationship between Dao and skill, the prevailing understanding is that Dao can be shown in skills. This understanding, the paper argues, may not be internal to Zhuangzi's thought but derivative from later theorists and scholars on the basis of their understanding of artistic and aesthetic practice. The later theorization may also result from the integration of Confucian and Daoist thoughts. The within-heart epiphany and the experience of "sitting and forgetting" do not correspond to the spirit of arts or aesthetics but to the spirit of morality. The pursuit of the fantastic skills instead of the practical skills in …
The Evolution Of The Concept "Emulating Pre-Tang Regulated Verses" In Ancient Chinese Poetics,
2013
Theoretical Studies in Literature and Art
The Evolution Of The Concept "Emulating Pre-Tang Regulated Verses" In Ancient Chinese Poetics, Zhanzhao Liu
Theoretical Studies in Literature and Art
As an important poetic concept, the trend of "emulating pre-Tang regulated verses" arose in mid-Tang Dynasty. After its finalization of the pattern, the metrical verses were criticized by those scholars believing that the regulated verses are inferior to the pre-Tang poems, as they were believed to lack the pre-Tang's esthetic characters like Fenggu (air), Xingji (message), simplicity and naturalness. Thus, some scholars proposed the concept of "emulating pre-Tang regulated verses" to learn from pre-Tang poems' rhetoric technique, text structure, style function and writing spirit. Tang poetry advocated Bixing (two metaphorical and rhetorical qualities from The Book of Songs) in the …
The Falsity Of Life And The Truth Of Existence: A Thematic Exploration Into Ingmar Bergman's Works,
2013
Theoretical Studies in Literature and Art
The Falsity Of Life And The Truth Of Existence: A Thematic Exploration Into Ingmar Bergman's Works, Ru Pan
Theoretical Studies in Literature and Art
Human existence is one essential theme in the modern art. As a representative of the modern film art, Swedish film director Ingmar Bergman probed into the depth of despair and danger, exposing, through cinematic means, all the disguises of language, revealing the true circumstances of human existence. Bergman's representative works of different periods such as Persona, Autumn Sonata and The Life of Puppets reflected his artistic aspiration, which may be summarized as to unravel the pompous disguise of language, pierce through the frantic illusions of sexuality under the duress of power, and reveal the raging violence underlying close human ties.
The Historical Origin And Changing Connotation Of Recording "The Extraordinary" In Chinese Ancient Novels,
2013
Theoretical Studies in Literature and Art
The Historical Origin And Changing Connotation Of Recording "The Extraordinary" In Chinese Ancient Novels, Yueling He
Theoretical Studies in Literature and Art
Recording "the Extraordinary (Qi)" is an essential character of Chinese ancient novels, and both its attributes and connotations have been deeply connected with Chinese ancient historical biographical writing. Chinese ancient novels and Shi (historical biography) are closely linked but not similar, as the narrative of historical biography is based on the principles of collecting the extraordinary for the purpose of instructing the sacred way and expressing the justice (Yi) through rhetorical working (Wen). The orthodox concept in "Confucius not talking about the strange and uncanny" and the general exclusion of the extraordinary in the historical biography and the restriction of …
Where Is Literary Theory Going?: A Synopsis Of The Symposium On "The Future Of Literary Theory",
2013
Theoretical Studies in Literature and Art
Where Is Literary Theory Going?: A Synopsis Of The Symposium On "The Future Of Literary Theory", Liangcong Zhang, Yuyun Feng
Theoretical Studies in Literature and Art
The context of the symposium is the contemporary theoretical reflection on literary theories. Scholastic discussions in the symposium have focused on the crisis of theory and the possible way-out of the crisis, as well as some specific problems in the research and context of Chinese and Western literary theory. In a new context, the symposium with its focus on the possible prospect of literary theory has undeniable significance in reconstructing contemporary theoretical discourse.
The Enigma Of Visibility: Merleau-Ponty's Philosophical Reflection On Painting In Eye And Mind,
2013
Theoretical Studies in Literature and Art
The Enigma Of Visibility: Merleau-Ponty's Philosophical Reflection On Painting In Eye And Mind, Yaojun Zhang
Theoretical Studies in Literature and Art
Merleau-Ponty's Eye and Mind focuses on painting, but underlying the discussion in the book is the relationship between man and existence, as visuality is the sinew for the relationship. This paper proceeds from the discussion in Eye and Mind and investigates the basic characteristics of visuality before continues to analyze the reversible relationship between man and objects which the paper defines as the relationship between the visible and the invisible. The paper maintains that it is possible to approach existence by way of painting.
Theoretical Features Of Comments On Zhuangzi'S Prose In Qing Dynasty And Their Artistic Value,
2013
Theoretical Studies in Literature and Art
Theoretical Features Of Comments On Zhuangzi'S Prose In Qing Dynasty And Their Artistic Value, Bo Li
Theoretical Studies in Literature and Art
The annotated commentaries on the prose in Zhuangzi's prose in the Qing Dynasty inherit and develop the traditional theory of literary criticism, and establish a discursive system of modern literary criticism. In particular, the interpretative studies on the narrative theory, appreciation and literary Dao have expanded the scope of Zhuangzi's aesthetics and have significant influence on theoretical development.
