Fine Roman Dining At Affordable Pompeian Prices: A New Evaluation Of The Non-Domestic Gardens Of Pompeii,
2021
University of Arkansas, Fayetteville
Fine Roman Dining At Affordable Pompeian Prices: A New Evaluation Of The Non-Domestic Gardens Of Pompeii, Claire Campbell
World Languages, Literatures and Cultures Undergraduate Honors Theses
Previous scholarship has designated Roman gardens into otium or negotium designations; however, this research on Roman gardens suggests that these concepts often exist in the spaces simultaneously. To address this issue, I compiled catalogs of garden spaces identified at Regio I and Regio VI of Pompeii. This methodology cuts across traditional public and private or productive and aesthetic designations, which will allow me to draw connections between the gardens found in different types of settings. This new catalog methodology of Roman gardens presented in this thesis allows for an integrative analysis of garden spaces, which reveals that these commercial gardens …
Female Pharaohs And Divine Advocacy,
2021
Lindenwood University
Female Pharaohs And Divine Advocacy, Stephanie Jost
Theses
This analysis is addressing a form of divine advocacy by looking at the role of the goddess Hathor in the political/religious context of Egypt. Traditionally, pharaohs have used Hathor in Egyptian canonical imagery to convey messages of power- reiterating their own role as the incarnation of the God Horus. Here, we will focus on the role of traditional role of Hathor juxtaposing Royal Women in power during the Middle Kingdom and New Kingdom. The two female pharaohs, Sobekneferu and Hatshepsut, used their traditional roles as incarnations of Hathor to establish a power base before becoming a “female Horus”. An iconographic …
Saga Beyond The Gate: Chapter One, The Coming Of The Gate Ghost,
2021
Missouri State University
Saga Beyond The Gate: Chapter One, The Coming Of The Gate Ghost, Tristan B. Miller
MSU Graduate Theses
“Saga Beyond the Gate: Chapter One, the Coming of the Gate Ghost” explores performance sculpture used as religious ritual. My work emphasizes ritual, creation myths, relics, physical manifestations of lived religion, and the power of narrative belief. One often turns to religion, science, or spirituality, to seek answers to questions about being a conscious entity, and one’s journey to the end. This saga uses scripts from all three of these schools of thought, placing the world of the Gate Ghost into tangible reality, as a play on a stage. Artefacts represent objects of power and mystery. Characters embody morality tales, …
Monstrosity In Religious Art: An Analysis Of Hieronymus Bosch’S Temptation Of Saint Anthony,
2021
Lindenwood University
Monstrosity In Religious Art: An Analysis Of Hieronymus Bosch’S Temptation Of Saint Anthony, Jennifer Beaudoin
Theses
This paper analyzes the artist Hieronymus Bosch and his triptych The Temptation of St Anthony in an attempt to elucidate the creative adoption of medieval tropes to invent new forms of monstrosity in his art and exciting imagery. Throughout this paper, I will review how historians have viewed Bosch’s art and an understanding of the ideas surrounding why Bosch chooses to take on the task of telling the stories of creation and St Anthony’s torment. The Middle Ages saw a spike of creative freedoms and visual interpretations of exotic, otherworldly beasts, from dragon-like beings to inhabitants of far-off lands. Bosch …
Μηδὲν Ἄγαν: Conviviality And Excess In The Symposium,
2021
University of New Mexico - Main Campus
Μηδὲν Ἄγαν: Conviviality And Excess In The Symposium, Lauren B. Alberti
Foreign Languages & Literatures ETDs
This multi-disciplinary project demonstrates that the archaic and classical Greek symposium was a moralizing and educative space that governed the consumption of wine through the social protocol of the metron “measured restraint.” In Chapter One, I investigate sympotic drinking behavior contextualized within this concept of the metron as described by Theognis. Utilizing literary evidence and art historical representations of drinking at the symposium, I argue that a specified drinking protocol encouraged the community to benefit the male aristocratic citizen and ultimately their place in the polis. The symposium was an educative and moralizing space that encouraged communal harmony and …
Athenian Graffiti And The Right To The City: The Illegal Practice Of Public Space Reclamation,
2021
Trinity College
Athenian Graffiti And The Right To The City: The Illegal Practice Of Public Space Reclamation, Lillia Schmidt
