Nonfiction Commons^™

Match Made In Heaven, Lily Bea Dillinger

Student Literary Anthologies

No abstract provided.

Wilferd And The Ghost Phone, Jackson K. Cook

Student Literary Anthologies

No abstract provided.

Stuck, Paige Q. Thompson

Student Literary Anthologies

No abstract provided.

Terrarium, Jackson K. Cook

Student Literary Anthologies

No abstract provided.

The Holler, Jeff Ayers

Student Literary Anthologies

No abstract provided.

Haunt, Josie Lockhart

Student Literary Anthologies

No abstract provided.

From A Corpse Upon The Sycamore Tree, Devin Barnes

Student Literary Anthologies

No abstract provided.

Danse Macabre, Jared Køhn

Student Literary Anthologies

No abstract provided.

A Siren’S Call Home, Helana Alexander

Student Literary Anthologies

No abstract provided.

Lessons In Sailing, Skye Oliver

Student Literary Anthologies

No abstract provided.

November Fog, Bethany Cole

Student Literary Anthologies

No abstract provided.

Woodland Cadence, Evan Meyers

Student Literary Anthologies

No abstract provided.

Table Of Contents, Anthropocene Editors

Student Literary Anthologies

No abstract provided.

Letter From The Editors, Anthropocene Editors

Student Literary Anthologies

No abstract provided.

Acknowledgements, Anthropocene Editors

Student Literary Anthologies

No abstract provided.

Cover, Anthropocene Editors

Student Literary Anthologies

No abstract provided.

Twoothree: Uta Journal Of The Arts, Da-Shiva Francois, Sydney Gillentine

twoOthree

twoOthree UTA Journal of the Arts: Volume 1 Spring 2024

Coachella Ya Habibi, Yasmine Daas

Capstones

This piece examines Palestinian singer Elyanna’s historic Coachella performance as a cultural moment shaped by visibility, constraint, and the politics of existence. Through firsthand observation and contextual analysis, it traces how Palestinian art—particularly music, fashion, and embodied performance—functions under conditions where identity itself is politicized. Elyanna’s presence on a global festival stage is framed not as a singular breakthrough, but as part of a broader continuum of Palestinian cultural assertion before and after October 7, when artistic expression increasingly carried material risk. By situating her performance alongside shifting industry responses, audience reception, and the evolving role of Palestinian artists in …

Texas Gothic, Taryn Uribe Turner

Art Theses and Dissertations

The emotional and the ecological combine to create my body of work titled, “Texas Gothic.” My thesis tells the stories of my oil paintings created through personal connections to a variety of landscapes, animals and experiences that share the setting of Texas.

Desire and regret take shape as animals and figures not fully formed or real. Unreliable narratives of the past are entangled with present tensions to create a painting that haunts and stalks.

And yet, there is hope!

Through nostalgia and sweetness and burdens, my paintings confront a shrouded future. The contradictions of time passing are explored in my …

'My Body Is Fertile Ground': Exploring Relational Agriculture Through Gender, Body, And Local Food Policy, Erin M. Tansimore

Graduate Student Portfolios, Professional Papers, and Capstone Projects

This master's portfolio, "'My Body Is Fertile Ground': Exploring Relational Agriculture Through Gender, Body, and Local Food Policy," explores the concept of relational agriculture through multiple forms of practice. It comprises three parts: a personal essay discussing the author's experiences with the land as a young woman with a turbulent relationship with her own body; a literature review on gender dynamics in alternative agricultural spaces; and a survey report and a USDA Census of Agriculture data brief produced during an internship with two local food entities.

The first piece, "My Body Is Fertile Ground," details the author's experience with an …