Classics Commons^™

The Colours Of Rethoryk: The Medieval World’S Influence On Red And White Color Symbolism In Geoffrey Chaucer’S The Canterbury Tales, Frederick W. Smallshaw

Undergraduate Theses and Capstone Projects

Chaucer’s use of visual imagery and symbolism in The Canterbury Tales. From a literary approach, scholars point to Chaucer’s diverse and extensive descriptions of visuals in poetry as a primary rhetorical avenue, where he applies commentary to instances where a physical image (known in this case as a symbol) is most appropriate to elicit a desired emotion or convey a certain idea concerning moralit

What C.S. Lewis Really Did To "Cupid And Psyche", Charles Huttar

Sehnsucht: The C. S. Lewis Journal

The story of Lewis's engagement, starting at age 18, with Apuleius's story of Cupid and Psyche.

No Mere Materialism: The Revelatory Nature Of Death In C.S. Lewis's Space Trilogy, Laurel Wood

Global Tides

This paper explores the role which death plays in the narrative of C.S. Lewis’s Space Trilogy. During the time of the trilogy’s composition, materialist philosophy was becoming increasingly popular in the Western world as individuals looked to science as the source of absolute truth. As a former materialist, Lewis was alarmed by this development and confronted materialist ideology in numerous fiction and non-fiction works.

Blending textual evidence from the trilogy with scholarly commentary, this paper demonstrates that Lewis uses death, particularly the fear of annihilation and the afterlife which it evokes, to bypass materialist assertions of the atheistic nature of …

"Like A Shadow Or Even A Dream": Memory And Haptic Motifs On Classical Attic Funerary Stelai, Vonne Daszkilewicz

Departmental Honors & Graduate Capstone Projects

During the third quarter of the fifth century BCE, Athens witnessed the revival of funerary stele reliefs. Sculpted motifs representing touch and interaction, often situated within familial scenes, characterized the grave monuments and contributed strongly to their tactility. Haptic stele motifs promoted the construction of memory by heightening the depiction of lasting bonds between living and deceased individuals. Grave reliefs provide a lasting representation of the deceased, while also serving as conspicuous reminders of the permanence of death. However, Attic funerary stelai provided a physical substitute for the departed towards which the living could direct their continued care and dedication. …

Musical Evidence For Low Boundary Tones In Ancient Greek, Dieter Gunkel

Classical Studies Faculty Publications

Several scholars have suggested that in ancient Greek there was a low boundary tone at the end of a relatively small prosodic constituent such as a clitic group or maximal prosodic word. The boundary tone may phonologically motivate some puzzling pitch-accentual phenomena in the language. One is the diachronic pitch-peak retraction that led to the circumflex pitch accent (HL) on penultimate syllables (the “sōtêra rule”). Another is the intonational phrase-internal downstepping or deletion of a word-final acute accent (H); that conversion of an acute to a grave accent is known as “lulling” or “koímēsis”. If such a low …

George Colvile's Translation Of The Consolation Of Philosophy, Ian Cornelius

English: Faculty Publications and Other Works

The Consolatio philosophiae of the Roman statesman and philosopher Boethius (fifth/sixth century) was read and studied intensely in medieval western Europe and repeatedly translated into vernacular languages. Medieval commentaries on this text and translations of it claim attention today as case studies in a history of reading, for they exemplify the practices of medieval literary scholasticism. In an English context, the final flowering of this reading tradition may be placed in the year 1556, when John Cawoode printed a new translation of the Consolatio by a ‘George Coluile, alias Coldewel’. The translator remains unidentified. The translation is a medieval throwback …

Sacrificial Ritual And The Palace Of Nestor: A Reanalysis Of The Ta Tablets, J. Morton, N. G. Blackwell, Kyle W. Mahoney

Classics Faculty Works

The Ta tablets are a series of Linear B documents from the Palace of Nestor at Pylos that inventory vessels, fire implements, slaughtering paraphernalia, and furniture. This article argues that all the equipment documented on the Ta tablets pertains to a single large-scale ritual cattle sacrifice and was not equipment for the banquet that would have followed the sacrifice. The argument is rooted in a reanalysis of the tables listed on the Ta tablets that concludes that they were used for the slaughter and butchery of sacrificial cattle. Discussion proceeds from there to the sacrificial ritual use of the other …

