Drinking Gin On Torch Lake,
2018
Western Michigan University
(An Ode To) Melanin,
2018
Western Michigan University
End Of Summer,
2018
Western Michigan University
The Back In My Days Of A Millennial,
2018
Western Michigan University
Orange Peel Smiles,
2018
Western Michigan University
Time Is Just A Trickster In Disguise,
2018
Western Michigan University
Time Is Just A Trickster In Disguise, Bob Psalmonds
The Laureate
No abstract provided.
Grandpa's Cookies,
2018
Western Michigan University
How To Walk Through Fire With Your Eyes Open,
2018
Western Michigan University
How To Walk Through Fire With Your Eyes Open, Jessie Fales
The Laureate
No abstract provided.
In Which We Are Edges,
2018
Western Michigan University
Litmag 2017-18,
2018
University of Missouri-St. Louis
Litmag 2017-18, University Of Missouri-St. Louis, Kathryne Johanna Watt
Litmag
The mission of the journal is to nurture the creativity of the students, staff, and alumni by increasing awareness of the vigorous literary talent on UMSL’s campus. We aim to produce a professional, high-quality publication that gives budding writers and artists a venue to display their work and experience the exciting world of publishing. The journal is offered to the campus and local community free of charge, a service we are committed to maintaining.
Front Matter,
2018
Syracuse University
Table Of Contents (V. 11, 2018),
2018
Syracuse University
Preface,
2018
Syracuse University
Back Cover,
2018
Syracuse University
Safia Elhillo Folio,
2018
Syracuse University
Safia Elhillo Folio, Safia Elhillo
Corresponding Voices
A folio of poetry by Safia Elhillo, writing about the oceans and rivers of his childhood, borders, liminal zones where humans emerge and dissolve, immersions where he envisions "the age of dark bodies offering themselves to the water".
Foreword To Visual Imagery, Metadata, And Multimodal Literacies Across The Curriculum,
2018
Sacred Heart University
Foreword To Visual Imagery, Metadata, And Multimodal Literacies Across The Curriculum, Jonas Zdanys
English Faculty Publications
As one of those educated to consider the primacy of the word – written and spoken – as the vehicle for creating and transferring knowledge, I am often surprised by the evidence around me that we live in a world inwhich technological devices of variousshapes and sizes have blunted the reliance on the layerings of words to define and engage in favor of various shortcuts to knowledge. Complexity of expression in the textures of language has given way, because of those devices and their applications, to abbreviations, neologisms, emojis, deliberate misspellings, instagrams, tweets, and other avenues of expression that focus …
Black Box 2018,
2018
Embry-Riddle Aeronautical University
Black Box 2018, Ryan Standley, Jon Haass, Patricia Watkins, Cole Alley, Eileen Landis-Groom, Grady O. Kerst, Devin Hicks, Desmond O'Connor, Tokunbo (Tj) Vandenburg, Trevor Turner, Tariko Duarte, Austin Witthun, Garre11 011mers, Cooper Brethauer, Kelvin Russell
Black Box
The Black Box is a student based creative publication serving the Embry-Riddle Prescott campus. It is our goal to provide a showcase for the creativity and talent of the Embry-Riddle students. Creative works by members of Embry-Riddle's faculty and staff are included.
Cover Art: Ryan Standley; Editor: Kelvin Russell.
An Unapologetic Feminist Response,
2018
Edith Cowan University
An Unapologetic Feminist Response, Bidisha Banerjee, Mindy Blaise
Research outputs 2014 to 2021
In the spirit of reformulating notions of critique, this response builds on the creative research experimentation that the authors enacted to consider air differently. The authors continue to be lured by generosity, curiosity, surprise, and wonder and suggest two feminist responses that relate to and generate knowledge in alternative ways. Two experimentations (collective experimental story writing and erasure poetry) are offered to readers with the aim of activating new thinkings, doings, and relations with air.
[There Is So Much Blood In Us],
2018
Scripps College
[There Is So Much Blood In Us], Lindsey C. Whitlock
Scripps Senior Theses
[There is So Much Blood in Us] is an ambiguously alternate universe in which absolutely nothing is true but almost everything could be. In these poems, tension between the absurd and the possible synthesize into one linguistically and psychologically driving force – discomfort. More than anything, I am writing about discomfort.
America’s media representations of women are almost always defined by a singular, and often sexualized experience. Yet, when I talk to the many wonderful / brilliant / badass / etc. women in my life, most of our truly defining experiences are impressively unsexy. Our womanity, if you will, orbits …
Transplant,
2018
University of Richmond
