Mirrored Demise,
2023
University of North Dakota
Returning To North Dakota,
2023
University of North Dakota
Returning To North Dakota, Linnea Nelson
Floodwall Magazine
Runner-up for the 2023 Thomas McGrath Award for Poetry
Planting Greek Tomatoes,
2023
University of North Dakota
Planting Greek Tomatoes, Linnea Nelson
Floodwall Magazine
Runner-up for the 2023 Thomas McGrath Award for Poetry
Maria,
2023
University of North Dakota
Gail And His Snails,
2023
University of North Dakota
Mug Of Adoration,
2023
University of North Dakota
The Last Breath,
2023
University of North Dakota
Marie In The Fall,
2023
University of North Dakota
Dear Already Amused Reader,
2023
University of North Dakota
Dear Already Amused Reader, Lala Guse
Floodwall Magazine
Winner of the 2023 John Little Fiction Scholarship
Abstraction,
2023
University of North Dakota
The Prairie,
2023
University of North Dakota
The Prairie, Casey Fuller
Floodwall Magazine
Winner of the 2023 Thomas McGrath Award for Poetry
Heisenberg Uncertainty Principle Blues,
2023
University of North Dakota
Heisenberg Uncertainty Principle Blues, Chad Erickstad
Floodwall Magazine
No abstract provided.
Meeting,
2023
University of North Dakota
The Saga Of James Wolfe,
2023
University of North Dakota
I Linger,
2023
University of North Dakota
Bees,
2023
University of North Dakota
Bees, Amanda Babcock
Floodwall Magazine
Runner-up for the 2023 John Little Fiction Scholarship
What Is Love? (Baby Don’T Hurt Me),
2023
University of North Dakota
What Is Love? (Baby Don’T Hurt Me), Clara Anderson-Cameron
Floodwall Magazine
No abstract provided.
Tattoos And Chopsticks: My Mother And I,
2023
University of North Dakota
Tattoos And Chopsticks: My Mother And I, Claire Arneson
Floodwall Magazine
No abstract provided.
I Hope You Read This And Feel Awful,
2023
University of North Dakota
I Hope You Read This And Feel Awful, Clara Anderson-Cameron
Floodwall Magazine
No abstract provided.
The Sounds Of The Shore: An Afrofuturistic Double Record Performed Through Vernacular Technology,
2023
James Madison University
The Sounds Of The Shore: An Afrofuturistic Double Record Performed Through Vernacular Technology, Collin Bright
Masters Theses, 2020-current
Predominately white institutions are socially exclusive hostile environments that uphold white heteronormative patriarchal systems (Harper, 2013; Holliday & Squires, 2021; Razzante, 2018). The everyday task of existing on campus is a struggle for students of color as they are asked to enter spaces/places that are not diverse, inclusive, equitable, or accepting. To address the oppressive and dismissive forces of campus, my thesis uses Afrofuturism to reimagine what it means to exist as a student of color at a PWI. Afrofuturism is a “counter-imaginative cultur[al]” aesthetic-based practice that uses creative postcolonial critiques to reimagine future possibilities (Asante & Pindi, 2020; Pirker …
