Poetry Commons^™

The Clearing, John Ludwig Jaegar

Heliotrope: IMSA's Arts & Literary Magazine

No abstract provided.

A Victim's Villanelle: A Story Told Through A Duo Of Poems, Chandana Tetali '18

Heliotrope: IMSA's Arts & Literary Magazine

No abstract provided.

Amalfi: 2009, Brittany J. Barron

The Crambo

In May 2016, Brittany J. Barron graduated from the University of North Georgia with a B.A. in English. Her undergraduate research has been recognized by The Edith Wharton Review as well as Gender Forum. Currently, Brittany is a Teaching Fellow and second-year MFA candidate in poetry at Georgia College.

The Only Way Forward, Michael Reed

Department of English: Dissertations, Theses, and Student Research

The Only Way Forward is a creative thesis with a combination of Poetry and Fiction. There is a short introduction that shows the form and styles Michael has used as well as his back story into the creative writing world. He talks about many different authors that have helped him through his journey as well as many other peers and mentors. His biggest take away with his education is to “Just Keep Writing.”

Blackberry Summer, Laurel Ann Lowe

The Crambo

A poem about summer.

Four Lines About Archives, Ismael Santos

The Crambo

This attempts to analyze and interpret the different moods, methods, and experiences of a new Grad student/Teaching Assistant in Miami, Florida.

Garden Of Flawless, Joe Chiodo

The Crambo

A poem about bonsai trees.

Nexus, Spring 2018, Wright State University Community

Nexus Literary Journal

Nexus is a magazine that began as an insert in the Wright State Guardian student newspaper in 1965 and has since been published semi-regularly. It began only accepting creative writing, but has since expanded to include illustrations, photography and other non-written art forms. Today, it is published in a digital format and accepts submissions from around the country, though it maintains its commitment to the Wright State Community.

Saga Vol. 81 / 2017-2018, Alina Lundholm, Michele Hill, Melissa Conway

SAGA Art & Literary Magazine

No abstract provided.

Columbia Poetry Review, Columbia College Chicago

Columbia Poetry Review

Literary journal produced annually featuring new poems, a selection of poems from past issues, and new work by Columbia Poetry faculty. Editors: Emily Bieniek, Harley Chapman, Regina Clippard, Camila Isopo, Christian Nisbit, Morgan Peacock, Sydney Sargis, Nick Weaver, Leslie Weibeler, Mica Woods. Cover art: Gail Kaszynski. Cover Design: Jehan Abon, Jay Goebel.129 pages.

Amjambo Africa! (April 2018), Kathreen Harrison

Amjambo Africa!

Welcome to Amjambo Africa! Welcome to Amjambo Africa! We are Maine’s free newspaper for and about New Mainers from Sub-Saharan Africa.

Amjambo Africa! is here to help New Mainers thrive and to help Maine welcome and benefit from our new neighbors.

Amjambo Africa! will serve as a conduit of information for newcomers as they navigate life in Maine.

Amjambo Africa! will include background articles about Africa so those from Maine can understand why newcomers have arrived here.

Amjambo Africa! will profile successful New Mainers from Sub-Saharan Africa in order to give hope to those newly arrived as well as make …

Caverns: Kentucky Middle School Poetry (Volume 1, 2018), Roxanne M. Spencer Editor, Peggy Otto, Associate Editor, Amy Jo Gibson, Associate Editor, Kerry Hancock, Associate Editor, Dr. Erin Margarella, Associate Editor, James Margarella, Associate Editor, Laura S. Crafton, Associate Editor

CAVERNS

The editors of CAVERNS: Kentucky Middle School Poetry, volume 1, 2018, are extremely grateful to the talented students, dedicated teachers, and proud parents who made this first volume possible. Poems were solicited from classroom teachers during National Poetry Month, April 2017. The poems were selected for publication after extensive editorial board review, using a rubric adapted from Christine Lewy (2001). Only poems with signed parental/guardian permission letters were published. Students or parents decided whether to publish the poet’s full name or first name and last initial only. The poems were divided roughly into sections by topic: start-and-stop poems, homage, …

