Classics Commons^™

Crucifixion In The Ancient World: A Historical Analysis, Gary Habermas, Benjamin C. F. Shaw

Liberty Theological Review

Cook, John Granger. Crucifixion in the Mediterranean World. 2nd ed. Vol. 327. Wissenschaftliche Untersuchungen Zum Neuen Testament. Tübingen: Mohr Siebeck, 2019. Pp 549 pp. 79,00 €.

The Veracity Of The Empty Tomb Tradition, Kevin Kroitor

Liberty Theological Review

While several historical facts surrounding Jesus’ bodily resurrection find agreement among virtually all critical scholars, the fact of the empty tomb finds far less critical agreement. Despite this attempt to “leave the door open” for naturalistic explanations of the early Christian resurrection claim, the overwhelming evidence renders the empty tomb tradition historically reliable and Jesus’ bodily resurrection, the most plausible explanation of the historical facts. This paper will examine the evidence for the empty tomb, including the early eyewitness nature of the core tradition and the necessity of the empty tomb to explain the more widely accepted facts surrounding Jesus’ …

Masthead

New England Classical Journal

No abstract provided.

Table Of Contents

New England Classical Journal

No abstract provided.

Full Circle: Juvenal’S Egyptians And The Return Of The “Angry White Man” In Satire 15, Nancy Shumate

New England Classical Journal

Some critics have seen a softening of Juvenal’s signature anger in the later satires, while others argue, on the contrary, that the indignatio animating the earlier poems resurfaces toward the end of the corpus. This paper supports the second position by comparing the characterization of speakers in the first six satires and in the fifteenth. In spite of its different setting and quasi-philosophical trappings, the (virtually) last poem’s speaker emerges as a variation of the same reactionary character type so fully drawn in the first two books. The Satires are thus framed by prototypes of the grievance-driven “angry white man” …

Sanguis Sanguinem Habebit., Aidan Scully

New England Classical Journal

No abstract provided.

In Search Of Helen Maria Chesnutt (1880-1969), Black Latinist, Michele Valerie Ronnick

New England Classical Journal

Classical scholars have begun to delineate the dynamic pattern of black classicism. This new subfield of the classical tradition involves the analysis of the creative response to classical antiquity by artists as well as the history of the professional training in classics of scholars, teachers and students in high schools, colleges and universities. To the first group belongs Helen Maria Chesnutt (1880-1969). Born in Fayetteville, NC, Chesnutt was the second daughter of acclaimed African American novelist, Charles W. Chesnutt (1858-1932). She earned her B.A. from Smith College in 1902 and her M.A. in Latin from Columbia University in 1925. She …

The 2021 Classical Association Of New England Summer Institute

New England Classical Journal

No abstract provided.

Full Issue

New England Classical Journal

No abstract provided.

Scipio’S Rome And Critias’ Athens: Utopian Mythmaking In Cicero’S De Republica And Plato’S Timaeus, Evan Rw Dutmer

New England Classical Journal

Scholarly debate on the relationship between Cicero’s De republica (On the Republic) and De Legibus (On the Laws) and the thought of Plato tends to focus on the supposed congruities or incongruities of the De republica and De legibus with Plato’s own Republic and Laws. Still, Plato’s discussion of ideal constitutions is not constrained to the Republic and Laws. In this essay I propose that we look to another of Plato’s dialogues for fruitful comparison: the Timaeus-Critias duology. In this essay I bring these two texts into substantive dialogue to illuminate mysterious features of both. …

Towards A ‘Political’ Tibullus: Ceres And Grain In Elegies Books 1 And 2, Victoria Jansson

New England Classical Journal

This article argues that unfulfilled prayers to Ceres in Tibullus’ elegies are symptomatic of Rome’s grain crises at the end of the Republic and beginning of Empire. My approach includes philological, socioeconomic, and psychoanalytic analysis of the elegies, in which the poet examines the shifting definition of a ‘Roman’ in his day. I seek to demonstrate the ways in which the poet grapples with the political and economic forces at work during the most turbulent period of Roman history: a time when income inequality was roughly equivalent to that of the U.S. and E.U. today.

