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21,522 full-text articles. Page 654 of 665.

Posted: Don't Poach, Nathan Whiting 2011 Bryant University

Posted: Don't Poach, Nathan Whiting

Bryant Literary Review

You now read an uncollected poem.

If a poem collector, you should


In His Introduction To Five Poems, J. R. Solonche 2011 Bryant University

In His Introduction To Five Poems, J. R. Solonche

Bryant Literary Review

In his introduction to five poems, Su Tung-p'o wrote:

I got drunk and wrote five poems.


The Name, John Grey 2011 Bryant University

The Name, John Grey

Bryant Literary Review

There should be a name for people

who sit on a rock for hours


Passio #008, George Gott 2011 Bryant University

Passio #008, George Gott

Bryant Literary Review

If we know

what we ought to know

we join hands with the mighty world


John 3:10010000110, John Supinski 2011 Bryant University

John 3:10010000110, John Supinski

Bryant Literary Review

Welcome to the kingdom of the Immortal

Where races are run barefoot


Contributors, 2011 Bryant University

Contributors

Bryant Literary Review

No abstract provided.


My Kind Of Nothing, Elizabeth C. Williams 2011 Gettysburg College

My Kind Of Nothing, Elizabeth C. Williams

The Mercury

No abstract provided.


Dry Wood, Gregory E. Scheiber 2011 Gettysburg College

Dry Wood, Gregory E. Scheiber

The Mercury

No abstract provided.


Ghazal For Emptiness, Eric J. Kozlik 2011 Gettysburg College

Ghazal For Emptiness, Eric J. Kozlik

The Mercury

No abstract provided.


Paper Heart, Kelly J. Weitner 2011 Gettysburg College

Paper Heart, Kelly J. Weitner

The Mercury

No abstract provided.


Against The Wind, William M. Buerger 2011 Gettysburg College

Against The Wind, William M. Buerger

The Mercury

No abstract provided.


Naked, Jenna Devine 2011 Princeton University

Naked, Jenna Devine

The Lindenwood Review: a journal of literary prose

No abstract provided.


Buddha Speaks With His Oncologist (For David Getches), Frank Pommersheim 2011 University of South Dakota School of Law

Buddha Speaks With His Oncologist (For David Getches), Frank Pommersheim

Faculty Publications

No abstract provided.


Front Matter, 2011 Syracuse University

Front Matter

Corresponding Voices

No abstract provided.


Corresponding Voices Volume 4 (Complete), 2011 Syracuse University

Corresponding Voices Volume 4 (Complete)

Corresponding Voices

The full issue of Corresponding Voices volume 4, featuring Jules Gibbs, Michael Burkard, Madeleine Stratford, María Negroni, and edited by Pedro Cuperman.


Jules Gibbs Folio, Jules Gibbs 2011 Syracuse University

Jules Gibbs Folio, Jules Gibbs

Corresponding Voices

A folio of English-language poetry by Jules Gibbs.


María Negroni Folio, María Negroni 2011 Syracuse University

María Negroni Folio, María Negroni

Corresponding Voices

A folio of poetry by María Negroni, appearing in the Spanish original and in the English translation by Michelle Gil-Montero.


Woodwords, Carol Harrington 2011 Eastern Washington University

Woodwords, Carol Harrington

EWU Masters Thesis Collection

No abstract provided.


Commonthought (2011), Commonthought Staff 2011 Lesley University

Commonthought (2011), Commonthought Staff

Commonthought

This issue features works created by Lesley University students and covers a broad range of topics. The work itself crosses many disciplines from creative writing to visual arts.


Inverting The Haiku Moment: Alienation, Objectification, And Mobility In Richard Wright’S ‘Haiku: This Other World’, Thomas Lewis Morgan 2011 University of Dayton

Inverting The Haiku Moment: Alienation, Objectification, And Mobility In Richard Wright’S ‘Haiku: This Other World’, Thomas Lewis Morgan

English Faculty Publications

Richard Wright’s haiku — both the 4,000 he wrote at the end of his life and the 817 he selected for inclusion in Haiku: This Other World (1998) — remain something of an enigma in his larger oeuvre; critics variously position them as a continuation of his earlier thematic concerns in a different literary form, an aesthetic departure from the racialized limitations imposed upon his earlier work, or one of several positions in between. Such arguments debate the formal construction as well as the strategic reinvention of Wright’s haiku. The present essay engages both sides of this conversation, arguing that …


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