Discovering Dune: Essays On Frank Herbert’S Epic Saga., Edited By Dominic J. Nardi And N. Trevor Brierly, G. Connor Salter

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

G. Connor Salter reviews Discovering Dune: Essays on Frank Herbert’s Epic Saga, edited by Dominic J. Nardi and N. Trevor Brierly, considering its new contributions to studies of Frank Herbert's work. Essays included fit into four categories (Politics and Power, History and Religion, Biology and Ecology, and Philosophy, Choice and Ethics) and range from Herbert's use of ecology in Dune to how game theory may help explain certain characters' apparent ability to see the future. Discovering Dune also includes an appendix which contains the only up-to-date bibliography of Herbert's work (primary and secondary sources).

The Formation Of A Hellenic Identity: The Impact Of Herodotus On The Ancient Greek And The Reception Of His Histories, Conor James

History & Classics Undergraduate Theses

The ethnic identity of the ancient Greek is a complicated idea that developed over hundreds of years unbeknownst to the communities that would one day be identified as ‘Hellenes.’ The advent of the polis in the Archaic era was followed by nearly three hundred years of rapid development within the scattered communities of ancient Greece before conflict with the Persian Empire necessitated inter-polis cooperation. This phenomenon prompted a movement in which the aspects of life that were once viewed as mere similarities between different societies were clung to and presented as proof of a common ethnic identity that called for …

Redefining Roman Women: Powerful Benefactresses & Patrons Of The Early Roman Empire, Jacqueline Elia

History & Classics Undergraduate Theses

The history of the Roman Empire has thus far been largely dominated by male narratives. With ancient literary sources predominantly having been written by and for wealthy male audiences, a dangerously limited scope of the Roman Empire has been perpetuated as marginalized groups such as women have been left out of the historical record. Despite what mainstream history has been led to believe by authors such as Livy and Tacitus, Roman women were not simply one-dimensional, domestic creatures who acted as passive witnesses to male dominance. Rather, middle-elite women throughout the empire frequently existed outside the bounds of the domestic …

Evolving Identity: Hellenistic Greece Vs. Arthurian Legend, Irene A. Bougatsos

Publications and Research

This paper for a capstone class delves into two iconic figures from contrasting time periods. While Sir Gawain and Alexander the Great are two literary figures separated by several centuries, the theme of identity is present in the stories of The Greek Alexander Romance and Sir Gawain and the Green Knight. How identity fluctuates is what this paper strives to answer.

An Investigation Of The Galenic Influence On The Artistic Depiction Of Anatomical Concepts During The Renaissance, Fatima Amjad

Theses and Dissertations

The Renaissance era was a period marked by an intellectual and artistic resurgence in Europe, during which artists sought inspiration from Classical sources. This resulted in a move away from stylized medieval aesthetics and towards a renewed emphasis on accuracy and humanity in art. Renaissance artists developed art styles that emphasized perspective, proportion, and anatomy, creating more lifelike and naturalistic representations of the human figure and the natural world. The adoption of naturalism and individualism in the arts paired with the rediscovery and retranslation of ancient anatomical texts propelled artists and anatomists to deepen their understanding of the human body. …

From Derby Tracks To Surf Shacks: Reflections Of California’S Changing Cultural Landscape Through Artistic Renditions Of Recreation 1930s-1960s, David Walls

Theses and Dissertations

The aim of this thesis is to analyze works of art originating in the state of California during the 20^th century to better understand how sports and recreation were used as a subject matter to reflect upon the state’s changing cultural landscape. This changing landscape encompasses a wide range of social, cultural, economic, and political topics, however, the topics of race, migration, and economic strife are the most consistently reflected in the artistic production of this time and must be emphasized. Scholarship of art created within this region and timeframe has neglected the impact of recreational subject matter and …

