Music And Sound In Weihsien Internment Camp In Japanese-Occupied China,
2022
College of Saint Benedict/Saint John's University
Music And Sound In Weihsien Internment Camp In Japanese-Occupied China, Zhihui Sophia Geng
Asian Studies Faculty Publications
From the chapter's Introduction:
On 7 July 1937, Japanese forces based in Manchuria charged southward towards Beijing, invading north China and hence starting the Second Sino-Japanese War (1937–45). On 7 December 1941, Japan attacked Pearl Harbor, transforming the Second Sino-Japanese War into the Pacific War. As a result of Pearl Harbor, the status of Allied citizens living in China at the time changed from neutral to ‘enemy aliens’. These Allied citizens included individuals and their families who worked in China as government officials, executives, engineers and Christian missionaries. They were forced into internment camps under the watchful eyes of the …
The Representation Of Japanese Working Women And The Labor Standard Law Of Japan – A Feminist Postcolonial Approach,
2022
Ateneo de Manila University
The Representation Of Japanese Working Women And The Labor Standard Law Of Japan – A Feminist Postcolonial Approach, Angela Louise C. Rosario
Japanese Studies Program Faculty Publications
Since the 1947 Constitution was drafted at the behest of the Allied General Headquarters led by the Supreme Commander of the Allied Powers (SCAP), it is only fitting to scrutinize the media directly under it. One of the policies that should have affected Japanese women’s status is the Labor Standard Law. With this Law as a reference point, this paper anchors the SCAP’s ideals for Japanese women in terms of labor whilst I look at the portrayal of Japanese women in the 1948 issues of Pacific Stars and Stripes, an unofficial military daily newspaper under the supervision of SCAP. Through …
Botchan,
2022
The Kokusai News Agency
Botchan, Natsume Sōseki, Yasotaro Morri , Trans.
Zea E-Books Collection
This English translation of 坊っちゃん (1906) was published in Tokyo by Ogawa Seibundo in 1918. It is a first-person narrative of a young man’s two-month tenure as assistant mathematics teacher at a provincial middle school in 1890s Japan. A native son of Tokyo, with all its traits and prejudices, he finds life in a narrow country town unappealing — with its dull and mischievous students, scheming faculty, bland diets, stifling rules, and gossipy inhabitants. Impulsive, combative, committed to strict ideals of honesty, honor, and justice, he is quickly enmeshed in the strategems of the head teacher, “Red Shirt.” His sufferings …
Women In Post-War Japan: Bodies Of The Avant Garde,
2022
University of Central Florida
Women In Post-War Japan: Bodies Of The Avant Garde, Cassidy P. Boulanger
Honors Undergraduate Theses
From 1945 onward, post-war artists in Japan encountered two interrelated challenges: to both adjust to the war’s aftermath, and also to create a new visual language which expressed new ideas and emotions. For women artists in Japan, this time of distinct culture change allowed for a re-defining of their role in the art community as well as society. However, there were strict boundaries surrounding the institutional and academic realm of art, one that was not inviting to women, or one that allowed opportunity or growth. Nevertheless, many women artists sought to explore gender roles, the idea of womanhood, sexuality, and …
Kokoro: Hints And Echoes Of Japanese Inner Life,
2022
University of Nebraska - Lincoln
Kokoro: Hints And Echoes Of Japanese Inner Life, Lafcadio Hearn, Koizumi Yakumo
Zea E-Books Collection
The works of Lafcadio Hearn (Koizumi Yakumo) played a critical role in introducing his adopted Japan to a worldwide audience. In Kokoro: Hints and Echoes of Japanese Inner Life, he writes, “The papers composing this volume treat of the inner rather than of the outer life of Japan, — for which reason they have been grouped under the title Kokoro (heart). This word signifies also mind, in the emotional sense; spirit; courage; resolve; sentiment; affection; and inner meaning, — just as we say in English, ‘the heart of things.’” After centuries of isolation Meiji-era Japan was forced to adjust …
Japanese Fairy Tales,
2022
University of Nebraska - Lincoln
Japanese Fairy Tales, Lafcadio Hearn
Zea E-Books Collection
• Chin-Chin Kobakama • The Goblin-Spider • The Old Woman Who Lost Her Dumplings • The Boy Who Drew Cats • The Silly Jelly-Fish • The Hare of Inaba • Shippeitarō • The Matsuyama Mirror • My Lord Bag-o’-Rice • The Serpent with Eight Heads • The Old Man and the Devils • The Tongue-Cut Sparrow • The Wooden Bowl • The Tea-Kettle • Urashima • Green Willow • The Flute • Reflections • The Spring Lover and the Autumn Lover • Momotaro
The versions of the first four tales in this volume are by Lafcadio Hearn. The others are …
Anti-Art In Postwar Korea And Japan,
2022
Sotheby's Institute of Art
Anti-Art In Postwar Korea And Japan, Emma Patterson
MA Projects