Ua12/2/2 2018 Talisman: Grit, Wku Student Affairs

WKU Administration Documents

2018 Talisman yearbook.

• Gibson, Helen. Grit
• Zambrano, Max. Cash Cows – Chaney’s Dairy Barn
• Holt, Delaney. A Quarry Story – White Stone Quarry, Caden Quarry
• McKee, Rylee. Beautiful Grit – BellaMoxi, Dance
• Voorhees, Jessica. Digging Deep – Jean-Luc Houle, Anthropology
• Lucas, Kaley. Black Mountain
• Edwards, Aly. Roots of Stigma – McKenna Vierstra, Jordan Frodge, Max Williams, Robin Farrell
• Eastham, Lillie. Grab ‘Em by the Ballot – Time’s Up Movement
• McCarthy, Hannah. Flesh Memories
• Barritt, Brooklyn. Making a Place at the Table – Dungeons & Dragons
• Gary, Summer. For Adoption: Unwanted Mutt
• Waters, Adrianna. For the Love of Creation – Art …

Santa Clara Review, Vol. 105, No. 2, Santa Clara University

Santa Clara Review

No abstract provided.

Ivy Leaves, Volume 93, Ivy Leaves Editorial Staff

Ivy Leaves

The 2018 edition of the Anderson University journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Haley Schvaneveldt, Olivia Strickland, Ruthie Snow, Rachael Barfield, Jacob Cavett, Claire Foxx, Ana Kate Barker, Sarah Teague, Caleb Flachman, Sheridan Vance, Michaela Staon, Tara Stewart, Jayne Small, Lauren Swathwood, Jennifer Jefferson, Logan Chapman, Shelby Argo, Lizzie Todd, Lindsay Higgins, Blair Nedderman, Haley Williams, Teresa Jones, and Tim Speaker.

2018 Spring Quiz & Quill Magazine, Otterbein English Department

Quiz and Quill

No abstract provided.

The Lantern, 2017-2018, Solana Warner, Chiara Demelfi, Emily Shue, Matt Dwyer, Clara Baker, Jason Bennett, Brandon Carey, Kim Corona, Millie Drury, Courtney A. Duchene, Samuel Ernst, Giselle Horrell, Sarah Howell, Nicole Kosar, Malcolm Loh, Morgan Mcafee, Johnathan Myers, Ren Toscano, Daniel Walker, Robin Gow, Albert Hahn, Rae Hodenfield, Paige Szmodis, Madison Bradley, Teddi Caputo '18, Faith Carson, Taahira Davis, Chiara Demelfi, Mya D. Flood, Sophia Driscoll Gamber, Jada A. Grice, Kevin Leon, Joseph Makuc, Valerie Osborne, Janice Partee, Megan Sear, Kara E. Travis, Julian Barocas, Sarah Defelice, Olivia Glover, Mario J. Heitman, Robert Varney

The Lantern Literary Magazines, 1933 to Present

On Dissociation • Untouchable • After "Rocket Man" • The Science Fair • Cardinal Rule at Stephen J. Memorial • Quentin & Sylvie • Cabello • The Get Out • Painting Day • Black, White and Grey • Family Pruning • How to Remove a Stain • Becoming Ourselves • Wonderbread U • Overture • Pescadero • Gross • Stage Fright • Lucky Daddy • Sarah • Rumble • Silvermine • The Green Iguana • A Poem for Ghost Children • A Poem for Lost Boys • Mother • Drop of Grease • Don't Wanna be White • I • …

The Vandal, Thomas Harris '18

Distinguished Student Work - Visual Arts

Underlining over ten allegories and many extended metaphors, “The Vandal,” Harris’ first self-published book, is a poetry epic about the ambiguous and emotional deposits of his own “Mary Sue,” who delves straight into one of the most versatile and unconventional exhibitions of melodrama and manipulation in the modern literary catalogue.

Harris does not hold back, making dramatic remarks as well as ensuring an alter-ego at hand through the abstract photography of his face that fills most pages. His repertoire also includes his other concept art and works from fellow artists around the world.

On the very surface, Harris writes about …

The Fluid Pastoral: African American Spiritual Waterways In The Urban Landscapes Of Harlem Renaissance Poetry, Maren E. Loveland

Criterion: A Journal of Literary Criticism

In 1921 Langston Hughes penned, “My soul has grown deep like the rivers” in his poem “The Negro Speaks of Rivers” (Hughes 1254). Weaving the profound pain of the African American experience with the symbolism of the primordial river, Hughes recognized the inherent power of water as a means of spiritual communication and religious significance. Departing from the traditional interpretation of the American pastoral as typified by white poets such as Robert Frost and Walt Whitman, the African American poets emerging from the Harlem Renaissance established a more nuanced pastoral landscape embedded within urban cultures, utilizing water in particular as …

Orpheus, Spring 2018: Borderlands, University Of Dayton

Orpheus: UD's Literary and Artistic Magazine

No abstract provided.