Senior Theses and Projects
Graffiti is not often thought of as a positive tool for change, especially in the era of urban neoliberalism. Rather, it is regarded by such forces as harmful to the urban fabric, a signifier of urban decline and a crime progenitor. While neoliberalization threatens the authenticity of the urban through privatization and appropriation, graffiti has the potential to reclaim and reappropriate public urban spaces. How can graffiti be used as a tool to enforce Lefebvre’s theory of authentic urban space? Simultaneously, how does graffiti combat the processes of urban homogenization and commodification at the hands of the state and the …
Isabella D’Este's Evolution Of Art Patronage: A Study Of A Renaissance Woman Through Iconographic And Feminist Perspectives,
2021
Lindenwood University
Isabella D’Este's Evolution Of Art Patronage: A Study Of A Renaissance Woman Through Iconographic And Feminist Perspectives, Katie Reinkemeyer
Theses
This thesis is based on how Isabella d'Este (1474-1539) cultivated her extensive collection of rare antiques and art, given the parallel evolution of her art commissions and political concerns as it pertains to iconography and feminism. Instead of discussing what previous scholars have researched concerning Isabella d’Este, this thesis will incorporate the iconography as it pertains to her commissions in a historiographical sense, as well as argue why this iconography would eventually become a beacon for feminist discussion. This will primarily examine Isabella’s commissions from 1494 to 1507, including her earliest portraits and the first four paintings of her studiolo. …
The Use Of Egyptian Blue In Funerary Paintings From Roman Egypt,
2021
University of Nebraska-Lincoln
The Use Of Egyptian Blue In Funerary Paintings From Roman Egypt, Margaret Sather
School of Art, Art History, and Design: Theses and Student Creative Work
This paper explores the use of the synthesized pigment Egyptian blue in the encaustic and tempera funerary portraits of Graeco-Roman ruled Egypt in the 1st-3rd centuries CE. Recent developments in non-destructive imaging analysis technology have aided research institutions and museums in detecting the presence of this pigment. New questions have arisen based on these findings of Egyptian blue in the depiction of flesh and hair of these subjects, particularly because blue is so rarely used as a standalone pigment in works of this category. These analyses have challenged assumptions that Egyptian blue was a rare and valuable pigment during the …
Social Stratification & Mummification In Ancient Egypt: The Inevitability Of Variability In The Post-New Kingdom Mummification Program,
2021
The University of Western Ontario
Social Stratification & Mummification In Ancient Egypt: The Inevitability Of Variability In The Post-New Kingdom Mummification Program, Andrew Arsenault
Electronic Thesis and Dissertation Repository
This study examined the connection between social status and mummification in post-New Kingdom Egypt using a sample of sixty-one (n=61) adult non-royal Egyptian human mummies archived in the IMPACT radiological database. The purpose of this research was two-fold. First, as they have been uncritically accepted by both the academic community and popular literature, the validity of Classical mummification accounts offered by Herodotus and Diodorus Siculus was assessed. Second, four features of mummification with status connotations (arm position, amulets, cranial resin, estimated stature) were tested using exploratory data analysis in search of any potential connections with each other or specific time …
Preliminary Report On The 2018 Field Season Of The American Excavations At Morgantina: Contrada Agnese Project (Cap),
2021
Old Dominion University
Preliminary Report On The 2018 Field Season Of The American Excavations At Morgantina: Contrada Agnese Project (Cap), Christy Schirmer, D. Alex Walthall, Andrew Tharler, Elizabeth Wueste, Benjamin Crowther, Randall Souza, Jared Benton, Jane Millar
Art Faculty Publications
In its sixth season, the American Excavations at Morgantina: Contrada Agnese Project (CAP) continued archaeological investigations inside the House of the Two Mills, a modestly-appointed house of Hellenistic date located near the western edge of the ancient city of Morgantina. This report gives a phase-by-phase summary of the significant discoveries from the 2018 excavation season, highlighting the architectural development of the building as well as evidence for the various activities that took place there over the course of its occupation.