Rape Jokes, Sexual Violence, And Empire In Revelation And This Is The End, Meredith J.C. Warren

Journal of Religion & Film

The Book of Revelation is one of the most borrowed-from texts of the New Testament when it comes to popular culture. Although there are dozens of other ancient apocalyptic writings, it is John’s apocalyptic visions that directly inform contemporary ideas of apocalypse. The apocalyptic comedy This Is The End (Dir. Seth Rogen and Evan Goldberg, 2013) not only invokes imagery from Revelation but also adapts portions of the text in its portrayal of the end times. However, it also reproduces and expands upon the use of sexual violence as a means of punishment found in Revelation. This paper will examine …

Justice For All: Moira, Tyche And Nemesis In The Marvel Cinematic Universe, Jason Osborne

Journal of Religion & Film

This article explores the ways in which the ancient concepts of moira, tyche, and nemesis permeate the films and series of the Marvel Cinematic Universe.

Dreaming Of Empire: Visions Of Rome And Imperialist Ideology In Twenty-First Century Cinema, Nathan Keckley

Undergraduate Research Symposium

The blockbuster film Gladiator kickstarted a new wave of ancient historical epics. Some of these, following Gladiator’s lead, drew explicit parallels between ancient Rome and contemporary America – notably Centurion (2010) and The Eagle (2011). The Rome-America analogy allowed Gladiator and its progeny to critique American society, and these critiques have received substantial scholarly attention. Given that these films were produced while America was waging controversial wars, it is unsurprising that one of the critiques they chiefly employ – and one of those scholars have most readily seized upon – is that of American imperialism. Gladiator, Centurion, and The Eagle …

Leonardo’S Ancient Inspiration, Willem N. Roelandts

CAFE Symposium 2023

Investigating the hidden ancient inspiration in Leonardo de Vinci’s 'Battle of Anghiari' and it’s significance to the city of Florence. How and why Leonardo chose to incorporate Greco-Roman aesthetics into his art.

A Female Pharaoh And The Emperor’S Wife: Hatshepsut, Julia Domna, And Female Authority In Antiquity, Gabriella E. Ramalho

Dissertations, Theses, and Capstone Projects

This thesis analyzes how historical notions of masculinity and femininity shaped perceptions of power between the Egyptian female pharaoh Hatshepsut and Roman empress Julia Domna. Both rulers carefully created visual narratives of masculinity and femininity to leverage respect from their citizens, in accordance with what was contextually appropriate for their respective societies.

It will be shown that there are blatant disconnects between how others perceived them and how they wished to be portrayed. Hatshepsut, a rare female pharaoh, depicted herself in the regalia of a male king with a false ceremonial beard, scepters and crowns. Domna was described as the …

Animal Imagery In Eastern Han Tomb Reliefs From Shanbei 陝北, Leslie V. Wallace

Visual Arts

Wild and fantastical animals climb, fly, scamper, and prance across pictorial stone carvings decorating Eastern Han tomb doors in northern Shaanxi. Alongside dragons and other mythical animals, bears felicitously dance, tigers grin opening their mouths to roar, and other wild animals frolic in swirling cloudscapes. While the same animals can be found in Eastern Han tomb reliefs and mortuary art in other regions, their frequency, emphasis on plasticity and movement, and combination with the yunqi 雲氣 motif are unique to the region. Originating in a hybrid style of art that was created during the Mid-Western Han Dynasty (206 BCE–9 CE), …

Desire In The Iliad: The Force That Moves The Epic And Its Audience, Rachel H. Lesser

Gettysburg College Faculty Books

This book is the first study to examine desire in the Iliad in a comprehensive way and to explain its relationship to the epic’s narrative structure and audience reception. It offers a new reading of the poem that shows how the characters’ desires, especially those of the mortal hero Achilleus and the divine king Zeus, motivate plot and keep the audience engaged with the epic until and even beyond its end. The author argues that the characters’ desires are primarily organized in narrative triangles that feature two parties in conflict over a third. A variety of desires animate these triangles, …