Classical Literature and Philology Commons^™

When Critics Are Artists: Ekphrasis In Erotic Art Criticism, Joanna A. Ligon

Dissertations, Theses, and Capstone Projects

In “Against Interpretation,” Susan Sontag argues for an erotics of art in art criticism in place of hermeneutics. In this thesis, I examine erotics of art, a focus on form and experiencing art instead of exclusively on content, in practice. Drawing on other essays by Sontag, specifically the essay “Godard” in comparison with the filmmaker Jean-Luc Godard’s own filmic criticism in Breathless, criticism according to an erotics of art becomes a new artwork itself. Subsequently, I present a definition of erotic through Anne Carson and Roland Barthes and juxtapose the term with Hans-Georg Gadamer’s hermeneutics. The comparison ultimately undoes …

Biblical Literacy And The Creative Mind, Michael Farrell

Undergraduate Honors Theses

Biblical Literacy and the Creative Mind will explore interpretation tracing the history of English literature back to biblical aspirations and its continued profound influence on Western human perspectives. It will examine the decline in adults reading literary texts and the diminishing number of English majors among prospective students. I am arguing for poetic interpretations over hermeneutic ones, which analyze what is structurally in a sentence to make a reader feel a certain way. I will use the theory of intertextuality, meaning a text comprises the consumption of past texts, to aid my argument. This theory underscores the importance of celebrated …

Mythos And Meaning: Medieval Appropriations Of Mythological Types In The Consolation Of Philosophy And Later Western Literatures, Francis J. Hunter

Seton Hall University Dissertations and Theses (ETDs)

Often referred to as the last Roman and first medieval, Boethius, author of The Consolation of Philosophy, has been widely received as an unoriginal philosopher who sought to preserve Platonic thought as the Western Roman Empire fell. However, this essay features an investigation into the literary originality of Boethius who initiates a line of Christian and Platonic literatures to follow in the medieval European tradition. Boethius demonstrates himself to be a poet who makes great use of philosophy rather than as a philosopher writing poetry. Boethius’ poetic influence is felt most strongly in major aspects of Dante’s Divine Comedy and …

Iuno… Saevissima: Patriarchy, Divinity, And Villainy In Imperial Roman Epic, Nolan Michael Cicci

Honors Theses

Juno is a Roman deity with a significant amount of scholarship around her impact on Roman literature and Roman social life. Her divine department is as the protector of motherhood, banks, family order, marriage, and women in general. Many Roman temples still exist that immortalize her. However, there is another aspect to her character that is at odds to her portrayal in day-to-day Roman life, mainly her portrayal in the Roman epics of Virgil's Aeneid and Silius Italicus' Punica. Virgil (fl. ~26. B.C.) and Silius Italicus (b. ~26 A.D.) wrote, respectively, examples of epic literature, both which detail the myths …

The Affable Raphael: Milton's Surrogate Instructor In Paradise Lost., Beau Kilpatrick

Electronic Theses and Dissertations

John Milton’s Paradise Lost (1667) is a beautifully written epic that continues to be a stalwart text in the English literary canon, with unlimited potential for interpretation. In this dissertation I propose that Paradise Lost can be read as a pedagogical lesson for Milton’s “fit audience,” where the author implements his views on education in the context of heaven, hell, and Paradise. In the poem, Milton presents three pedagogical methodologies: first, the wrong way to knowledge is presented through Satan’s manipulations of the fallen angels and Eve; second, the divine way to knowledge is illustrated via Michael’s prophecy to Adam …

The Trial Of Abraham And The Trembling Of The Audience: Rereading The Aqedah, Michael Zhaohan Tang

Classical Mediterranean and Middle East Honors Projects

This thesis reexamines the Aqedah narrative from Genesis 22:1–19, focusing on the conveyance of emotions and the portrayal of characters in a story that lacks explicit descriptions of thoughts and feelings. Approaching the text through a literary and narratological lens, I propose that through phraseological techniques like diction and parataxis and compositional strategies such as allusion and juxtaposition, the text captures the psychological depth of biblical characters, thereby enhancing its emotional impact on the audience. I dissect the narrative into eight scenes and within each scene, I conduct close readings to identify and analyze subtle lexical choices and rhetorical devices. …

The Dependent Nature Of Enlightenment And Capitalism: Discourse On How Civilization Needs Capitalism To Curb The Effects Of Enlightenment, Katriel Lee

