Classical Archaeology and Art History Commons^™

2023 Addendum To The Rough Cilicia Kiln Site Ceramics (Syedra, Delice, Biçkici, And Antiochia Ad Cragum): An Update To The Kiln Sites, Nicholas K. Rauh

Rough Cilicia Archaeological Survey Project, 1996-2011

This addendum summarizes the ceramic remains recovered by the Rough Cilicia Archaeological Survey Project at four posited amphora kiln sites in the survey area: the Syedra Kiln Site, the Biçkici Kiln site, the Antiochia ad Cragum Kiln Site, and the Delice Kiln Site. All four sites were identified early on during the survey (1995-1997). The survey team conducted grab collections and triaged dozens of sherds recovered by 1997, before returning the bulk of these fragments to the field. A representative sample of the amphora fragments together with context ceramics for each site was conserved at the Alanya Archaeological Museum. In …

Androgynous Figures On Etruscan Cista Handles From Praeneste, Melanie Naples

LSU Master's Theses

Muscular women and effeminate men adorn the lids of Etruscan Cistae found in Praeneste (modern Palestrina, 23 miles southeast of Rome, Italy). Cistae (Latin plural of cista) are storage containers used by the Etruscans for women’s beauty items. This thesis focuses on the androgynous, mostly nude, figures that serve as handles and are often displayed in pairs. These pairs frequently depict a man and a woman together and androgynous qualities are usually emphasized on the female figures. Discussions of the androgynous body in the ancient world have centered around Greece and Rome. Only recently (Sandhoff 2007, 2009, 2011), scholarship has …

Beyond Romanization: An Indigenous Study Of Cultural Change In Classical Britain, Brooke Prevedel

Departmental Honors & Graduate Capstone Projects

The Roman Empire is among the best-known empires in the world, renowned for unifying vastly different peoples and lands. The process of these unifications was, at times, something resembling peaceful, but was at other times much more violent. Regardless of the method of acquisition, peoples brought into the Roman Empire always experienced some degree of cultural change. The modern study of this cultural change has most often been examined through the lens of Romanization, a mostly one-way transfer of Roman cultural practices onto the conquered territory and culture. Romanization, however, presents too narrow and too historically imperialist an approach to …

Developing A Sample-Efficient Analytical Pathway For A Qualitative Chemical Investigation Of Ancestral Chilkat Dyeing And Weaving Practices, Dario Gerlando Durastanti

Dissertations and Theses

The project goal is to identify the dyestuffs used in hand-woven Chilkat blankets from the collection of the Alaska State Museum and the Sheldon Jackson Museum. Chilkat weaving is practiced by Northwest coastal clans, particularly in Southeast Alaska since at least the early 19th century. Through this collaboration, 117 wool fibers from 23 Chilkat textiles, and 193 reference samples consisting of dyed fibers using both natural and synthetic dye sources, raw dye material, and dye bath aliquots were provided to the lab for reference characterization and identification. In these analyses, dyes were classified as being either natural or synthetic, subdivided …

The Development And Adoption Of The Codex, Rutherford Allison

Honors Bachelor of Arts

One of the longest-lasting and least recognized changes that occurred under the Roman Empire is the transition from scrolls as a vessel for literature to codices, the format which, in some way, is still used today. Indeed, until the invention of the printing press, texts had not undergone as impactful a shift as was experienced during the period between 250 and 450 AD. This shift was tied closely to the spread of Christianity; the codex’s rise to dominance maps closely to the spread of Christianity, and this is no accident. As will become apparent, Christians possessed a strong and distinctive …

Spectacle In The Roman Imperial Funeral Procession, William Smith

School of Art, Art History, and Design: Theses and Student Creative Work

From the legendary foresight of Augustus, to the scandalous escapades of Nero and Commodus to even the philosopher emperor, Marcus Aurelius, much has been written. This thesis does not concern itself with the deeds of emperors, but rather their funerals. Imperial funerals in some ways were quite similar to their Republican era antecedents. They differed in spectacular ways. This thesis investigates the spectacle evident in imperial funerals and argues that their inclusion is not to honor the deceased but rather cement their place in the cultural memory of Rome by means of this performance. In addition, it examines the role …

Demythologizing Homer: Investigating Religion In Minoan Crete, Elizabeth Rybarczyk