Emerging from the traumatic devastation of World War II and the economic upheaval that followed, artists in Japan and South Korea adopted similar creative strategies and addressed parallel themes in their artistic responses to the postwar period. Anti-Art in Postwar Korea and Japan brings together artists from the two nations—which share a complex socio-political history—to introduce a new lens through which to understand contemporary East Asian art. Seung-taek Lee, Ha Chong-Hyun, Kim Tschang-Yeul, Lee Ufan, and Nobuo Sekine were few of a number of Korean and Japanese artists who developed comparable practices across the media of painting, sculpture, installation, and …
Compulsory Conformity In Modern Japanese Culture: An Exploration Of Asexuality In The Works Of Murata Sayaka, Kawakami Mieko, And Kamatani Yuki,
2022
University of Central Florida
Compulsory Conformity In Modern Japanese Culture: An Exploration Of Asexuality In The Works Of Murata Sayaka, Kawakami Mieko, And Kamatani Yuki, Nicholas Colecio
Electronic Theses and Dissertations, 2020-2023
This thesis investigates the representation of asexual individuals in the works of Murata Sayaka, Kawakami Mieko, and Kamatani Yuki, all of whom are contemporary Japanese writers that portray near–suffocating social environments in their depictions of modern-day Japan. Their texts illustrate the augmented demands Japanese society places upon a cross-section of asexual and neurodivergent individuals. Despite the thematic and character–related similarities in their works, I argue that each author presents a unique interpretation of how these asexual individuals interact with—and try to integrate into—wider Japanese society and mainstream culture. Murata's texts demonstrate an unapologetically radical separatism by invoking an idealized queer …
In Search Of Unicorns: An Analysis Of Japan's Startup Ecosystem,
2022
Claremont Colleges
In Search Of Unicorns: An Analysis Of Japan's Startup Ecosystem, Kaito Komoriya
CMC Senior Theses
While Japan previously dominated global consumer markets in innovative electronic products, the economy has failed to live up to this performance since the burst of the asset price bubble in 1992 and the subsequent lost decades. In the modern economy, startup companies have become synonymous with innovation. Most of these companies have emerged from Silicon Valley, as well as other startup hubs around the globe. However, critics have criticized Japan for the limited number of notable startup companies from the country.
My thesis seeks to answer the two following questions: First, what is the current state of Japan’s startup ecosystem? …
Language Learning Through Interaction: Online And In The Classroom,
2022
University of Tampa
Language Learning Through Interaction: Online And In The Classroom, Andrew J. Demil, Rachel Kozikowski
The Coastal Review
Online language teaching has become a popular alternative to classroom learning (Liu et al; Warschauer and Meskill). This led to research comparing the two learning environments (Young). Regardless of the learning environment, in order to be effective, the second language classroom must be designed to lead learners to acquisition. Studies suggest that collaborative tasks that push learners to negotiate meaning lead to acquisition (Leeser; Loewen and Erlam; Mackey and Philp; Stafford, Bowden, Sanz). Participants in this study were in two environments; a second language classroom in the typical in person classroom format, and a language learning course in an online …
Pensar El Límite: El Símbolo Indígena En Los Proyectos Políticos Cubanos De Principios Del Siglo Xix,
2022
University of South Carolina-Columbia
Pensar El Límite: El Símbolo Indígena En Los Proyectos Políticos Cubanos De Principios Del Siglo Xix, Jorge L. Camacho
The Coastal Review
This article investigates the way in which Cuban literature reflected on indigenous people during the early half of the nineteenth century and uses the symbol of the Amerindians to demonstrate a moral disjuncture between them and the colonizer. In this article, I call attention to the way Cuban independentists and Spanish nationalists used this figure to support their views and thus created a split in the Cuban creole imagination. I start by pointing out that these appropriations started at the end of the 18th century when historian José Martín Félix de Arrate, and poets such as Miguel González and Manuel …
La “Border Culture” Del Personaje Mexicoamericano En El Sureste De Estados Unidos En Los Cuentos De Lorraine López Y Mijito Doesn’T Live Here Anymore De Jaime Martínez,
2022
Morehouse College
La “Border Culture” Del Personaje Mexicoamericano En El Sureste De Estados Unidos En Los Cuentos De Lorraine López Y Mijito Doesn’T Live Here Anymore De Jaime Martínez, Jaime Chavez
The Coastal Review
This paper explores the concepts of "Border Culture" and "Borderlands" by Gloria Anzaldúa in Soy la Avon Lady and Other Stories, Homicide Survivors Picnic and Other Stories, by Lorraine López and the novel Mijito Doesn’t Live Here Anymore by Jaime Martínez. The paper argues that the Mexican American character in the southeast of the United States lives in the "Borderlands" and practices a "Border Culture" because they don't follow the traditional stereotypical role of the Mexican American character within the literary canon of both the dominant culture and Chicana/o literature.
