Creative Writing Commons^™

The Things We Do On A Moonlit Night, Jessica Barrio

The Agora

I wrote this while thinking about some of the people closest to me in my life and the feelings that they have experienced while living in a small town like Las Cruces. I felt inspired by this struggle and conflict between the people who make you happy and the place that makes you miserable and I wanted to explore that conflict in my own writing. This story is meant to be a sort of look into dealing with trauma and guilt, and how that all intertwines with the memories of the narrator and their love. I wanted to write something …

The Sin Of War, Devon L. Harrison

The Agora

The main question of the short story is who is Ares? It's well known he is the war god of ancient Greek mythos and individuals interested in Greek Mythology could tell you he is one of several war gods, who specifically embodies the brutality of war. I bother to explore this question as Ares doesn't make much of an appearance in mythology and when he does it's in a rather demeaning light. Ares is one of the only Olympians who is, typically, disliked existing as a necessary evil rather than a god. He is appreciated in certain circles with the …

Adapting The Classics: Making The Invisible Visible, Kate Isabel Foley

Theater Honors Papers

This project seeks to answer the question, “How can a writer use an old story to shine new light on modern issues and make the invisible visible?” My adaptation of Jane Austen’s Pride and Prejudice is a genderbent retelling with queer themes while my adaptation of J.M. Barrie’s Peter Pan is a dark reimagining of Mrs. Darling as an antihero protagonist who must become Captain Hook to try to save her children. Both my research and these two plays focus on bringing visibility to marginalized communities, specifically women and members of the queer community.

Plastic Flute, D. S. Martin

Sehnsucht: The C. S. Lewis Journal

No abstract provided.

Photographing The Corpse, Tim Davis

Sehnsucht: The C. S. Lewis Journal

No abstract provided.

Hints, Scott Schuleit

Sehnsucht: The C. S. Lewis Journal

No abstract provided.

Confessions Of Crooks: An Analysis Of How Art Influences Society's View On Antiheroes And Redemption Through An Original Short Story Collection, Connor Thomas Wilkerson

Undergraduate Theses

The twenty-first century has successfully bred the notion that everyone who commits a morally reprehensible action is themselves a morally reprehensible individual with absolutely no redeeming factors. This notion, however, simply isn’t accurate as it is shown in not only some of the most popular media of the age but also some of the most famous crimes of the age that people who commit heinous actions aren’t always entirely heinous. With this thesis, I plan to make an argument that condemns judgement on the morality of individuals without knowing their full stories. Specifically, I plan to write a short story …

The World's Last Night, D. S. Martin

Sehnsucht: The C. S. Lewis Journal

No abstract provided.

The Great Divorce, D. S. Martin

Sehnsucht: The C. S. Lewis Journal

No abstract provided.

Eternity Enterprises: A Near Future Short Story Collection, Timothy Connors

Fiction MFA Theses

A near future science fiction short story collection that explores our entanglements with technology and how that further complicates our humanity.

Could Musical Theatre Be Worthy Of Literary Analysis? (Or, An Attempt At Dismantling The Cultural Hierarchy), Sarah Meierdirks

Honors Theses

Could Musical Theatre Be Worthy of Literary Analysis?

Cultural hierarchy, or the perception that different forms of art relate to each other in terms of higher or lower sophistication, has commanded the way we view art for centuries. Artforms which the cultural hierarchy deems to be “higher” are often given more attention, respect, and appreciation in academia, but can be less accessible both physically and mentally to the masses, while artforms deemed to be “lower” tend to be simpler and more fun, making them have a more popular appeal. The tendency for art that is either simple or fun to …

The Maid Of Gettysburg, Sarah Tate

Liberty University Research Week

Undergraduate

Creative and Artistic

Lazarus Taxa, Natalie Mau

Poetry MFA Theses

Lazarus Taxa explores the process of extinction in various forms-- physically, emotionally, relationally, spiritually, and more. However, this thesis also explores the idea of extinction being less of an end and more of a rebirth or rediscovery.

