Africana Studies Commons^™

Evoke: A Historical, Theoretical, And Cultural Analysis Of Africana Dance And Theatre; Volume 1 Issue 1, Ofosuwa Abiola

Evoke: A Historical, Theoretical, and Cultural Analysis of Africana Arts

No abstract provided.

Amjambo Africa! (March 2019), Kathreen Harrison

Amjambo Africa!

In This Issue...

Warm Snow.............................Page 6

Portland Brothers...................Page 7

Fikiria.................................Page 8 &9

Lewiston High School ............Page 9

Asylum Seekers ....................Page 11

Clothing Closet List..............Page 12

Journal Of The National Association Of University Women - August 2017 - 2018, Nauw

The Journal of the National Association of University Women

THE NATIONAL ASSOCIATION OF UNIVERSITY WOMEN

JOURNAL OF THE NATIONAL ASSOCIATION OF UNIVERSITY WOMEN

August 2017 - 2018

Whatsapp And Mobile Money Towards Successful Crowdfunding And Social Change: A Kenyan Case., Frankline Bradly Matanji

Africana Studies Student Research Conference (2013-2019)

Use of WhatsApp as a social media technology and M-pesa, a mobile money service for crowdfunding in Kenya are proliferating at an incredible pace. Crowdfunding helps communities organize for effective participation in social and economic development and empowerment by making sure that members of the community get to benefit from services such as access to social amenities and better infrastructure which would not have been available if the community members were to wait for the government to provide the services. This method is popularly being used at Kisii University for students’ retention and providing social welfare to students, their parents …

A Mixed-Methods Approach To Social Media Uses In Health Communication: A Case Study Of Infertility Among Cancer Patients, Alter Chemotherapy Radiation Treatments, Margaret Githua

Africana Studies Student Research Conference (2013-2019)

Health communication is one of the fastest developing areas of communication and health communication researchers have maintained an abiding and persistent interest in examining the intersections of people's uses of media and the resulting influences on their behaviors. In this new age of widespread uses of social media, particularly Facebook, considerable attention has been directed to how the new media platforms are used for heath communication purposes, especially weight loss management. Our presentation is based on a mixed methods research aimed at using a multiplicity of research methods to examine how cancer patients who are conscious of the health implications …

Africana Studies Student Research Conference 2019 Flyer, Bowling Green State University

Africana Studies Student Research Conference (2013-2019)

Flyer for the 2019 Africana Studies Student Research Conference & Luncheon.

Africana Studies Student Research Conference 2019 Program, Bowling Green State University

Africana Studies Student Research Conference (2013-2019)

Program from the 21st Annual Africana Studies Student Research Conference & Luncheon.

Africana Studies Student Research Conference: Uploading Your Paper, Bowling Green State University

Africana Studies Student Research Conference (2013-2019)

Instructions for students submitting proposals for the 2019 Africana Studies Student Research Conference & Luncheon.

Africana Studies Student Research Conference 2019 Call For Papers, Bowling Green State University

Africana Studies Student Research Conference (2013-2019)

Call for papers for the 2019 Africana Studies Student Research Conference & Luncheon.

Amjambo Africa! (February 2019), Kathreen Harrison

Amjambo Africa!

In This Issue...

Pihcintu at the UN..................Page 2

Attitude by A. Okafor............Page 5

South Sudanese Community...Page 8

Rwandese Community...........Page 9

Governor Mills ..............Pages 12/13

Mahoro Maine......................Page 15

“In The Beginning Was Body Language” Clowning And Krump As Spiritual Healing And Resistance, Sarah S. Ohmer

Publications and Research

In the neighborhood of HollyWatts in Los Angeles, dance allows a shift from existing as bodies presented as sites of threat and extinction to sources of spiritual empowerment. Clowning and Krump dancers—their subjectivity and their dancing bodies—negotiate survival from trauma and socioeconomic marginalization. I argue that the dancers’ performances act as embodied narratives of “re-membering in the flesh.” The performance acts as a spiritual retrieval and re-integration of traumatic memories and afflictions into memory through the body. Choreography and quotes from dancers support the claim that Krump and Clowning is “re-membering in the flesh” that enacts self-worth, self-defined sexuality, and …

The Multiracial Bronx: A Unique Cultural Incubator In Post War America, Mark Naison

Occasional Essays

No abstract provided.

Multicultural Women Writers, Nashieli Marcano, Jennifer Jacobs

Research Guides & Subject Bibliographies

No abstract provided.

Post Colonial Studies, Nashieli Marcano, Kyle Brooks

Research Guides & Subject Bibliographies

No abstract provided.

Living Objects Essays: Prologue, John Bell

Living Objects: African American Puppetry Essays

Living Objects: African American Puppetry co-curator John Bell describes the team responsible for the Living Objects exhibition, festival, symposium, and online catalogue.

Embracing Complexity In Performing The Other, Valeska Maria Populoh

Living Objects: African American Puppetry Essays

"Embracing Complexity in Performing the Other" is a personal essay by a white, Baltimore-based cultural organizer, puppeteer and educator, reflecting on three scenarios that have catalyzed her thinking about white people performing Black puppets. The author shares her own experience of navigating the complex, and at times highly combustible, issues about representation, appropriation and racial identity in the realm of puppetry, and concludes with a few questions to stimulate further dialogue in the puppetry community about these issues.

Race And Representation: Creating A Puppet Production For The Smithsonian Institution, Brad Brewer

Living Objects: African American Puppetry Essays

The Brewery Puppet Troupe was commissioned by the Smithsonian Museum’s Lemelson Center to undertake new creative challenge: a show featuring African American scientist Lewis Latimer, the nineteenth-century inventor instrumental in creating the electric light bulb. Brad Brewer was committed to showing how Latimer’s life was affected by America’s struggle with slavery and racial inequality, issues he considered equally important to Latimer's scientific achievements. Staff historians read and commented on all the drafts of the script, but the production still included comedic elements typical of a Brewery Troupe production. The project allowed the author to explore some of the hard realities …

An Email Interview With Alva Rogers, Paulette Richards

Living Objects: African American Puppetry Essays

Actor, writer, and puppeteer Alva Rogers recounts her long-standing interests in theater, and her early performances combining dolls with texts by Zora Neale Hurston and others. Her work as a performance artist led to her role as Eula in the film Daughters of the Dust. She then studied playwriting, musical theater, and history at Brown University, NYU, and Bard College respectively. Rogers’s influences include surrealist painters, magic realism, such writers as Adrienne Kennedy, Ralph Ellison, and Federico Garcia Lorca, and the Gullah/Geechee culture of the Sea Islands of South Carolina and Georgia. She uses both dolls and puppets in …

Servance Dancers, Paulette Richards

Living Objects: African American Puppetry Essays

How many African American folk artists have created performing objects outside the purview of formal theater? Master woodcarver George Servance is one such 20th-century artist who used his skills to counter minstrel stereotypes and present African Americans as elegant and accomplished entertainers.

Raceless Racism: Blackface Minstrelsy In American Puppetry, Amber West

Living Objects: African American Puppetry Essays

Blackface minstrelsy has long been recognized as one of the major elements of 19th and early 20th-century popular performance in the U.S., but its central role in U.S. puppetry has not been explored. West debunks the idea that puppets are “raceless”, examining the origins of blackface minstrelsy in American puppetry, including traditional Punch and Judy performances, William John Bullock’s 19th-century puppet minstrel shows, the creation of “realistic” Black puppets by white puppeteers in the early 20th century, and contemporary examples of exaggerated Black puppet characters, for example in a music video directed by Black artist Boots Riley. West points out …