"Hare Song," "Descent",
2014
The University of San Francisco
"Hare Song," "Descent", Tracy Jo Barnwell
Ontario Review
Tracy Jo Barnwell received an MA from the Writing Seminars at Johns Hopkins in 1998 and a PhD in creative writing from the University of Houston in 2005. She has been the recipient of an Academy of American Poets Award, the Barthelme Award for fiction. Her work has recently appeared in Pleiades, Gettysburg Review, Quarterly West, and The Missouri Review.
"What Was Expected," "Tomma And Sandy",
2014
The University of San Francisco
"What Was Expected," "Tomma And Sandy", Joan Murray
Ontario Review
Joan Murray is a longtime contributor to Ontario Review. Her most recent collection is Dancing on the Edge (Beacon, 2002). She is also the editor of the Poems to Live By anthologies from Beacon and the Pushcart Book of Poetry.
"For A Moment You Are Nowhere," "Flag," "Nut," "Window",
2014
The University of San Francisco
"For A Moment You Are Nowhere," "Flag," "Nut," "Window", Michael Goldman
Ontario Review
Michael Goldman is Professor of English emeritus at Princeton University. He has published two volumes of poetry and several books of dramatic criticism, including Ibsen: The Dramaturgy of Fear, which recently won the George Jean Nathan Award for dramatic criticism.
"As Sure As Night Is Dark And Day Is Light," "Slights",
2014
The University of San Francisco
"As Sure As Night Is Dark And Day Is Light," "Slights", Dick Allen
Ontario Review
Dick Allen is the author of seven collections of poetry including, most recently, The Day Before: New Poems, 2003 and Ode to the Cold War: Poems New and Selected, 1997, both by Sarabande Books. His poem "See the Pyramids Along the Nile" was selected for The Best American Poetry 2006.
"Chances",
2014
The University of San Francisco
"Chances", Robert Cording
Ontario Review
Robert Cording teaches English and creative writing at College of the Holy Cross. He has published five collections of poems: Life-list, which won the Ohio State University Press/ Journal award, in 1987; What Binds Us To This World (Copper Beech Press, 1991); Heavy Grace, (Alice James, 1996); Against Consolation (CavanKerry Press, 2002); and most recently, Common Life, from CavanKerry (2006).
"Rapture: South Branch Mortlock River, Doodenanning," "Canto Of The Dry River Empyrean (30)," "Rapture 6: The Crescent Of Little Beach",
2014
The University of San Francisco
"Rapture: South Branch Mortlock River, Doodenanning," "Canto Of The Dry River Empyrean (30)," "Rapture 6: The Crescent Of Little Beach", John Kinsella
Ontario Review
Australian-born John Kinsella is the author of more than thirty books of poetry, fiction and nonfiction, and editor of the international literary journal Salt. His volume of poems The New Arcadia appeared from Norton in 2005.
"Minghun," "Hearts," "Lament",
2014
The University of San Francisco
"Minghun," "Hearts," "Lament", Elisabeth Murawski
Ontario Review
Elisabeth Murawski is the author of Moon and Mercury and Troubled by an Angel. Publications include: The Yale Review, The New Republic, Virginia Quarterly Review, Antioch Review, Chelsea, and others. Winner of the 2006 Ann Stanford Prize for "Abu Ghraib Suggests the Issenheim Altarpiece."
"Poem In Time Of War, 2006",
2014
The University of San Francisco
"Poem In Time Of War, 2006", Anita Barrows
Ontario Review
Anita Barrows, a prize-winning poet and a clinical psychologist, is the author of four books of poetry, and recipient of an NEA grant as well as the Quarterly Review of Literature's Contemporary Poetry Award. She has been a professional translator for more than thirty years.
"The Thin Glass Stems Of Insertion," "To This",
2014
The University of San Francisco
"The Thin Glass Stems Of Insertion," "To This", Albert Goldbarth
Ontario Review
Albert Goldbarth's many collections of poetry include two that received the National Book Critics Circle Award. His new book To Be Read in 500 Years, is forthcoming from Graywolf.
