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Zeugma As The Provenance Of 12 Mosaic Fragments At Bowling Green State University, Stephanie Langin-Hooper, S. Rebecca Martin, Mehmet Önal 2013 Boston University

Zeugma As The Provenance Of 12 Mosaic Fragments At Bowling Green State University, Stephanie Langin-Hooper, S. Rebecca Martin, Mehmet Önal

Art History Research

Bowling Green State University (BGSU) in Ohio is the current owner of 12 sections of floor mosaic dating to the 2nd-3rd c. A.D. Purchased by the university in 1965, these mosaic fragments were believed to be from the site of Antioch. In 2010-11, the mosaics were conserved and installed in BGSU’s Wolfe Center. In the following year the first-named author, organizing a symposium to celebrate the new display of the mosaics, invited R. Molholt to be the keynote speaker. During the course of preparing their respective papers for the symposium, she and Molholt uncovered evidence that an Antioch provenance for …


Problematizing Typology And Discarding The Colonialist Legacy: Approaches To Hybridity In The Terracotta Figurines Of Hellenistic Babylonia, Stephanie Langin-Hooper 2013 Southern Methodist University

Problematizing Typology And Discarding The Colonialist Legacy: Approaches To Hybridity In The Terracotta Figurines Of Hellenistic Babylonia, Stephanie Langin-Hooper

Art History Research

No abstract provided.


Terracotta Figurines And Social Identities In Hellenistic Babylonia, Stephanie Langin-Hooper 2013 Southern Methodist University

Terracotta Figurines And Social Identities In Hellenistic Babylonia, Stephanie Langin-Hooper

Art History Research

Terracotta figurines are proposed as a particularly useful object corpus through which to access social identities in Hellenistic Babylonia. Cross-cultural interaction between Greeks and Babylonians has traditionally been the primary interest of scholars researching this society, and figurines were often recruited as evidence for the opposition of ethnic identities. In this work, a new approach to the figurines is proposed, which deemphasizes the categorical rigidity of typology and substitutes a flexible methodology of accessing multiple inter-object entanglements. A particular case study of “nude heroic” figurines (which are often considered evidence for display of cultural difference) is explored in detail, utilizing …


Late Antique Residences At Golemo Gradište, Konjuh, R. Macedonia, Carolyn S. Snively, Goran Sanev 2013 Gettysburg College

Late Antique Residences At Golemo Gradište, Konjuh, R. Macedonia, Carolyn S. Snively, Goran Sanev

Ancient Greek and Roman Studies Faculty Publications

The systematic excavations that began at Golemo Gradište in 2000 were the first major, legal investigations on the site itself. Through survey of the site, researchers had reached a number of conclusions and hypotheses about lines of fortification walls, location of gates, and roads associated with the site. But almost nothing was known about the buildings or the internal arrangement of the site, and there were questions about dating. Therefore, both on the acropolis (2000-2004) and on the northern terrace (2005-present), the first step was to set trenches in several places, to investigate the architecture and the urban plan and …


[Introduction To] Couched In Death: Klinai And Identity In Anatolia And Beyond, Elizabeth P. Baughan 2013 University of Richmond

[Introduction To] Couched In Death: Klinai And Identity In Anatolia And Beyond, Elizabeth P. Baughan

Bookshelf

In Couched in Death, Elizabeth P. Baughan offers the first comprehensive look at the earliest funeral couches in the ancient Mediterranean world. These sixth- and fifth-century BCE klinai from Asia Minor were inspired by specialty luxury furnishings developed in Archaic Greece for reclining at elite symposia. It was in Anatolia, however—in the dynastic cultures of Lydia and Phrygia and their neighbors—that klinai first gained prominence not as banquet furniture but as burial receptacles. For tombs, wooden couches were replaced by more permanent media cut from bedrock, carved from marble or limestone, or even cast in bronze. The rich archaeological …


Villa Degli Antonini: Excavation Season 2013 Summary, Deborah Chatr Aryamontri, Timothy Renner 2013 Montclair State University

Villa Degli Antonini: Excavation Season 2013 Summary, Deborah Chatr Aryamontri, Timothy Renner

Department of Classics and General Humanities Faculty Scholarship and Creative Works

No abstract provided.


