Ua68/6/2/1 Potter College Of Arts & Letters English Student Organizations Western Writers,
2010
Western Kentucky University
Ua68/6/2/1 Potter College Of Arts & Letters English Student Organizations Western Writers, Wku Archives
WKU Archives Collection Inventories
Records of the Western Writers and issues of Voices magazine.
Ua68/6/1 Potter College Of Arts & Letters English Publications,
2010
Western Kentucky University
Ua68/6/1 Potter College Of Arts & Letters English Publications, Wku Archives
WKU Archives Collection Inventories
Publications created by and about the English Department.
Zephyrus is produced by the English Department and contains student creative writing.
"A literary magazine called Voices had been produced for a number of years prior to that, but in 1969 Professor Gatlin, with the help of Professor Will Fridy, came up with the title Zephyrus, the Roman name for the west wind, because Dr. Wood had asked that "Western" be included in the title." From A Centennial History of the Department of English of Western Kentucky University by James Flynn
"In 1979, Frank [Steele], along with his wife, Peggy, began publishing …
Féminitude Et Négritude : Discours De Genre Et Discours Culturel Dans L’Oeuvre De Calixthe Beyala,
2010
Université Linné
Féminitude Et Négritude : Discours De Genre Et Discours Culturel Dans L’Oeuvre De Calixthe Beyala, Christina Angelfors
Présence Francophone: Revue internationale de langue et de littérature
This article examines how Calixthe Beyala, by using two key concepts, féminitude and négritude, engages in a dialogue with different European or Occidental feminist movements on the one side and the myths and traditions of the African continent on the other side. She addresses, one could say, Simone de Beauvoir’s question, “What is a women?”, as well as the question asked by the négritude writers, “What is a negro?”. The analysis of the opposition between the universal and the particular will show the complexity of the question of identity in Calixthe Beyala’s work.
War Torn,
2010
Bemidji State University
War Torn, Jamie Bogenschutz
Honors Capstones
Capstone submitted as a graduation requirement for the BSU Honors Program.
Postures Féminines Dans L’Oeuvre De Calixthe Beyala,
2010
Fondation Maison des Sciences de l’Homme
Postures Féminines Dans L’Oeuvre De Calixthe Beyala, Carmen Husti-Laboye
Présence Francophone: Revue internationale de langue et de littérature
The aim of this paper is to analyze, through the example of the feminist positions proposed by Calixthe Beyala in the novels she wrote between 1987 and 2007, the change of the novelist’s ideological and artistic perspective. It emphasizes the progressive loss of critical voice to the advantage of a new voice wishing to understand itself as individuality in its world. This study reveals the novelist’s contribution to the construction of a new position of the individual in the context of French social and cultural life.
Dévirilisation De Personnages Et Humanisme Chez Calixthe Beyala,
2010
Université Paris-Est
Dévirilisation De Personnages Et Humanisme Chez Calixthe Beyala, A. Mia Elise Adjoumani
Présence Francophone: Revue internationale de langue et de littérature
This article shows how Beyala questions the traditional status of the male figure by the emphasis of an emasculate male type. This last one does not illustrate the feminists ideals attributed to the author. He is rather placed in the center of humanists questions relegated into the background by his counterparts for the profit of their “androcentriques” concerns. Beyala so creates a man symbolically close to the androgyne who reveals her inhalation to a world managed in a egalitarian way by the man and the woman because of the human nature of the stakes to be defended.