¡Escriba! ¡Write! Volume 12, June 2014,
2014
City University of New York (CUNY)
¡Escriba! ¡Write! Volume 12, June 2014, Hostos Community College Library
¡Escriba!
Eric Stewart- "Same Love: Examining the Relationship Between David and Jonathan";
Santee Agrispin- "Music in my Life";
Jessica Anchundia- "Where I’m From";
Ahmed Caraballo- "A Life With Meaning";
Dina Esquivel- "How ‘McDonaldization’ Affects Our Society";
Jose Javier Castro- "Anonymously Yours";
Jose Javier Castro- "Homeland Uprootal";
Jose Javier Castro- "Gone but not Forgotten";
Earl Justice- "Dreamality";
Gisselle Belia- "Adios";
Eric Stewart- "After the Arrest: Exploring the Inner Workings of the New York State Criminal Justice System";
Karla Ferrera- "Poetry: The Awakening of a Creative Self";
Mario Leazard- "Sisters are Good Listeners";
Marlenny Toribio- "Finding Ways";
Angelica Rodriguez- "Antes de Morir";
Angelica …
La « Langue Fantôme » : Une Présence Familière Dans L’Écriture – Présentation Du Poète Malek Alloula Suivie D’Un Entretien,
2014
Université Bordeaux Montaigne (DEFLE-CELFA)
La « Langue Fantôme » : Une Présence Familière Dans L’Écriture – Présentation Du Poète Malek Alloula Suivie D’Un Entretien, Yamna Abdelkader-Chaldi.
Présence Francophone: Revue internationale de langue et de littérature
The evolution of Malek Alloula’s works, an important poet of Algerian literature whose first works date back to the sixties, is analyzed by Yamna Abdelkader. Afterwards, she interviews him on his poetic work and its relationship to language. The poet thus explains his writing ; how he composes his poetry in relation to the creative process ; his technique ; the influence of its cultural origins, and its relationship to language. In using the term “phantom language”, the poet refers to the haunting presence of the Arabic language spoken in Algeria, which, while unseen, has a major influence on his …
La Transmission De La Parole : D’Une Langue À L’Autre,
2014
Psychologue-clinicien, poète Bordeaux (France)
La Transmission De La Parole : D’Une Langue À L’Autre, Gabriel Mwènè Okoundji
Présence Francophone: Revue internationale de langue et de littérature
I consider myself as a poet of oral tradition, using a pen. Somebody who passes on words I received from my ancestors, speakers of the essentials, masters of words, who could not write but who knew the basics: words and proverbs which give birth to the light necessary to progression. So my quest is turned towards a poetry of initiation and passing on whose only purpose is to teach men to trust on their fragility. So I created my mother tongue in a midway zone between Tégué, my parental tongue and French, my written language. Both languages are flowing inside …
The Lemon Tree: My Tree Of Life,
2014
California State University, San Bernardino
The Lemon Tree: My Tree Of Life, Meghan E. Mccarthy
Electronic Theses, Projects, and Dissertations
The Lemon Tree is a collection of poems that arose from my attempt to capture memories of influential experiences in growing up. The poems are written in prose blocks and move in and out of childlike and adult sensibilities, creating the disillusion of time and memory. The poems themselves are comments on the unreliability and limited scope of memory and compare remembrance to dreams. This suggests that time moves more fluidly than the waking world accepts. Through looking back, through prisms, the speaker remembers experiences that impacted her development as we follow her on a journey to coming-of-age. The Lemon …
Memoric Form: Poem As Memory,
2014
California State University, San Bernardino
Memoric Form: Poem As Memory, Lawrence V. Eby
Electronic Theses, Projects, and Dissertations
Machinist in the Snow is a narrative long poem, much like a novel in verse that deals with the loss of memory and environmental rebirth. In the book, the narrator exiles himself into a frozen nature and attempts to return the frozen wasteland into its former, flourishing environment. The poems take on the memoric form of memory in a wide range of poetic forms from the traditional sonnet, haiku, or villanelle, to a scattered projective verse. In the center of these poems is an attempt to mimic the mind in the way that it shifts, in its moments of clarity, …
Confessions Of A Hip-Hop Hippie,
2014
California State University, San Bernardino, CA 92407
Confessions Of A Hip-Hop Hippie, Tristan D. Acker
Electronic Theses, Projects, and Dissertations
This Statement of Purpose does not give a history of hip-hop or hip-hop poetry but rather how this particular poet fits into the current phase of hip-hop and performance poetry. In it, I discuss and explain the new pro-working class hip-hop performance poetic. This includes extensive discussion of how rap poetry conveys meaning through sound. Also discussed is the socioeconomic context for the suburban southwestern topics found in the manuscript. This statement is a parallel piece to the manuscript itself in that it explains a brown kid from San Bernardino’s journey of connecting words and music for purposes of personal …
Americhicano,
2014
California State University - San Bernardino
Americhicano, Isaac R. Escalera
Electronic Theses, Projects, and Dissertations
The title of my manuscript, Americhicano¸ is a play on the words American,Americana, and Chicano. It was my goal to write poems that would capture the shared experiences of Chicanos, Latin Americans and the vast people group we identify as “American.”