Yoshitsune And The Gendered Transformations Of Japan’S Self-Image,
2022
Dartmouth College
Yoshitsune And The Gendered Transformations Of Japan’S Self-Image, Sachi Schmidt-Hori
Dartmouth Scholarship
This essay traces the transformations of Japan’s self-image through the figure of Minamoto no Yoshitsune. As Japan in the late 600s replaced its name granted by China—“the land of dwarfs”—with “the land of harmony,” its desire to positively repackage its smallness illuminates how the “short and ugly” Yoshitsune in Heike monogatari (fourteenth century) morphed into a “small but beautiful” youth by the fifteenth century. Furthermore, the modern imperial regime repurposed the child Yoshitsune (Ushiwaka-maru) for propaganda by inundating children’s media with the image of Ushiwaka-maru fighting Benkei, which symbolized the “small but mighty” Japan subjugating the massive “West.”
The Dark Realism Of Miyazawa Kenji: Social Activism In The Science-Fiction Children's Story, The Life Of Gusukō Budori, And Its Precursor Work,
2021
Portland State University
The Dark Realism Of Miyazawa Kenji: Social Activism In The Science-Fiction Children's Story, The Life Of Gusukō Budori, And Its Precursor Work, Elsiemae Ann Ito
Dissertations and Theses
Miyazawa Kenji (1896-1933) is widely known in Japan as a children's story writer and poet, but he was also grounded in real life as a teacher, soil scientist, and farmer. Recognizing the harsh realities for farmers in his native Iwate, he nonetheless dreamed of an ideal world, as seen in his stories. To better understand the dark realities of life in Iwate, Japan, Miyazawa changed his occupation from teacher to farmer, focusing more on social activism that would better the lives of the people in his community. His late children's story, The Life of Gusukō Budori (Gusukō Budori no …
I Am A Cat,
2021
University of Nebraska - Lincoln
I Am A Cat, Natsume Sōseki
Zea E-Books Collection
This English version of 吾輩は猫である (Wagahai-wa neko de aru: I Am a Cat), Chapters I and II, written by Natsume Sōseki, pseudonym of Natsume Kinnosuke (1867–1916), and translated by Kan-ichi Ando (1878-1924), was published by Hattori Shoten, Tokyo, in 1906.
It begins: "I am a cat; but as yet I have no name." Its sardonic feline narrator describes his origins, his settlement in the household of a Meiji teacher-intellectual, and the goings-on and conversations among the cats and humans about the neighborhood. Of the men he concludes: "They are miserable creatures in the eyes of a cat."
Japanese novelist Natsume …
Remembering Two Titans Of Manga: Shirato Sanpei And Saitō Takao,
2021
Portland State University
Remembering Two Titans Of Manga: Shirato Sanpei And Saitō Takao, Natsume Fusanosuke, Jon Holt, Teppei Fukuda
World Languages and Literatures Faculty Publications and Presentations
What follows is a pair of recent tributes Natsume Fusanosuke wrote for Japanese newspapers, concerning the pioneering cartoonists Saitō Takao and Shirato Sanpei, who died, respectively, on September 24, 2021, and October 8, 2021. The two articles are here presented in English for the first time.
Translated by Jon Holt & Teppei Fukuda
Celebrating And Practicing Aspects From Eastern- And Western-Centric Animation Styles,
2021
Clemson University
Celebrating And Practicing Aspects From Eastern- And Western-Centric Animation Styles, Alissa Annette Standerwick
All Theses
Animation styles in a modern world end up influencing the animation of other regions. This project, through animation, celebrates Eastern and Western differences in their animations. Rather than analyzing story differences, aspects of the habits formed by the region’s animators are analyzed and practiced. The formation of animation in respective cultures represents the local history of these regions. So to understand the aspects & technicalities of how animators animate per region, it is useful to understand how film, TV, & comic styles of an entire community impacted that area’s animation
Takahashi Rumiko And The Turning Point In The History Of Manga And Anime,
2021
Portland State University
Takahashi Rumiko And The Turning Point In The History Of Manga And Anime, Natsume Fusanosuke, Jon Holt, Teppei Fukuda
World Languages and Literatures Faculty Publications and Presentations
Takahashi Rumiko’s entry onto the manga scene represented the turning point in the history of manga and anime. This turning point signifies the emergence of the genre of romantic comedy (rabukome = “love comedy”)—a romantic relationship-centered genre certainly common to shōjo (girls’) comics category at the time—now beginning to appear in shōnen (boys’) comics, too.
Translated by Jon Holt & Teppei Fukuda
Haiku,
2021
Dominican University of California
Tanka And Micropoetry,
2021
Dominican University of California