On Nietzsche’S Judgment Of Style And Hume’S Quixotic Taste: On The Science Of Aesthetics And ‘Playing’ The Satyr, Babette Babich 2012 Fordham University

On Nietzsche’S Judgment Of Style And Hume’S Quixotic Taste: On The Science Of Aesthetics And ‘Playing’ The Satyr, Babette Babich

Articles and Chapters in Academic Book Collections

This essay reviews Nietzsche’s discussion of scholarly judgments of style beginning with his own inaugural lecture at Basel together with David Hume’s stylistic reflections in Hume's “On the Standard of Taste.” This casts light both on the context and the substance of Nietzsche’s own scholarly concern with the question of style and taste in terms of what Nietzsche called the “science of aesthetics” and consequently of scholarly judgment in both classics (or classical philology, here including archaeology and historiography) and philosophy. I also include a brief discussion of Nietzsche’s phenomenological performance practice of dance or playing the “satyr.”


Persephone And Hades: A Study Of Representation In Art And Culture, Sara Buckley 2012 Lindenwood University

Persephone And Hades: A Study Of Representation In Art And Culture, Sara Buckley

Student Scholarship

Ancient artworks which represent classical Greek myths most commonly depict the story's climax. Their subjects reveal that the ancient Greeks' taste for dramatic storytelling matched their reverence for each divine entity's embodiment, whether it was a natural phenomenon or an abstract concept. The former of these traits dominate the visual portrayals of the Pluto and Persephone myth, as can be seen in many artworks where the ancient Greeks chose to depict the moment where Pluto theatrically abducts Persephone and sweeps her away to the underworld. In fact, in visual art, it was characteristic of the Greeks to stress the exciting …


Un Modo Più Chiaro: Francesco Scannelli, Guercino And The Physiology Of Style, James Hutson 2012 Lindenwood University

Un Modo Più Chiaro: Francesco Scannelli, Guercino And The Physiology Of Style, James Hutson

Faculty Scholarship

The mid-seicento in Italy witnessed a sustained proliferation of writers on art scattered throughout more regions than had been common in the previous century, leading to an era defined by arguments over the qualities and values of style.1 In the Preface for his Vite de 'pittori, scultori ed architetti of ca.1673-79, Giovanni Battista Passeri lamented the fact that: «Today it is fashionable for painters to do nothing but squabble among themselves about manner, taste, and style, and this arose because the reasoning is not established according to solid principles ».2 The querulous nature of the age has made it difficult …


Ceci N'Est Pas Un David, Andrea Roberts 2012 Lindenwood University

Ceci N'Est Pas Un David, Andrea Roberts

Student Scholarship

It is a peculiar fact that almost every piece of artwork ever created has attached to it a piece of text.' Originally, at least, most works are given a title for the purpose of referring to what it is. Later, this body of text begins to grow as critical work is written and attached to it by the use of the title. A consequence of this is that text connected to a piece of artwork becomes significant to the piece itself and can even be reinterpreted and critiqued as though it were part of the original work. For example, there …


Constructing Gender: Female Architectural Patronage In Roman Asia Minor And Syria In The First Through Sixth Centuries Ce, Grace K. Erny 2012 Macalester College

Constructing Gender: Female Architectural Patronage In Roman Asia Minor And Syria In The First Through Sixth Centuries Ce, Grace K. Erny

Classical Mediterranean and Middle East Honors Projects

The patronage of architectural projects was a major way that prominent citizens of the Roman Empire shaped urban landscapes. These acts of patronage constituted a series of performances through which categories such as “male,” “female,” “public,” and “private” were constructed. In this paper, I use architectural, epigraphical, and literary evidence to analyze examples of female architectural patronage in the cities of Roman Asia Minor and Syria in the first through sixth centuries CE. I explore how these architectural performances contributed to an ongoing discourse about gender and the allocation of space.


Nationalism, Archaeology, And The Antiquities Trade In Turkey And Iraq, Miranda Pettengill 2012 Macalester College

Nationalism, Archaeology, And The Antiquities Trade In Turkey And Iraq, Miranda Pettengill

Classical Mediterranean and Middle East Honors Projects

The illicit antiquities trade is a vast and complex network comprising a large number of participants across the globe. This paper focuses specifically on looters and illegal excavators, those who first retrieve ancient objects from the ground to be traded on the black market. My research examines the reasoning and motivation behind looting; specifically, I evaluate how nationalistic ideologies in Turkey and Iraq affect the choices and actions of illegal excavators living there. I also discuss the benefits of community archaeology, an approach that includes local people in the practice and presentation of excavation, as a strategy to minimize the …


All Roads Lead Through Rome: Imperial Armatures On The Triumphal Route, Machal E. Gradoz 2012 Macalester College

All Roads Lead Through Rome: Imperial Armatures On The Triumphal Route, Machal E. Gradoz