Trends Of Literary Theory In The Post-Theoretical Era: Towards Posthumanism,
2013
Theoretical Studies in Literature and Art
Trends Of Literary Theory In The Post-Theoretical Era: Towards Posthumanism, Ning Wang
Theoretical Studies in Literature and Art
In response to the pessimistic opinions in the circles of literary theory in the East and West, the paper holds that the passing of the golden era of literary and cultural theory does not mean the death of theory. In the present post-theoretical era, the function of theory is no longer forceful and ubiquitous as before, but rather it is to a certain extent restricted. The rise of the so-called posthumanist trend in the West in the past decade indicates that man in the present era is nothing but one of the species in nature, whose existence and development also …
"Post-New Period" And The Structural Position Of Everyday Life,
2013
Theoretical Studies in Literature and Art
"Post-New Period" And The Structural Position Of Everyday Life, Huanjiang Qiao
Theoretical Studies in Literature and Art
The "post-new period" is a concept which the academic circle in the early 1990s gave to Chinese literature. This name, the present paper argues, is a way of expressing a value expectation more than an actual description of literature at the time. In the imaginary discourse that concerns literature’s dominant status and its autonomy, the theorization of the post-new period is departed from the essential aspects of contemporary society culture, revealing its lack of historical awareness. If the literature practice after 1990s has shown some distinctive features different from the New Period literature, the reason may not the breakup in …
A Cultural Study Of Unrelated Homonym In Internet Language,
2013
Theoretical Studies in Literature and Art
A Cultural Study Of Unrelated Homonym In Internet Language, Mofan Xu
Theoretical Studies in Literature and Art
Unrelated homonym is a common phenomenon of language use in contemporary internet, in which the newly created homonyms have no relevance to the meaning of the original words. Unrelated homonym is not a way of making neologism, but a special usage conditioned by cyber communication techniques and it has become a kind of normalized language play. There are two purposes in using unrelated homonyms: to attract readers' attention through signifier noise, and to achieve an ironic effect through conveying the intended original content in an arbitrary phonetic form. The target of the irony reflects the group psychology of the contemporary …
A Critique Of Derrida's Deconstructive Mode Of Thinking,
2013
Theoretical Studies in Literature and Art
A Critique Of Derrida's Deconstructive Mode Of Thinking, Bing Li
Theoretical Studies in Literature and Art
Despite of misunderstanding, deconstruction as a kind of way of thinking has inserted profound influence in the late 20th century. Derrida's undermining of the dualistic way of thinking may not be taken as an irrational destruction, but as a rigorously logical analysis. The heterogeneous way of thinking contains two important perspectives of time and otherness. Derrida's cross-disciplinary writing implicates a post-modern thought of dedifferentiation, which further complicates the boundaries between arts. However, the main limitation of Derrida's mode of thinking lies in its reductionist way of thought, in which language is reduced to super subject and the author's authority is …
A Synopsis Of The Symposium On "Modern Chinese Foreign Literature Studies Over Six Decades",
2013
Theoretical Studies in Literature and Art
A Synopsis Of The Symposium On "Modern Chinese Foreign Literature Studies Over Six Decades", Suzhou Liu, Jing Chen
Theoretical Studies in Literature and Art
No abstract provided.
Aesthetic Modernity Forms Of Contemporary Taiwanese Prose Theory,
2013
Theoretical Studies in Literature and Art
Aesthetic Modernity Forms Of Contemporary Taiwanese Prose Theory, Jiangzhen Cai
Theoretical Studies in Literature and Art
The prose theory has developed for more than half a century in Taiwan, with "modernity" as the principal axis. In the process of prose theory transformation, Yu Kwang-Chung's call for "cutting off the pigtail of prose" became a symbolic slogan with far-reaching influence, and his modernist approach of "poeticizing" prose established itself as the predominant principle. In the recent three decades, however, scholars shifted their research focus to the generic essence of prose, trying to define the generic style by deconstructing the style, while at the same time advocating the imagination and fictionality in prose which challenges the conventional concept …
Benjamin In Love: A Re-Interpretation OfMoscow Diary,
2013
Theoretical Studies in Literature and Art
Benjamin In Love: A Re-Interpretation OfMoscow Diary, Shicong Sun
Theoretical Studies in Literature and Art
Benjamin's Moscow Diary records the complex relationship between the life and the thought, and it also penetrated with his self-projection. Neither is Benjamin in love a symbol of the "Benjamin industry" carnival, nor is the bodiless Benjamin a feminist metaphor for the aura of his thoughts. Asja Lacis, the protagonist in Moscow Diary, represents one immanent origin of philosophical critique of modernity in the era of overflowing total alienation and pseudo-experience. Individual's authentic experience has been viewed by Benjamin as the last resort to transcendence and redemption of modernity, and underlying Moscow Diary is Benjamin's philosophy of experience.