Celebrations 2023, University Of Mississippi Writing Project, University Of Mississippi. Office Of Pre-College Programs

Celebrations: A Literary Magazine

No abstract provided.

Black Box Spring 2022/2023, Dr. Amelia Chesley, Dr. Caroline Koons, Alexee Providence, Amberly Neese, Austin Perez, Benjamin Sagar, Brandon West, Caitlyn Ooms, Charles Ruddek, Charlotte Hance, Claire Ross, Dylan Johnson, Emma Sanders, James Bradley, Jonathan Adams, Kammi Matsumoto, Keith Tanner, Rashed Aldhanhani, Rayna Gallegos

Black Box

The Black Box is a creative publication dedicated to displaying the talented work of the Embry-Riddle Prescott community - endless creativity and ingenuity flow throughout the Prescott area and our goal is to display it.

Research Pipeline? How About Research Forest?, Jen Hirt

Journal of Creative Writing Studies

In this statement from editor Jen Hirt, she highlights the accomplishments from past contributors and makes the case for re-phrasing the "research pipeline" to "research forest."

Barriers To Creative Writing Among University Students In Qatar, Sam Meekings Dr, Lujain Assaf, Gwiza Gwiza, Tayyibah Kazim, Laiba Mubashar

Journal of Creative Writing Studies

Matthew Salesses (2021) asks ‘How can we rethink craft, and the teaching of it, to better reach writers with diverse backgrounds? How can we invite diverse storytelling traditions into literary spaces?’ This paper applies these questions to students in the Arab Gulf, by presenting and analysing the results of a research project investigating the barriers (culturally, locally, and in terms of colonial conceptions of craft) that impede student creative writers in Qatar. Aided by a Provost Grant from Northwestern University, we carried out interviews among students from a range of universities in Qatar in order to catalogue local writing habits, …

Speaking The Unspoken: Reconsidering The Craft Of Subtext In Fiction Through Nafissa Thompson-Spires’S Use Of Palimptext In “Heads Of The Colored People”, Karen Lee Boren

Journal of Creative Writing Studies

This essay suggests new craft techniques in fiction are emerging, which act as a palimptext, a writing, erasure, and overwriting of subtext, establishing new relationships between writer and reader. Traditional uses of subtext rely on an unspoken relationship between writers and readers wherein writers “hide” thematic meaning in subtextual layers of fiction and readers “dig” for these deeper meanings. However, this essay shows reading practices have changed from deep reading to skimming and information-seeking practices. Further, subtext’s need to give the unseen and unspoken a limited and veiled presence in a text has shifted. Current unspoken assumptions about the …

The De-Indigenisation Of The English Language: On Linguistic Idiosyncrasy, Fayssal Bensalah

Journal of Creative Writing Studies

This paper introduces and explains a fresh adaptation of linguistic hybridity. This creative strategy is common among postcolonial, transnational and transcultural writers, who would import linguistic features from their first languages to hybridise their prose and paint it with a distinctive identity. I aim, however, to demonstrate that my English text can be hybridised without looking outside the English language, but rather by looking within it. The English language, as I argue, is already a hybrid language, populated by thousands of words borrowed from various languages, including Arabic. The words of this latter, if used intelligently and selectively in my …

Salzburg's Baroque Architecture: A Historical Analysis And Poetic Response, Rebecca Malzer

Honors Projects

Salzburg, Austria is a city full of history. During the Baroque era from about the mid sixteenth century to the end of the eighteenth century, the Prince-Archbishops of Salzburg designed and modeled the city with Rome, Italy in mind. Their loyalty to the Holy Roman Empire and with the Reformation in full swing, these Italian influences helped to build a pro-Roman Catholic style throughout the city. The Prince-Archbishops and their architects demonstrated Salzburg’s loyalty to Rome through the structures of Schloss Mirabell, Schloss Hellbrunn, and the Franziskannerkirche. In addition, these structures make for great inspiration for creative work, to which …