Departmental Honors & Graduate Capstone Projects

This paper examines the interplay between the intellectual movements of enlightenment, the economic system of capitalism, and the manifestation of violent racist ideologies like antisemitism and anti-black racism. The core argument is that while the enlightenment ideals of reason, universality, and human dominance over nature inherently set the stage for categorizing and objectifying groups seen as deviating from the desired uniformity, the emergence of extreme racist violence like the Holocaust requires the additional factors of a failing capitalist economy and the rise of totalitarian governments. In the modern American context, racist thought persists in the more covert form of color-blindness. …

From Never Enough To Nothing At All: An Investigation Of Political Commentary In Euripides' Medea, Eleanor Clark

Departmental Honors & Graduate Capstone Projects

When studying the plays of Euripides, scholars have often focused on the playwright’s social commentary while paying less attention to the relationship between the plays’ plots and the political environment in Greece at the time of their production. Furthermore, although many of Euripides’ plays have been identified as referencing contemporary political events, scholars have made no such assertions regarding the Medea. Through an examination of Euripides’ Medea and Thucydides’ History of the Peloponnesian War, this study seeks to address this gap in scholarship by taking into account the political context at the time which it was written and first produced. …

Coming Out Of The Coffin: The History And Present Of Queerness In The Vampire Genre., Bailey Drummond

Honors Projects

This essay delves into the captivating and lasting influence of vampires on popular culture since their creation. The fascination with vampires can be traced back to literary works such as John Polidori's "The Vampyre" and Bram Stoker's classic "Dracula," which have served as foundations for vampire mythology across different media platforms. Despite the evolution of media and cultural contexts, certain themes surrounding vampires have persisted throughout history. Notably, vampires have been portrayed as symbols of sexuality and queerness, reflecting societal fears and desires from past eras to the present day. These themes have been critically analyzed and dissected in various …

Orpheus And The Harrowing Of Hell In The Tale Of Beren And Lúthien, Giovanni Carmine Costabile

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Critics have observed that Beren and Lúthien’s tale is a Christian retelling of the myth of Orpheus and Eurydice. The “Harrowing of Hell” tradition is widespread in Italy as attested by the mosaic of San Marco among others, but it is in France that the Ovid Moralized reconnects it to Orpheus who descended into the Underworld to save Eurydice (an already late antique parallel) and therefore attests a happy ending version of the story that can be found in medieval England and also in various classical sources, perhaps even in the original legend of Orpheus. The apocryphal Harrowing is also …

Dispelling Delusion And Seeing Nature: A Comparative Analysis Of Lucretius’ _De Rerum Natura_ And Hui-Neng’S _Platform Sutra_, Isaac Raymond

Honors Theses

Lucretius’ De Rerum Natura and Hui-neng’s Platform Sutra have never been compared in a scholarly context; as such, this paper builds a new bridge between Western and Eastern philosophical literature, examining language, narrative, ethics, teleology, theology, and departures from orthodox philosophies in order to synthesize a clear and complete view of the two works in dialogue. De Rerum Natura, or On the Nature of Things, is a first-century BC epic poem composed in Latin by Titus Lucretius Carus which explains Epicurean philosophy in great detail through verse. The Platform Sutra is an eighth-century AD Chinese Zen (Ch’an) Buddhist sermon, …

0887: Gwenyth E. Hood Collection, 1889-2023, Marshall University Special Collections

Guides to Manuscript Collections

Gwenyth Elise Hood was born on December 10, 1955, to Thomas Arthur Hood and Marion Louise Snee Hood in White Plains, NY, but moved with her family to Brandon, Vermont at the age of seven. She developed a love of reading and writing at an early age, discovering some favorite authors—Rudyard Kipling, Shakespeare, and J.R.R. Tolkien—at roughly the same time, in early adolescence. Then came Dante. Dante drew her to learn Latin and Italian; she had already started on French due to family heritage and the availability of the language in High School. In 1979 she won a University of …

The Myths Of Plato: Socratic Kenosis And The Call Of Beauty, Daniel Edward Shirley

Master of Arts in Classical Studies

The myths of Plato have been inordinately subordinated to the “intellect” of Plato since the eighteen-thirties. The ancient Christian tradition of interpreting stories and scriptures with symbolic understanding serves as a potentially primary hermeneutical pattern that could correct the modern tendency of subconscious materialism. To restore the Platonic myths, there are two foundational arguments to be made about the myths. The first is that these myths are kenotic in function. Observing the Socratic call to self-emptying, especially in the cosmological image of the World Axis, challenges modern assumptions concerning the second goodness of Platonic myth. The second argument is the …

Music As A Force Of Agency For Ancient Greek Women, Margaret Ridgeway

Honors Bachelor of Arts

No abstract provided.

