Classics Commons^™

The Euroweb Textile And Clothing Terminology Network And The Digital Atlas Of European Textile Heritage: Some Reflections And Results, Louise Quillien, Alina Iancu, Meghan Korten, Susanne Lervad, Joana Sequeira, Catarina Costeira

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

One of the research areas of the EuroWeb project during the four years of the COST Action (November 2020 – October 2024) is the comparative study of textile and clothing terminologies in European languages across time. Inside the EuroWeb network, the research group on Textile and clothing terminologies has three topics of particular interest: 1. the specificities of these terminologies, and the strategies for naming textiles and garments; 2. the impact of European geography on textile and clothing terminologies, especially visible through textile terms formed after a toponym or through the circulation of loanwords; 3. the influence of textile and …

Exploring Dress, Gender, And Bodily Capital Through Pre- And Protohistoric Funerary Contexts: Case Studies From Southwestern Europe, Francisco B. Gomes, Catarina Costeira, Anna Maria Desiderio, Arianna Esposito, Giacomo Bardelli

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

While uneven in their scope and reach, studies of dress and dress complements (fibulae, belt buckles, buttons, etc.) have a significant tradition within the broader study of the pre- and protohistory of Mediterranean Europe. Many of these studies, however, have had a strong focus on the typology of the dress complements and ornaments themselves, either as chronological indicators, ethnic markers, or both. In more recent years, however, a shift in research agendas has ushered in the introduction of new perspectives and new ways of thinking about dress and bodily adornment.

This contribution explores one such perspective in particular — namely, …

Displaying And Experiencing Dress Identities In Museums: Case Studies From The Etruscan Period To Modern Times, Karina Grömer, Astrid Fendt, Morten Grymer-Hansen, Anna Zimmermann, Kayleigh Saunderson, Camilla Cziffery Nielsen, Francisco B. Gomes

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

Dress, clothes, and accessories receive and give meaning through their nearness to the human body. As P. Stallybrass writes: “Bodies come and go: the clothes that have received those bodies survive.” It is through the close interaction between dress and person that they both receive their meaning. Clothes shape the human body, and we in return shape our clothes. Dress communicates class, gender, nationality, and marital status, and we leave behind parts of us in its smell, wrinkles, wear, and tear: “Clothes receive the human imprint.” Archaeological and historical dress — no matter how ancient — remain intrinsically linked to …

Book 6: Odysseus Meets The Maiden, Erwin F. Cook

Classical Studies Faculty Research

It is a commonplace among Homeric scholars that Scheria is a gateway between worlds. In what follows I shift focus to the role the Phaeacians play in facilitating Odysseus’s passage home, beyond doing so literally. My basic claim is that Odysseus is reintegrated into a functioning human society on Scheria before reestablishing his domestic relationships on Ithaca. He there establishes xenia, or guest-friendship, with the royal household, an institution that throughout the poem epitomizes civilized values. In this, Nausicaa plays a central role, and she too stands at the threshold of changing identities, from virgin princess to an adult …

Red Dyes From West To East In Medieval Europe: From Portuguese Manuscript Illuminations To Romanian Textiles, Irina Petroviciu, Paula Nabais, Maria J. Melo

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

Red is the color par excellence, its symbolism being linked with protection and magic through its primary attributes, fire and blood. It was the predominant color from the earliest times, certainly during the Greek and Roman periods and into Medieval Europe, until blue became a competitor around the 13th century. Mineral pigments, like iron oxides, were the first red sources, used to draw lines, dots, or spots on cave walls or stones. Later, other mineral red pigments were also exploited: Cinnabar, natural mercury sulfide, since the Neolithic, and realgar, arsenic trisulfide, in Ancient Egypt. Scientific investigation revealed that, although …

Searching For The Exotic: Textiles, Orientalism, And Identities, Ana Cabrera, Roxana Coman, Karolina A. Kulpa, Tim Parry-Williams