Lector Intende, Laetaberis: A Research-Based Approach To Introductory Latin, Daniel Libatique, Dominic Machado

New England Classical Journal

In the 2019-20 academic year, we undertook a full redesign of our introductory Latin curriculum at the College of the Holy Cross in order to provide students with a more meaningful encounter with the Latin language. We primed our students to work with real, unedited Latin texts within their first year of study by highlighting Latin grammatical concepts that were frequent, complex, and unfamiliar to English speakers, which meant introducing topics like the passive voice, the subjunctive, third-declension adjectives, and indirect statement that are foundational to the Latin language much earlier than we had previously.

“Women Must Weep—Or Unite Against War”: Virginia Woolf’S Feminist Critique Of Classical Epic In To The Lighthouse, Kit Pyne-Jaeger

New England Classical Journal

Previous scholarship on Virginia Woolf’s classicism has acknowledged her debt to Vergil primarily in the context of the Eclogues or Georgics, and her debt to classical epic as a genre rarely and sparsely. Tremper (1992) and Tudeau-Clayton (2006) have both suggested a reading of “The Lighthouse,” the third part of To the Lighthouse, as an example of modernist epic. This paper, conversely, proposes that the novel in its entirety functions as a satirical critique of epic, specifically of Vergil’s Aeneid, with the goal of demonstrating the pitfalls of epic ideology as it impacted English society during the First World War.

Caesar And Genocide: Confronting The Dark Side Of Caesar’S Gallic Wars, Kurt A. Raaflaub

New England Classical Journal

Julius Caesar’s military achievements, described in his Gallic War, are monumental; so are the atrocities his army committed in slaughtering or enslaving entire nations. He stands accused of genocide. For today’s readers, including students and teachers, this poses problems. It raises questions, not least about Caesar’s place in the Latin curriculum. Applying modern definitions of “genocide,” is he guilty as accused? If so, is it justified to condemn him of a crime that was recognized as such only recently? Without condoning Caesar’s actions, this paper seeks fuller understanding by contextual analysis, placing them in the context of Roman—and ancient (if …

The Helen Maria Chesnutt Scholarships For Equity In Classical Study

New England Classical Journal

No abstract provided.

Message From The President, Teresa Ramsby

New England Classical Journal

No abstract provided.

The 2021 Classical Association Of New England Student Writing Contest

New England Classical Journal

No abstract provided.

Full Circle: Juvenal’S Egyptians And The Return Of The “Angry White Man” In Satire 15, Nancy Shumate

Classical Languages and Literatures: Faculty Publications

Some critics have seen a softening of Juvenal’s signature anger in the later satires, while others argue, on the contrary, that the indignatio animating the earlier poems resurfaces toward the end of the corpus. This paper supports the second position by comparing the characterization of speakers in the first six satires and in the fifteenth. In spite of its different setting and quasi-philosophical trappings, the (virtually) last poem’s speaker emerges as a variation of the same reactionary character type so fully drawn in the first two books. The Satires are thus framed by prototypes of the grievance-driven “angry white man” …

"Susanoo Annotated", Samuel Bostwick

COD Library Student Research and Award Symposium

For this project, I opted to take a deep dive into a religious culture I was not familiar with, namely, Shinto. To demonstrate my knowledge on the subject, I decided on annotating one of the myths of the religion; I selected the myth of Susanoo slaying the Orochi from the Shinto chronicle known as the Kojiki. The citations are presented in MLA format, obtained largely from the College of DuPage's library databases.

Faculty Sponsor: Beth Kempton

The Women Of Wrath, Sylvia Morna Freitas, Erinique Robinson, Bella Ruiz

COD Library Student Research and Award Symposium

Our group decided that we wanted to research the Ancient Greek myths of Pandora, the Harpies, the Fates, and the Furies to discover what these mythological figures stood for in the eyes of the Ancient Greeks. Once our research in our respective topics was complete, we came back together to look for comparisons between our separate figures, and the similarities we found eventually led us to the name of our project: The Women of Wrath.

Faculty Sponsor: Lisa Higgins