De Stock À Albin Michel : Beyala Et L’Édition,
2010
University of KwaZulu-Natal
De Stock À Albin Michel : Beyala Et L’Édition, Bernard De Meyer
Présence Francophone: Revue internationale de langue et de littérature
Beyala has remained faithful to the publisher Albin Michel for her fictional work since the publication of Le petit prince de Belleville in 1992, but her four fi rst novels had three different publishers. A study of her relationship with the publishing world during this period shows her desire for recognition on the Parisian literary scene, which was ready to take up the challenge by publishing the novel of an unknown African woman writer. A careful analysis of paratextual elements, in particular the titrology, and of the contents of the novels reveals that Calixthe Beyala enters into a direct conversation …
Must Be Nice,
2010
Butler University
Must Be Nice, Bryan M. Furuness
Scholarship and Professional Work - LAS
No abstract available
Dangerous Women: Vera Caspary’S Rewriting Of 'Lady Audley’S Secret' In 'Bedelia',
2010
University of Dayton
Dangerous Women: Vera Caspary’S Rewriting Of 'Lady Audley’S Secret' In 'Bedelia', Laura Vorachek
English Faculty Publications
Considering Vera Caspary's Bedelia as a reimagining of Mary Elizabeth Braddon's Lady Audley's Secret allows for a new critical interpretation that refutes the typical view of Bedelia as reinforcing traditional gender roles. Instead, Caspary critiques World War II America by bringing Victorian concerns with female roles into the twentieth century.
Fiction Fix 08,
2010
University of North Florida
Fiction Fix 08, April E. Bacon, Anthony Bell, Scott Neuffer, Tom Wagner, Thomas Karst, Cody Pearce, Jacqueline May, Dan Crawley, Jim Fuess, Joshua Learn, Mathias B. Freese, Anthony Aiuppy, Traci Burns, Francis Raven, Brian Alan Ellis, Naná Howton
Fiction Fix
No abstract provided.
The Promethean, Volume 19, Number 01, Wonderlings, Fall 2010,
2010
Concordia University St. Paul
The Promethean, Volume 19, Number 01, Wonderlings, Fall 2010, English Department, Concordia University-Portland
The Promethean
This year, The Promethean Staff wanted to encourage a large variety of entries. We wanted to get all sorts of submissions from all sorts of people. We didn't want to limit anyone. We also could not decide on a theme. So, we, the group of indecisive English majors, did what no literary journal staff has ever done before. That statement may or may not be true, but we did something pretty rare. We chose two themes. We decided we would have a double book, with two covers. One theme would be Wonderlings, the other Forbidden. The book would be able …
The Abcs Of Acas,
2010
DePauw University
The Abcs Of Acas, Scotty Hunt
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
No abstract provided.
The View Through The Willow Tree,
2010
DePauw University
The View Through The Willow Tree, Shannon O'Donnell
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
No abstract provided.
Pete And Joe And Water,
2010
DePauw University
Pete And Joe And Water, Patrick Corley
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
No abstract provided.
The Fourth Of July,
2010
DePauw University
The Fourth Of July, Alex Wisz
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
No abstract provided.
She Was Angry,
2010
DePauw University
She Was Angry, Stephen Shapiro
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
No abstract provided.
Lila, Lila Loser-Face My Friend John Hapsburg & My Eye,
2010
DePauw University
Lila, Lila Loser-Face My Friend John Hapsburg & My Eye, Alex Thompson
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
No abstract provided.
Friday Night's Alright,
2010
DePauw University
Friday Night's Alright, T. Marie Biascochea
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
No abstract provided.
Monticello Rising,
2010
University of Southern Mississippi
Monticello Rising, Charles Edward Campbell
Dissertations
Monticello Rising is a compilation of fiction accompanied by a critical preface. The pieces within were all composed during my studies at the University of Southern Mississippi’s Center for Writers between the years of 2008-2010. The collection is about aspects of growth, initiation, and loss in human relationships.
Grown Men,
2010
University of Southern Mississippi
Grown Men, Daniel Charles Crocker
Dissertations
Grown Men is a collection of short fiction that articulates the themes of poverty, adulthood, alcoholism and faith. Some of the stories use the same characters in order to further explore place and economic and social status. Set in small towns in Missouri and Mississippi, Grown Men seeks to examine the way men deal with their changing roles when they lose their jobs, relationships and families. The collection is accompanied by a critical introduction. ii