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

Textiles, with their economic, sartorial, and identity-constructing functions, have long been at the center of cultural discourses, whether narrative or visual. Objects of desire, but also objects of curiosity, textiles have been the topic of costume books, offered in diplomatic exchanges, collected by private collectors and museums alike, and have traveled, sometimes as sample books. Their Othering function did not only differentiate between members of different civilizations, but also the members of the same society, where clothing was used to signal rank and function. The case studies presented intend to elaborate further on the role and symbolism associated with textiles, …

Clothing In Transition: Social, Symbolic, And Legal Aspects Of Garments From Prehistory To The Early Byzantine Period, Tina Boloti, Francesca Scotti, Cristina Cumbo, Petra Linscheid

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

Since ancient times, garments served a wide range of purposes: Either functional, providing protection by covering the body, or symbolic, as an element of non-verbal communication and marker of identity. In particular, this stimulates the development of specific characteristics in shape, decoration, or material composition, which generate distinctions among garments, as acknowledged by Roman jurists too.

These distinctions are determined by various factors. One important factor is the social meaning of clothing: There are garments for public life, garments expressing rank, garments suited for special professions, or garments intended for sacred/priestly rites reflecting particular religious symbols. And, of course, clothes …

Art As Ammunition: The Creative Response To Violence In Ireland, Emma Muchow

Soaring: A Journal of Undergraduate Research

This essay examines the role of murals in Northern Ireland during the Troubles, a period of sectarian violence from 1968 to 1998. It argues that these murals functioned as powerful instruments for both sides of the conflict, serving as a platform to express political ideologies, cultural identities, and lived experiences. The analysis draws upon scholarly works on art and conflict, historical accounts of the Troubles, and examinations of specific murals.

The paper explores the multifaceted role these murals played. It highlights how they served as reflections of the social, political, and cultural tensions of the time. Furthermore, it examines how …

The Lentini Auge Vase As Paratragic Recognition Scene, Gwendolyn Compton-Engle

2024 Faculty Bibliography

No abstract provided.

Imaginary, Symbolic, And Real In The Wexner Center, John Shannon Hendrix

Architecture, Art, and Historic Preservation Faculty Publications

No abstract provided.

La Langue And The Barenholtz Pavilion, John Shannon Hendrix

Architecture, Art, and Historic Preservation Faculty Publications

No abstract provided.

Judicial Rhetoric And The Rhetoric Of Myth In "Till We Have Faces", Maria Wilkening

Master of Arts in Classical Studies

C.S. Lewis is unquestionably one of the more enduring influences in the 20th century, due in part to his personal popularity during his lifetime, as well as to his prolific and approachable oeuvre in wide-ranging genres such as apologetics, fiction, and public debate and address. Lewis has only become more popular since his death, with continued interest building after the more recent development of movie interpretations depicting both his fiction and life. C.S. Lewis’s corpus is certainly vast, and even more has been written about C.S. Lewis and his writings since his death. Strong scholarship exists, particularly in the areas …

Introduction To Past And Future Presence: Approaches For Implementing Xr Technology In Humanities And Art Education, Brian Beams, Lissa Crofton-Sleigh

Classics

Extended reality (XR) technology (that is, virtual reality, augmented reality, mixed reality, and other 3D technologies) offers many opportunities and benefits for education in the humanities and arts. However, after attending many education- technology workshops and having read countless books and journal articles on the uses of XR in education over the past decade, it has been overwhelmingly apparent that most of the research and conference presentations tend to focus on the use of this technology in science, technology, engineering, and mathematics (STEM) education. While in many ways this is understandable, given the obvious applications of the technology to the …

Understanding Gold Textiles: Case Studies Of Gold Threads From The Bronze Age And Antiquity In Europe, Karina Grömer, Francesca Coletti, Francisco B. Gomes, Kayleigh Saunderson

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

The production of textiles, in terms of weaving techniques, has a long history in Europe, and dates back to the Stone Age, the time during which the first farming communities arrived in the Mediterranean and Central Europe, in the 7th/6th millennium BC. The first evidence of textile tools, like spindle whorls and loom weights, demonstrate that people made an important step forward in mechanizing this craft, not only twisting fibers and interlacing strands purely by hand, but also inventing tools to increase efficiency. Through the development of textile techniques, we see the unleashing of enormous creative power that stimulated even …