The Authors

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

Short professional biographies of the Contributors: Dimitra Andrianou, Giacomo Bardelli, Magali An Berthon, Tina Boloti, Cecilie Brøns, Ana Cabrera-Lafuente, Francesca Coletti, Roxana Coman, Catarina Costeira, Cristina Cumbo, Camilla Cziffery Nielsen, Klara Dankova, Anna Maria Desiderio, Kerstin Droß-Krüpe, Arianna Esposito, Astrid Fendt, Nade Genevska Brachikj, Francisco B. Gomes, Judith Goris, Audrey Gouy, Karina Grömer, Morten Grymer-Hansen, Mary Harlow, Susanna Harris, Sophia Larissa Hayda, Angela Huang, Floor Huisman, Alina Iancu, Zofia Kaczmarek, Marisa Kerbizi, Meghan Korten, Tetiana Krupa, Karolina Anna Kulpa, Lena Larsson Lovén, Ronja Lau, Yuliia Lazorenko, Susanne Lervad, Petra Linscheid, Christina Margariti, Maria João Melo, Elena Miramontes Seijas, Leyre Morgado-Roncal, …

The Euroweb Textile And Clothing Terminology Network And The Digital Atlas Of European Textile Heritage: Some Reflections And Results, Louise Quillien, Alina Iancu, Meghan Korten, Susanne Lervad, Joana Sequeira, Catarina Costeira

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

One of the research areas of the EuroWeb project during the four years of the COST Action (November 2020 – October 2024) is the comparative study of textile and clothing terminologies in European languages across time. Inside the EuroWeb network, the research group on Textile and clothing terminologies has three topics of particular interest: 1. the specificities of these terminologies, and the strategies for naming textiles and garments; 2. the impact of European geography on textile and clothing terminologies, especially visible through textile terms formed after a toponym or through the circulation of loanwords; 3. the influence of textile and …

Exploring Dress, Gender, And Bodily Capital Through Pre- And Protohistoric Funerary Contexts: Case Studies From Southwestern Europe, Francisco B. Gomes, Catarina Costeira, Anna Maria Desiderio, Arianna Esposito, Giacomo Bardelli

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

While uneven in their scope and reach, studies of dress and dress complements (fibulae, belt buckles, buttons, etc.) have a significant tradition within the broader study of the pre- and protohistory of Mediterranean Europe. Many of these studies, however, have had a strong focus on the typology of the dress complements and ornaments themselves, either as chronological indicators, ethnic markers, or both. In more recent years, however, a shift in research agendas has ushered in the introduction of new perspectives and new ways of thinking about dress and bodily adornment.

This contribution explores one such perspective in particular — namely, …

Displaying And Experiencing Dress Identities In Museums: Case Studies From The Etruscan Period To Modern Times, Karina Grömer, Astrid Fendt, Morten Grymer-Hansen, Anna Zimmermann, Kayleigh Saunderson, Camilla Cziffery Nielsen, Francisco B. Gomes

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

Dress, clothes, and accessories receive and give meaning through their nearness to the human body. As P. Stallybrass writes: “Bodies come and go: the clothes that have received those bodies survive.” It is through the close interaction between dress and person that they both receive their meaning. Clothes shape the human body, and we in return shape our clothes. Dress communicates class, gender, nationality, and marital status, and we leave behind parts of us in its smell, wrinkles, wear, and tear: “Clothes receive the human imprint.” Archaeological and historical dress — no matter how ancient — remain intrinsically linked to …

Red Dyes From West To East In Medieval Europe: From Portuguese Manuscript Illuminations To Romanian Textiles, Irina Petroviciu, Paula Nabais, Maria J. Melo

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

Red is the color par excellence, its symbolism being linked with protection and magic through its primary attributes, fire and blood. It was the predominant color from the earliest times, certainly during the Greek and Roman periods and into Medieval Europe, until blue became a competitor around the 13th century. Mineral pigments, like iron oxides, were the first red sources, used to draw lines, dots, or spots on cave walls or stones. Later, other mineral red pigments were also exploited: Cinnabar, natural mercury sulfide, since the Neolithic, and realgar, arsenic trisulfide, in Ancient Egypt. Scientific investigation revealed that, although …

Searching For The Exotic: Textiles, Orientalism, And Identities, Ana Cabrera, Roxana Coman, Karolina A. Kulpa, Tim Parry-Williams

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

Textiles, with their economic, sartorial, and identity-constructing functions, have long been at the center of cultural discourses, whether narrative or visual. Objects of desire, but also objects of curiosity, textiles have been the topic of costume books, offered in diplomatic exchanges, collected by private collectors and museums alike, and have traveled, sometimes as sample books. Their Othering function did not only differentiate between members of different civilizations, but also the members of the same society, where clothing was used to signal rank and function. The case studies presented intend to elaborate further on the role and symbolism associated with textiles, …