In the first part of my Statement of Purpose, I go into the politics and social commentary of why I chose this as the focus of my project. “Why I Write” is a continuation of that conversation, but more focused on my own personal experience and journey as a writer. In the Section titled, “On Narrative Poetry” I explore …
Reassurance In Negative Space,
2014
Western Michigan University
Reassurance In Negative Space, Elizabyth A. Hiscox
Dissertations
This dissertation, Reassurance in Negative Space, is a poetry manuscript that deals with intersections of grief, gender, environment, and art in contemporary society. One of its guiding properties is an interest in the ekphrastic mode of composition: poetry in response to a work of visual art. American Hybrid poet-editor Cole Swensen discusses what has emerged as a new “hybrid” poetry that combines conventional approaches with more experimental forms; a stable first person narrator with fragmentation or juxtaposition, for example: “Hybrid poems often honor the avant-garde mandate to renew the forms and expand the boundaries of poetry—thereby increasing the expressive …
Volume 10, Issue 2: Full Issue,
2014
Butler University
Volume 10, Issue 2: Full Issue
Manuscripts
Full issue of the March 2014 issue of Manuscripts. Includes work by: Lucy Kaufman, Thomas J. Luck, Mary M. Schortemeier, Verse Forms Class, Jeanne Gass, Jack DeVine, Mildred Reimer, Donald Rider, Donald Morgan, Joe Howitt, Elizabeth Hyatt, Arline Hyde, Stuart Palmer, George Zainey, Peggy O'Donnell, Lester Hunt, Arthur Graham, Rosemary Haviland, Fayetta Hall, and Jane Burrin.
In Pursuit Of Distant Horizons,
2014
Washington University in St. Louis
In Pursuit Of Distant Horizons, Whitney Polich
Graduate School of Art Theses
Our lasting human desire to rationalize the phenomena of nature manifests as ceaseless attempts to fix fluid landscapes within the rigid boundaries of an image. Each landscape with its own physical language, rooted in the temporal and subjective particularities of sense—taste, touch, smell, sound, and sight—requires a lived immersion to be read and as such, eludes static interpretation or expression. The physical horizon provides both a physical and metaphorical reminder of the limits we constantly find ourselves confronted with—those limits of perception, language, and knowledge—as we seek to expresses the immediate experience and profound vastness of a world far exceeding …
Making It Harder Than It Has To Be Or This Is The Sculpture Or *Sigh,
2014
Washington University in St. Louis
Making It Harder Than It Has To Be Or This Is The Sculpture Or *Sigh, Todd Barry
Undergraduate Theses—Unrestricted
You will be punched in the face and then poked in the side
(it seems, someone, has something, to say)
You start off with a slow looking-back – making a steady assumption
You take that assumption, o p e n it up ~ into elaboration, and sing the thing
RIGHT ON out of itself
You sculpt
You step back
You say, ‘wait a minute – relax’
You wake up, wiggle toes, wait for [something], move, make~ into
[something], and stand by it
You laugh, get grounded, fight your way outside, come
back, and take care of things
You feel, in …