Two Sides Of The Same Coin: Vergil And Ovid's Clashing Portrayals Of Individual And Group Identity,
2021
The College of Wooster
Two Sides Of The Same Coin: Vergil And Ovid's Clashing Portrayals Of Individual And Group Identity, Dante G. King
Senior Independent Study Theses
This independent study examines Vergil’s Aeneid and Ovid’s Heroides and Metamorphoses with regard to Aeneas and Turnus as analogues for Roman citizens and Italic provincials respectively. As this project is primarily concerned with textual investigation, philological analysis of Vergil and Ovid’s texts takes center stage and is supplemented by contemporary material evidence and secondary scholarship in foundation narratology, identity, and political theory. So, whereas Vergil characterizes Aeneas as a dominant hero destined to found a new home for his people, the proto-Roman Trojans, and Turnus as a rebellious but ultimately ineffectual Italic monarch, Ovid presents the former as a detestable …
Into The Light: Making Blessings And Vows,
2021
Loyola Marymount University
Into The Light: Making Blessings And Vows, Katerina Zacharia
Classics and Archaeology Faculty Works
This essay is the first in a triptych of essays about Katerina Zacharia's film Blessings and Vows (2018).
Evaluating A Need For Somatic Access To Classical Objects In Public Museums,
2021
University of Montana, Missoula
Evaluating A Need For Somatic Access To Classical Objects In Public Museums, Jerod G. Peitsmeyer
Graduate Student Theses, Dissertations, & Professional Papers
Physical experiences with ancient art objects in museums are rare. Display paradigms in most public institutions continue to propagate systems of participant interaction that reinforces unequal power structures. The Montana Musuem of Art and Culture (MMAC) is the current custodian of an ancient, Rhodian wine amphora that provides an opportunity to examine a novel system of somatic participation. This proposal upends traditional gatekeeping practices and serves as a powerful and progressive, humanist touchstone; an olive branch extended to the general public from behind the walls of higher education and the ramparts of privileged scholarship. This study reimagines the amphora's future …
Antiquities And The Art Market: Forever Divided Or Will Ancient Art Find Its Place In An Evolving Contemporary Art Market?,
2021
Sotheby's Institute of Art
Antiquities And The Art Market: Forever Divided Or Will Ancient Art Find Its Place In An Evolving Contemporary Art Market?, Yvette Abiuso
MA Theses
This paper argues that the market of ancient art will rise because of three positive trends: dealers, auctions, and galleries offering both antiquities and contemporary art together to potential collectors; the improving and added transparency of provenance research techniques; and millennial art collectors who have brought a new perspective to the art market. This study will explore if the combination of ancient art and contemporary art in gallery settings has increased sales. It will ask how much has “crossover collecting” affected the art market by exploring the techniques used by modern galleries to implement both genres in art fairs and …
Captives & Spoils In Chicago: Examining The Columbian Exposition’S Triumphal Procession Of 1893,
2021
Claremont Colleges
Captives & Spoils In Chicago: Examining The Columbian Exposition’S Triumphal Procession Of 1893, Kazandra Zelaya
CMC Senior Theses
Daniel Burnham’s vision of a classical revival in the World’s Columbian Exposition of 1893 brought ancient Roman triumph with its captives and spoils to Chicago, Illinois. Burnham’s restorative urban utopia used Beaux-Arts architecture in the exposition’s White City that evoked the image of Roman triumphal processions. Beaux-Arts architecture did not extend into the Midway Plaisance, however, the model of Roman triumph extended into the ethnographic exhibits. By examining the ethnographic exhibits of the Midway as a version of a Roman triumphal procession, the exhibits highlighted novel types of captivity through sponsorships, wages, and erasure. Illustrations of American imperialism in the …
We're All A Little Bit Gay: Female Homoeroticism In Greek Art,
2021
The College of Wooster
We're All A Little Bit Gay: Female Homoeroticism In Greek Art, Devon A. Matson
Senior Independent Study Theses