Departmental Honors & Graduate Capstone Projects

The Minoan civilization of Bronze-Age Crete has, until recently, been obscured in mythological uncertainty. As a prehistoric civilization, the available evidence for historic analysis is sparse and ambiguous. This paper evaluates the material evidence for ritual activity to chart the religious developments of Minoan Crete. In the earliest periods of their civilization, the Minoans practiced animism, which reflected their ideals towards survival and cooperation. As their prosperity grew due to technological advancements, a social hierarchy formed. The emerging elite employed religion to justify their claim to power by appropriating religion, which culminated in a dual-monotheistic Knossian theocracy. This lasted until …

"Like A Shadow Or Even A Dream": Memory And Haptic Motifs On Classical Attic Funerary Stelai, Vonne Daszkilewicz

Departmental Honors & Graduate Capstone Projects

During the third quarter of the fifth century BCE, Athens witnessed the revival of funerary stele reliefs. Sculpted motifs representing touch and interaction, often situated within familial scenes, characterized the grave monuments and contributed strongly to their tactility. Haptic stele motifs promoted the construction of memory by heightening the depiction of lasting bonds between living and deceased individuals. Grave reliefs provide a lasting representation of the deceased, while also serving as conspicuous reminders of the permanence of death. However, Attic funerary stelai provided a physical substitute for the departed towards which the living could direct their continued care and dedication. …

Musical Evidence For Low Boundary Tones In Ancient Greek, Dieter Gunkel

Classical Studies Faculty Publications

Several scholars have suggested that in ancient Greek there was a low boundary tone at the end of a relatively small prosodic constituent such as a clitic group or maximal prosodic word. The boundary tone may phonologically motivate some puzzling pitch-accentual phenomena in the language. One is the diachronic pitch-peak retraction that led to the circumflex pitch accent (HL) on penultimate syllables (the “sōtêra rule”). Another is the intonational phrase-internal downstepping or deletion of a word-final acute accent (H); that conversion of an acute to a grave accent is known as “lulling” or “koímēsis”. If such a low …

An Investigation Of The Galenic Influence On The Artistic Depiction Of Anatomical Concepts During The Renaissance, Fatima Amjad

Theses and Dissertations

The Renaissance era was a period marked by an intellectual and artistic resurgence in Europe, during which artists sought inspiration from Classical sources. This resulted in a move away from stylized medieval aesthetics and towards a renewed emphasis on accuracy and humanity in art. Renaissance artists developed art styles that emphasized perspective, proportion, and anatomy, creating more lifelike and naturalistic representations of the human figure and the natural world. The adoption of naturalism and individualism in the arts paired with the rediscovery and retranslation of ancient anatomical texts propelled artists and anatomists to deepen their understanding of the human body. …

From Derby Tracks To Surf Shacks: Reflections Of California’S Changing Cultural Landscape Through Artistic Renditions Of Recreation 1930s-1960s, David Walls

Theses and Dissertations

The aim of this thesis is to analyze works of art originating in the state of California during the 20^th century to better understand how sports and recreation were used as a subject matter to reflect upon the state’s changing cultural landscape. This changing landscape encompasses a wide range of social, cultural, economic, and political topics, however, the topics of race, migration, and economic strife are the most consistently reflected in the artistic production of this time and must be emphasized. Scholarship of art created within this region and timeframe has neglected the impact of recreational subject matter and …

Leonardo’S Ancient Inspiration, Willem N. Roelandts

CAFE Symposium 2023

Investigating the hidden ancient inspiration in Leonardo de Vinci’s 'Battle of Anghiari' and it’s significance to the city of Florence. How and why Leonardo chose to incorporate Greco-Roman aesthetics into his art.

A Female Pharaoh And The Emperor’S Wife: Hatshepsut, Julia Domna, And Female Authority In Antiquity, Gabriella E. Ramalho

Dissertations, Theses, and Capstone Projects

This thesis analyzes how historical notions of masculinity and femininity shaped perceptions of power between the Egyptian female pharaoh Hatshepsut and Roman empress Julia Domna. Both rulers carefully created visual narratives of masculinity and femininity to leverage respect from their citizens, in accordance with what was contextually appropriate for their respective societies.