“What’S In A Name?” Toponyms And Loanwords In European Textile Cultures, Dimitra Andrianou, Klara Dankova, Nade Genevska Brachikj, Angela Huang, Meghan Korten, Elena Miramontes, Jasemin Nazim, Marie-Alice Rebours, Joana Sequeira

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

Textiles as man-made products have been exchanged over distances for millennia. They can and have been produced almost anywhere; they are also, as a product, highly differentiated and quickly adjustable to changing demands. This brings with it naming practices to communicate about the goods in question. Textiles are labeled so that people can form expectations about them and rely on the reputation tied to the product’s identity. The terminology of textiles and textile items arises and develops in unison with technical innovations, discoveries, fashions, and trade patterns. Although the occurrence of toponyms e.g., in preindustrial trade (10th to 18th century …

The Terminology Of Soft Furnishings In Ancient Babylonia, Greece, And Rome: A Comparative Approach, Dimitra Andrianou, Elena Miramontes, Louise Quillien

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

Various kinds of textiles were used to furnish domestic spaces in Antiquity, such as curtains, covers, hangings, pillows, cushions, mattresses, rugs, tapestries, tablecloths, and towels. These objects have practical and everyday functions, they embellish and add to daily comfort in the house and speak to the owner’s prosperity. Being made of perishable materials, furnishings have, on the whole, not survived in ancient Mesopotamia, Greece, and Rome. Apart from a few excavated pieces of textiles found in tombs, our information comes primarily from written testimonia and iconography.

It is thus essential to consider soft furnishings in their own right, in order …

Textiles, Dress And Politics: A Diachronic Perspective Through The Case Studies Of Ancient Rome And Medieval Iceland, Meghan Korten, Zofia Kaczmarek

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

People dress for more than just aesthetic reasons. Over the centuries, dress became a sign of human civilization, allowing us to identify the origin, gender, and status of the wearer. Textiles and clothing influence our body, posture, movements, and the way we are perceived by society. Textiles are also a tool used by people to further their agenda, that is why they found their place in the political life of many ancient and modern societies.

According to Michel Foucault, power can be understood as a set of activities influencing the life of the other: It provokes, forbids, or permits, but …

Horbat Umm Tabun, Sderot, A-9761/2024, Zvi Firer

Favissa: Past Archaeological Excavation Reports

In July 2024, a trial excavation was conducted in Complex 11, "Teva’ Ba-’Ir" park in Sderot (Permit No. A-9761/2024; map ref. 161495/605693, Fig. 1). The excavation, on behalf of the Israel Antiquities Authority and funded by the Sderot Economic Company, was directed by Z. Firer and S. Tal, with the assistance of N. Wieler (geology), A. Montague (drafting and map), D. Eisenberg-Degen (drone photography and scientific guidance), Y. Alamor (administration), and laborers from Rahat.

Nahal Hevron (Hevron River) A-9823/2024, Ahinoam Montague

Favissa: Past Archaeological Excavation Reports

In May–June 2024, a trial excavation was conducted along the southern margins of Nahal Hevron, approximately 600 m north of Tel Be’er Sheva’ (Permit No. A-9823/2024; map ref. 184707-5060/573003-337; Fig. 1), in advance of the planned expansion of the ‘Omer wastewater treatment plant. The excavation was carried out on behalf of the Israel Antiquities Authority and funded by the ‘Omer Local Council. The excavation was directed by A. Montague (modeling and plans), with the assistance of V. Lifshits (Be’er Sheva’ District manager), F. Kobrin (Be’er Sheva’ sub-district manager), Y. Alamor (administration), D. Degen-Eisenberg (supervising archaeologist and aerial photography), I. Azoulay …

Spatial Relations Between Conscious And Unconscious Thought, John Shannon Hendrix

Architecture, Art, and Historic Preservation Faculty Publications

No abstract provided.