This study provides a close analysis of women in artwork from Archaic, Classical, and Hellenistic Greece (700-30 BC). Such images have traditionally been considered from exclusively heteronormative and androcentric perspectives. I employ queer and feminist theory in an attempt to provide a new understanding of the images present on these examples of ancient art which showcase women’s relationships. I examine a terracotta figure, a stamnos, a psykter, and a cup that display women interacting with one another. Their interactions demonstrate both homosocial and homoerotic relations. In an effort to reach a broader audience, I have curated a digital exhibit that …
Native Activism And Materiality Through The Work Of Cannupa Hanska Luger: A 21st Century Indigenous Artist,
2020
Lindenwood University
Native Activism And Materiality Through The Work Of Cannupa Hanska Luger: A 21st Century Indigenous Artist, Rachel Daniela Vera
Theses
This thesis focuses on a specific work by Cannupa Hanska Luger called This is Not a Snake. This project examines the materiality of the artwork, including beads, crochet, sewing, ceramics, and non-traditional materials. The materials used in this work address 21st-century indigenous issues while also promoting activism from the Water is Life movement, which is centered at Standing Rock Reservation, North Dakota. The materials of this work are relative to Luger’s 21st-century contemporary style. The use of repurposed heavily merchandized inorganic materials refers to the protests in Standing Rock. This is Not a Snake was inspired by these events, activism …
Catch Me If You Can: Henri Matisse’S Chase For Symbolic Capital In The New York Art Market Of The Early Twentieth Century,
2020
Lindenwood University
Catch Me If You Can: Henri Matisse’S Chase For Symbolic Capital In The New York Art Market Of The Early Twentieth Century, Monica M. Mitchell-Werp
Theses
This paper analyzes how the development and consequence of symbolic capital influences an art market. This comprehensive, qualitative analysis examines the early twentieth century New York modern art market activated by French artist Henri Matisse (1869-1954) and the 1913 Armory Show. This examination derived from the French sociologist, philosopher, and anthropologist Pierre Bourdieu’s (1930-2002) theories provides evidence of the use of symbolic capital by Matisse. The evidence points to the twofold function that symbolic capital holds within the emerging modern art market. The first function of symbolic capital manifests through the nonmonetary value Matisse received from the intangible qualities of …
Landscape And Lore: River Acheron And The Oracle Of The Dead,
2020
The Graduate Center, City University of New York
Landscape And Lore: River Acheron And The Oracle Of The Dead, Lashante St. Fleur
Dissertations, Theses, and Capstone Projects
In order to explore the cultural relationships between people, landscape, memory and ritual, this master’s thesis focuses on the Acheron River in Epirus, Greece, long believed to harbor an entrance into Hades, the Greek underworld. Various entrances into the chthonic, or subterranean land of the dead, are peppered throughout Greece, with each tied to their own local myths, legends, folklore and cults. According to those traditions, Hades could be accessed from several terrestrial rivers thought to be connected to Oceanus, the primordial world-encompassing river surrounding all of creation. Flowing forth from River Ocean were all above- and underground rivers and …
Art As Alchemy: The Meaning Of Bartholomeus Spranger's Hermaphroditus And The Nymph Salmacis And Scylla And Glaucus,
2020
Lindenwood University
Art As Alchemy: The Meaning Of Bartholomeus Spranger's Hermaphroditus And The Nymph Salmacis And Scylla And Glaucus, Peter Kos
Theses
The subject of this study is two paintings by Bartholomeus Spranger titled Glaucus and Scylla (Fig. 1) and Hermaphroditus and the Nymph Salmacis (Fig. 2). Building upon the work of scholars who have argued for a possible alchemical interpretation of at least one of the paintings in the context of its execution for Emperor Rudolf II, this study goes beyond merely suggesting an alchemical connection, and argues that the two paintings, forming a pendant pair, depict two attempts at the alchemist’s magnum opus—one a failure, the other a success. This study further argues that the paintings are not merely inert …
