I Am At Risk,
2024
Stony Brook University
I Am At Risk, Fontaine Baker
Writing Beyond the Prison Living Archive
Poem on Racism; Policing; Racial profiling; Racial violence; KKK; healthcare; mental health; Slavery (legacy of)
Voracious One,
2024
Stony Brook University
Voracious One, Ramsceair Jacques Flemmings
Writing Beyond the Prison Living Archive
Poem on Mental health; forcible sedation
Live For Me,
2024
Stony Brook University
Live For Me, Ramsceair Jacques Flemmings
Writing Beyond the Prison Living Archive
Poem on Slavery (legacy of); Justice
Invasion,
2024
Stony Brook University
Invasion, Ramsceair Jacques Flemmings
Writing Beyond the Prison Living Archive
Poem on mental health
Guardian,
2024
Stony Brook University
Guardian, Ramsceair Jacques Flemmings
Writing Beyond the Prison Living Archive
Poem on Racism; Religion; Black history; Black liberation; Media; Reform
Grisaille,
2024
Stony Brook University
Grisaille, Ramsceair Jacques Flemmings
Writing Beyond the Prison Living Archive
Poem on Love; Mental health
Social Justice Autobiography,
2024
Stony Brook University
Social Justice Autobiography, Taurus Devault
Writing Beyond the Prison Living Archive
Social Justice Autobiography on Self-improvement; self-education; social justice
Call For Reformation,
2024
Stony Brook University
Call For Reformation, Chanelle Burnett
Writing Beyond the Prison Living Archive
No abstract provided.
Our Friends But Maybe Their Slaves,
2024
Stony Brook University
Our Friends But Maybe Their Slaves, Michael Issac Bethel
Writing Beyond the Prison Living Archive
Poetry on Race, Popular Culture/Celebrity
Accountability (Collected Poems),
2024
Stony Brook University
Accountability (Collected Poems), Michael Issac Bethel
Writing Beyond the Prison Living Archive
No abstract provided.
Psychological Pressure (Collected Poems),
2024
Stony Brook University
Psychological Pressure (Collected Poems), Michael Issac Bethel
Writing Beyond the Prison Living Archive
No abstract provided.
Untitled,
2024
Stony Brook University
Untitled, Mark Barney
Writing Beyond the Prison Living Archive
Social Justice Autobiography on the topics of: Racial consciousness; Black Panthers; Nation of Islam; Race; Personal responsibility; George Jackson; Angela Davis; California Department of Corrections; Social Justice; Political consciousness
Untitled,
2024
Stony Brook University
Untitled, Tyler Anerson
Writing Beyond the Prison Living Archive
Essay on Foster care; social workers; police brutality; community belonging
Them,
2024
Stony Brook University
Them, John Adams
Writing Beyond the Prison Living Archive
Reflective essay on Homelessness; Military Service; Social Inclusion/Exclusion; Race; Social Invisibility
A Contribution To The Preservation And Revival Of The Cabo Verdean Pano D’Obra Textiles,
2024
Independent Scholar
A Contribution To The Preservation And Revival Of The Cabo Verdean Pano D’Obra Textiles, Maggy Fragoso
Textile Society of America: Symposium Proceedings
Textiles from Cabo Verde were highly prized for trading along the West African coast, from the second half of the 16th century to the end of the 18th century. They originated from the fusion of different cultural sources making their design visually distinct from the other textiles of West Africa: slave weavers were taken to Cabo Verde by the Portuguese and with their characteristic narrow strip looms, which had to be adjusted, were made to weave textiles with North African patterns and Christian references.
From the 19th century, a marked decline in the manufacture of these historic …
How To Wear A Queen’S Crown ; From Slavery (17th Century) To 1990s,
2024
Bridgewater College
How To Wear A Queen’S Crown ; From Slavery (17th Century) To 1990s, Ka-Mya Frye
ASPIRE 2024
There are six hairstyles I chose to feature in this project that embody a story with culture to be told about the hardships African American women in the US have faced up until almost the present day. I believe it will be a fun learning experience, not only for me but other African American women, potentially looking for some cultural hairstyles and learning about their “crown’s” history. A couple of styles that stood out from the age of slavery to the 1990s were cornrows, dreads, Bantu/Zulu knots, and the afro. I will discuss the history of these styles along with …
Playing Changes: Music As Mediator Between Japanese And Black Americans,
2024
Northern Illinois University
Playing Changes: Music As Mediator Between Japanese And Black Americans, E Taylor Atkins
Faculty Books & Book Chapters
Since the mid-twentieth century, music has played a central role in encounters and interactions between the people of Japan and those of African descent. It proved far more effective for pro- moting interracial dialogue and understanding than efforts in the early 1900s to foster an alliance against white supremacy and imperialism. This essay unpacks the ways that encounters with Black music transformed Japanese musicking and generated knowledge and empathy for people of African descent among Japanese. Personal interactions between Black and Japanese musicians constituted a process of “grassroots globalization” that circumvented the dominance of American mass media in representing African …
Deep Roots, New Shoots: Modern And Contemporary African Art From The Kam Collection,
2024
Hope College
Deep Roots, New Shoots: Modern And Contemporary African Art From The Kam Collection, Charles Mason, Andie Near
Kruizenga Art Museum Exhibition Catalogs
Kruizenga Art Museum, Hope College Catalog for the exhibition: Deep Roots New Shoots: Modern and Contemporary African Art from the KAM Collection. Exhibition dates: January 12 – May 18, 2024. Charles Mason, author. Andie Near, photographer, designer.
Kruizenga Art Museum Online Collection - Exhibition Gallery
The Capacity Of An Unfaltering Duress: America's Lost Love Stories,
2024
Connecticut College
The Capacity Of An Unfaltering Duress: America's Lost Love Stories, Seth Shimmelfarb-Wells
English Honors Papers
This thesis interrogates the imbrication between negative subjectivity and the fiction writing of Gayl Jones. In doing so, this work reimagines conceptions of intimate and interpersonal love, community, and retributive violence in the face of conditional (anti)Blackness. Through an engagement with contemporary scholars of Black Studies and with the help of the abundant archive of Black music, this project aims to prioritize, reproduce, and heed to Black Artistic registers of feeling that embrace duress, destruction, and madness. Through her literary performance, Jones reproduces and fabulates moments of Black social life that expand and simultaneously shatter our conception of a given …
Gny Rary Tsihy Tsy Enganay (‘We’Re Not Leaving The Mat Weaving’): Transitions Of Craft Practice In Southeast Madagascar,
2024
Independent Scholar
Gny Rary Tsihy Tsy Enganay (‘We’Re Not Leaving The Mat Weaving’): Transitions Of Craft Practice In Southeast Madagascar, Sarah Emily Brown
Textile Society of America: Symposium Proceedings
In Sainte Luce, southeast Madagascar, livelihoods are in a state of transition due to climate change, deforestation, shifting local economies and globalisation. Activities passed on by the ancestors are not sufficient to meet everyday needs. In 2012, embroidery was introduced by an NGO as an alternative to the ancestral process of reed-weaving due to declining reed populations. Embroiderers have now formed a 100-strong independent cooperative.
My PhD fieldwork (2017-2019) explored the multifaceted dimensions of change for these craftswomen. In addition to the practicalities of mastering a new craft, they have renegotiated collaborative working patterns, obligations to kin and ancestors, flows …
