Creative Writing Commons^™

Disposables Of Senegal (Photographs), Grace Rooney

Exile

No abstract provided.

Small Talk Haiku - Temur, Turan Temur

Student Work

Library Literary Contest Spring 2022: “Small Talk”

Entrants wrote a haiku that addressed the following prompt: “ You escape small talk with the most unrealistic excuse possible. Write your excuse as a haiku.”

Small Talk Haiku - Boyce, Jaxyn Boyce

Student Work

Library Literary Contest Spring 2022: “Small Talk”

Entrants wrote a haiku that addressed the following prompt: “ You escape small talk with the most unrealistic excuse possible. Write your excuse as a haiku.”

And Your Eyes Open, Benjamin Yusen

The Hilltop Review

This piece explores the realties of dreams, and the blurring of dreams and reality.

World Upside Down, Kevin Fitton

The Hilltop Review

No abstract provided.

Pollination, Lauren Coyne

The Hilltop Review

No abstract provided.

784 Grams, Stephanie A. Kurzenhauser

The Hilltop Review

This poem elucidates my experience of grief and loss in response to breast cancer and a bilateral mastectomy without reconstruction.

Two Poems, Lauren Coyne

The Hilltop Review

No abstract provided.

How To Make Cemetery Tea, Lauren Coyne

The Hilltop Review

No abstract provided.

The Flow Of (Re)Memory In African American And Nubian Egyptian Literature: Morrison, Oddoul, And Mukhtar, Bushra Hashem

Theses and Dissertations

The purpose of this thesis is to define the term rememory, which Toni Morrison coins in her novel Beloved, and explore its interplay with water imagery in the novel and in two Nubian short stories, namely Haggag Oddoul’s “The River People” and Yahya Mukhtar’s “The Nile Bride.” The three narratives have core common features: they centralize water bodies as key sites of events, they depend heavily on the retelling of history and mythology, and they are told predominantly from the perspective of women. How do the writers weave rememory, history, and mythology to produce these narratives? Are they attempting to …

Womanist Poetics: Emily Dickinson, Gertrude Stein, And Audre Lorde, Aya Telmissany

Theses and Dissertations

Today, the sentimentality associated with poetry is often condescendingly dubbed in a patriarchal society as “feminine poetry.” The first women poets who dared to attempt the pen were often met with attacks on their femaleness and harsh critiques of their writing which was likened to sorcery and witchcraft. Emily Dickinson, Gertrude Stein, and Audre Lorde are three American women poets who countered these attacks and turned them inside out in favor of their own womanist poetics. They wrote about experiencing the world as women and most importantly about experiencing poetry as women. What happens to poetry when a woman appropriates …

Cultivating Creative Storytelling, Emma Kuli

Canterbury Scholars

This essay investigates how the structural expectations and narrative conventions restrict contemporary creative writing. This work seeks to imagine how, in order to work towards the creation of an anti-racist creative space, a classroom may work without and against the limits set by writing and language conventions. Blending academic research, sample student work, and narrative anecdotes, this essay examines the ways in which storytelling can be used to uplift young writing voices.

Identity In The 21st Century Nigerian Fiction: A Case Study Of Blackass By Igoni A. Barrett., Ogochukwu B. Ossai

Beyond the Margins: A Journal of Graduate Literary Scholarship

This paper attempts to examine the allegorical narrative strategies and politics of identity—race, and gender, using postcolonial and racial frameworks. The novel, Blackass written by a Nigerian writer is a 21st century fierce comic satirical adaptation of Metamorphosis, a novella by Franz Kafka. The intricacies and culture within a society and ethnicity in a nation such as patriarchy are explored through the language, characters, and development of the plot in Nigerian literature. For this essay, I enter into the discourse of race by analyzing the social and cultural phenomena that occur throughout the structure of the fictional work.

Amjambo Africa! (June 2022), Kathreen Harrison

Amjambo Africa!

In this Issue Education ..................................3

Moonglade .............................4/5

Publisher’s editorial ..................7

Financial literacy: what is Credit .................8-13

In 7 languages Market Basket ..................14/15

Tips&Info ................................16

Lead in soil ..............................17

All about the Workforce ..18/19

Community Happenings .20/21

photos from community events

News from Africa .............22/36

Health&Wellness ...............24-31

Bridging the healthcare gap

In 7 languages

Columns .......................32/33/39

Nonprofit Organizations

Ask the D.A.

Let’s Talk/ELL

New Voices columns ........34/35

Vol. Lix, No. 3: Thinking Gospodinov Thoughts, Thomas Mcgonigle

The Hollins Critic

No abstract provided.

Creating A Solid Mystery: Solving The Case For Plot, Michelle Grace Cannon

Masters Theses

When it comes to mystery, one of the most key figures of the genre is the Queen of Mystery Agatha Christie. This beloved author has written over 60 mystery novels in her lifetime. Studying her work has shown that Christie put much time and effort when crafting her stories. The Queen of Mystery carefully planned to ensure her stories had a solid plot her readers could easily follow and enjoy. This thesis focused on analyzing Christie’s process and looking at how the process could be applied in a mystery manuscript.

Finding Faith Within The Fantasy: Helping Middle Graders Conquer Foes And Fears, Joy Johnson-Summerville

Masters Theses

The Balance of Time is a work of middle grade fantasy that explores the struggles of children in the world today. It was written with the intent to help all children understand the world and the people around them. The story follows a pre-teen protagonist as she navigates familial relationships, loss, and a world in chaos. Along with her siblings, she finds herself in a position to restore a sense of balance in her own life and in the world. The critical review, “Finding Faith Within the Fantasy: Helping Middle Graders Conquer Foes and Fears,” examines previous works of middle …

The Messiness Within: Personal Essays On Peeling Back The Facade, Chava Pearl Lansky

Dissertations, Theses, and Capstone Projects

This collection of three interconnected personal essays draws from the genres of memoir and biography to answer the following question: What are the physical, mental, and emotional repercussions of covering up hardship and sickness with a facade of normalcy and perfection? Overlaid by themes of chronic illness, dance, beauty, and control, this project chronicles my own personal battle against this tendency. The first essay explores the complexities of the year and a half I spent working as a ghostwriter for Larry Rhodes, an elderly dancer attempting to rewrite his history in the wake of societal change. The second piece follows …

Because They Think They Can: A Memoir In History, Sarah Goodyear

Dissertations, Theses, and Capstone Projects

What’s in a name? How are we connected to our ancestral lines? What responsibility do we bear for our lineages? How did the American character form, and how can we understand our society better by reckoning with our individual family histories? These are some of the questions at the heart of this thesis. In it, I combine memoir and history by following the Goodyear name, which has been mine since the day I was born. I weave together personal memories, historical research, and exploration of place to attempt to answer these questions for myself.

I begin with an examination of …

Testimony, Violence, And Silence: An Examination Of Agamben And His Critics, Yagmur Uygarkizi

Dignity: A Journal of Analysis of Exploitation and Violence

This paper investigates the difficulties faced by survivors of atrocities in testifying. I work on the case of female victims of domestic torture as reported by Jeanne Sarson and Linda MacDonald. The starting point is Giorgio Agamben’s Remnants of Auschwitz with his discussion on Primo Levi’s paradox and the testis/superstes/auctor distinction. I build on his nuances while arguing that he has not looked enough into power dynamics that render one speechless. “Unspeakable violence” refers simultaneously to incapacity and not being allowed to speak. Pain renders the victim speechless; perpetrators distort language and speak over survivors. Victims are often not allowed …