Classical Mediterranean and Middle East Honors Projects

The cityscape of ancient Rome was filled with opulent buildings that created armatures— fluid, connective thoroughfares throughout the city. These armatures came together to form narrative pathways. The triumphal route, the memorialized, celebratory course of victorious generals, is one such narrative pathway. Among other strategies to legitimize his sole rule, Augustus constructed a self-promoting armature along the triumphal route, thereby linking him with the triumph. This paper examines how the construction of the Augustan armature along the triumphal route promoted Augustus and how the Flavians responded to it in advertising their own legitimacy in the wake of a civil war. …


Genius Loci. Zu Nietzsche, Lou Und Dem Sacro Monte, Bzw. Den Sacri Monti, Babette Babich 2012 Fordham University

Genius Loci. Zu Nietzsche, Lou Und Dem Sacro Monte, Bzw. Den Sacri Monti, Babette Babich

Research Resources

No abstract provided.


A Contract For The Advance Sale Of Wine, Scott Gallimore 2012 Wilfrid Laurier University

A Contract For The Advance Sale Of Wine, Scott Gallimore

Archaeology and Heritage Studies Faculty Publications

Edition of a sale of wine in advance from Byzantine Egypt (P.Vindob. inv. G 40267). Notable features include the guarantee clause and the supply of jars by the seller, both of which are put in a wider context.


ʻEin Boded, East, A-6456, Ariel Vered 2012 independent researcher

ʻEin Boded, East, A-6456, Ariel Vered

Favissa: Past Archaeological Excavation Reports

In February 2012, a salvage excavation was conducted at ʻEin Boded (East), within the Ramat Menashe Industrial Park (Permit No. A-6456/2012; map. ref. 206909–7390/724430–812). The excavation was carried out on the summit of a hill, approximately 250 m above sea level, in an agricultural area that had been subjected to intensive cultivation and deep plowing.


A Bronze Kline From Lydia, Elizabeth P. Baughan, İlknur Özgen 2012 University of Richmond

A Bronze Kline From Lydia, Elizabeth P. Baughan, İlknur Özgen

Classical Studies Faculty Publications

In 1982, the J. Paul Getty Museum purchased an ancient kline made mostly of bronze (pl. 9, I)1. It replicates, at full scale, a wooden couch with lathe-turned legs, comparable to those attested in the Greek world in the sixth and fifth centuries B.C.E2. As one of only four known bronze beds or couches that pre-date the Hellenistic period3, it is an important artifact that can contribute much to our understanding of ancient furniture and metallurgy, and adhering fragments and pseudomorphs of linen cloth add to the corpus of preserved ancient textiles. …


Villa Degli Antonini: Excavation Season 2012 Summary, Deborah Chatr Aryamontri, Timothy Renner 2012 Montclair State University

Villa Degli Antonini: Excavation Season 2012 Summary, Deborah Chatr Aryamontri, Timothy Renner

Department of Classics and General Humanities Faculty Scholarship and Creative Works

No abstract provided.


Effects Of Globalization On The Gas Engine Manufacturing And Parts Industry In Indiana As Experienced By Those Working In This Sector, Patricia Polastri 2011 Indiana State University

Effects Of Globalization On The Gas Engine Manufacturing And Parts Industry In Indiana As Experienced By Those Working In This Sector, Patricia Polastri

All-Inclusive List of Electronic Theses and Dissertations

Globalization has often been perceived as the culprit in the decline of employment in several manufacturing industries in the United States. The purpose of this research was to investigate how globalization affected the gas engine manufacturing and parts industry in Indiana during the period of 1998 – 2008, in order to assess the perception of industry professionals as to the characteristics that could, or have, led to globalization through offshoring and outsourcing. Additionally factors for the employment decline experienced in this industry were identified and assessed. For this study an anonymous online survey was conducted targeting individuals directly associated with …


Review Of Fauvel. The First Archaeologist In Athens And His Philhellenic Correspondents, By C. W. Clairmont, Effie Athanassopoulos 2011 University of Nebraska-Lincoln

Review Of Fauvel. The First Archaeologist In Athens And His Philhellenic Correspondents, By C. W. Clairmont, Effie Athanassopoulos

Department of Anthropology: Faculty Publications

Clairmont’s book is a selection of letters addressed to Louis-François-Sébastien Fauvel, the French Consul and antiquarian, who lived in Athens from 1803 to 1822. Fauvel came to Greece for the first time in 1780. He was sent to the Orient by Count Choiseul-Gouffier in order to study, draw and acquire antiquities for Choiseul’s collection. In 1784 Choiseul-Gouffier was appointed Ambassador in Constantinople and Fauvel continued his activities as a member of Choiseul’s retinue until 1792. Subsequently, Fauvel held the position of French Consul in Athens from 1802 until 1833. With the outbreak of the War of Independence, Fauvel left Athens …


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