It will be shown that there are blatant disconnects between how others perceived them and how they wished to be portrayed. Hatshepsut, a rare female pharaoh, depicted herself in the regalia of a male king with a false ceremonial beard, scepters and crowns. Domna was described as the …

Animal Imagery In Eastern Han Tomb Reliefs From Shanbei 陝北, Leslie V. Wallace

Visual Arts

Wild and fantastical animals climb, fly, scamper, and prance across pictorial stone carvings decorating Eastern Han tomb doors in northern Shaanxi. Alongside dragons and other mythical animals, bears felicitously dance, tigers grin opening their mouths to roar, and other wild animals frolic in swirling cloudscapes. While the same animals can be found in Eastern Han tomb reliefs and mortuary art in other regions, their frequency, emphasis on plasticity and movement, and combination with the yunqi 雲氣 motif are unique to the region. Originating in a hybrid style of art that was created during the Mid-Western Han Dynasty (206 BCE–9 CE), …

Gush Halav A-9490/2023, Anya Kleiner

Favissa: Past Archaeological Excavation Reports

In April 2023, a trial excavation was conducted at Gush Halav (Permit No. A-9490/2023; Map ref. 241702/770293, 241574/770025), prior to the laying of a sewage line. The excavation, on behalf of the Israel Antiquities Authority and funded by the Peleg-Hagalil corporation, was directed by A. Kleiner, with the assistance of Y. Yaakobi (administration) and Y. Tzur (district inspector, scientific consultation). The excavation was conducted inside an olive grove, at the bottom of the northwestern slope of the Gush Halav hill. A surface of the natural rock slightly sloped westward was exposed, on top of which was a thick layer of …

Jerusalem, Beit Hanina A-9484/2022, Ofer Sion

Favissa: Past Archaeological Excavation Reports

In January 2023, a salvage excavation was conducted in the Beit Hanina neighborhood in Jerusalem (Permit No. A-9484/2022; Map ref. 22150/63735). The excavation, on behalf of the Israel Antiquities Authority and funded by M. Tawil was directed by O. Sion, with the assistance of E. Marko (photogrammetry), Y. Shalev (scientific counseling), N. Nehama (administration) and A. Rose (drafting).

Tel ‘Agol A-9544/2023, Barak Tzin

Favissa: Past Archaeological Excavation Reports

In March 2023, a trial excavation was conducted on Tel ‘Agol (Permit No. A-9544/2023; Map ref. 235091/726359), after the site had been damaged. The excavation, on behalf of the Israel Antiquities Authority and funded by the Ministry of Defense, was directed by B. Tzin (field photography), with the assistance of R. Be'eri (scientific guidance), Y. Zilpa (administration), A. Shapiro (location map), M. Asakla, A. Ibrahim and B. Hanna (Lower Galilee and Valleys district), Tz. Lang and laborers from Kafr Manda.

Netiv Hagdud 16-03-2023, Oz Varoner

Favissa: Past Archaeological Excavation Reports

In March 2023, a trial excavation was conducted in the southern margins of the Netiv Hagdud settlement (Permit No. 16-03-2023; map ref. 242546-914/654183-876). The excavation was carried out following plowing of the land prior to planting. The excavation, on behalf of the Archaeological Staff Officer of Judea and Samaria and funded by the Israeli Civil Administration, was directed by O. Varoner with the assistance of A. Miller (administration), T. Orenstein (photography) and O. Bejarano (preparation of illustrations). No finds were discovered that could be linked to one of the nearby prehistoric sites.

Nahal Zena‘ A-9718/2023, Dror Halpern

Favissa: Past Archaeological Excavation Reports

In December 2023, a salvage excavation was conducted at Nahal Zena‘, west of Nafha Prison (Permit No. A-9718/2023; map ref. 177436–955/515333–6039; Fig. 1), prior to the construction of a water reservoir. The excavation, undertaken on behalf of the Israel Antiquities Authority and funded by the Dead Sea Drainage Authority, was directed by D. Halpern, with the assistance of A. Montague (surveying and field photography), Y. Alamor (administration), D. Eisenberg-Degen (scientific guidance), G. Seriy, I. Radashkovsky, N. Lect Ben-Ami, Y. Samuel Cohen (Southern Negev District), I. Azoulay (plans), and workers from Ar‘ara. The excavation exposed four installations, a possible grave, and …

Jerusalem, 30 Bibas Street, A-9631/2023, Uriel J. Prince

Favissa: Past Archaeological Excavation Reports

In July of 2023, a salvage excavation was conducted at 30 Bibas Street, in the Nachlaot neighborhood of Jerusalem (Permit A-9631/2023; map ref. 219810-22/632437-48; Fig. 1). The excavation, on behalf of the Israel Antiquities Authority and funded by Breidman, Agmon architect, was directed by V.W. Avrutis and published by U.J. Prince, assisted by N. Sapir and Tz. Kanias (Jerusalem district), Y. Shalev (scientific guidance), S. Halevi (field photography and photogrammetry), N. Nechama (logistics), A. Zakaim (plans) and E. Rabinovich (sight inspection).