World Wide Wake: A Look Into Digital Wake Work In Response To The Murder Of Breonna Taylor, 2021 Virginia Commonwealth University
World Wide Wake: A Look Into Digital Wake Work In Response To The Murder Of Breonna Taylor, Kalyn T. Coghill
Graduate Research Posters
In Christina Sharpe's, In the Wake, she refers to "wake work" as conscious work. Wake work makes a conscious and intentional effort to celebrate one's life as they are passing and after they have transitioned on. Wake work includes grief, sadness, reminiscing, happiness, laughter, and many more emotions. We think of wake work happening in the physical, but I want to look at how weight work exists in the digital. This paper will discuss how wake work is done in digital spaces such as social media platforms. I will also be looking at how social movements such as ...
From The Volga To The Mississippi: African Americans And The Soviet Experiment, 2021 Western Kentucky University
From The Volga To The Mississippi: African Americans And The Soviet Experiment, Daniel Candee
Mahurin Honors College Capstone Experience/Thesis Projects
This thesis investigates the role of African American Communists in the struggle for Black liberation during the interwar period. Making a vital intervention into the field, this work attempts to debunk the harmful Cold-War stereotype of African American Communists as “puppets of Moscow” while simultaneously engaging critically with the relationship between Black liberation and international Communism. Drawing on a vast array of secondary and archival sources, this work charts a course between a vision of the Comintern as an avenging anti-colonial angel, and a cynical force disinterested in Black Liberation.
Tracing the developing relationship between Black intellectuals and the Comintern ...
Reclamancipation: A Story Of Brilliance, Resilience, And Transilience, 2021 Virginia Commonwealth University
Reclamancipation: A Story Of Brilliance, Resilience, And Transilience, Nia A. Campbell
Theses and Dissertations
The experiences of African American women are composed of more than the maltreatment that often exclusively defines them. Oppression and celebration intermingle to define the identities of African American women, and this thesis proposes a method to understand this reality through an exchange of stories in the form of a customizable board game. The game educates those inside and outside the African American women’s community by encouraging the emancipation of self, decolonization of society, and formation of empathy. This thesis embraces intersectional feminism, womanism, and linguistic descriptivism. The research is informed by personal narratives of African American women ages ...
#Aminext: The Link Between European Colonization And Gender-Based Violence In Contemporary South Africa, Jenna Meredith Pagel
Alarmingly, the female murder rate in South Africa is five times the global average (BBC News 2019). According to data from 2017 and 2018, a woman is murdered every four hours in South Africa (Wilkinson 2019). More than 30 women were killed by their spouses in August 2019, and at least 137 sexual offenses are committed per day in South Africa (Francke 2019).
For this thesis, and in order to understand why South Africa has some of the highest rates of violence against women in the world, I consult a number of scholars who conclude that the overall issue of ...
Skin Deep: Analyzing Black Representation In The Teaching Of Visual Arts, 2021 Bowdoin College
Skin Deep: Analyzing Black Representation In The Teaching Of Visual Arts, Destiny Arianna Kearney
My honors thesis argues that at Bowdoin College, failure to provide Culturally Relevant Teaching in art studio courses dismisses the representation of Blackness in the Visual Arts Department. Culturally Relevant Teaching (CRT) recognizes the importance of all students' cultural experiences in different aspects of learning. It allows for equitable access to education for students of diverse backgrounds. CRT is crucial to reconstructing Art Education to represent diverse student bodies. My position as a Black-Indigenous artist enables me to reflect on the intersection of these frameworks and to build upon them in order to highlight the need for pedagogical practice in ...
Twelve Angry Men: A Twenty-First Century Reflection Of Race, Art, And Incarceration, 2021 Bucknell University
Twelve Angry Men: A Twenty-First Century Reflection Of Race, Art, And Incarceration, Mackenzie A. Gross
Twelve Angry Men: A Twenty-First Century Reflection of Race, Art and Incarceration is a Comparative and Digital Humanities Honors Thesis concentrating on Africana Studies, theatre, sociology and legal studies to demonstrate the importance of investing in incarcerated communities through theatre and education.
In Chapter I, I critique the loss of identity attached to incarceration, and introduce the foundation for Black bodies individuals being discriminated against in the prosecution system. I analyze the “Punishment vs Progress” mentality, and introduce current educational programs in place in prisons. I elaborate on the details of our production, as well as the makeup of actors ...
John Wesley Work Iii: Arranger, Preserver, And Historian Of African American Traditional Music, 2021 University of Kentucky
John Wesley Work Iii: Arranger, Preserver, And Historian Of African American Traditional Music, Kaylina Madison Crawley
Theses and Dissertations--Music
This study focuses on John Wesley Work III’s life and career in response to the scarcity of existing research and publication devoted to him. To expand the scholarship focused on Work and to deepen the history of African American artistry, this dissertation analyzes his additions to concert repertoire through his arrangements of spirituals, investigates his scholarship, and performance— including his activities as Director of the Fisk Jubilee Singers — and provides a foundation for further analytical study of African- American sacred music. Methodology utilized in this thesis includes construction of a biographical narrative based on primary sources and analysis of ...
Post-Trump Intersections And “Post-Racial” Reflections: A Black Feminist Analysis Of Black Women And Navigating Structured Inequality In The U.S., 2012-2017, 2021 University of Maryland at Baltimore
Post-Trump Intersections And “Post-Racial” Reflections: A Black Feminist Analysis Of Black Women And Navigating Structured Inequality In The U.S., 2012-2017, Jasmine K. Cooper, Ph.D.
Journal of Feminist Scholarship
Barely a decade ago, the 2008 and 2012 elections of President Barack Obama to the U.S. Executive Office propelled questions about whether the U.S. had overcome its racially oppressive history, through the presidency of a political centrist of African descent. The premature celebrations of racial transcendence in were countered shortly thereafter by the election of Donald Trump to the U.S. presidency in 2016. The latter was accomplished partly by using “dog-whistle politics” to covertly (and overtly) bolster a tide of racialized political backlash to the prior administration. Ultimately, just after post-racialism dominated discussions on U.S. racial ...
Water The Roots: The Fluidity Of Blackness And Time, 2021 Vassar College
Water The Roots: The Fluidity Of Blackness And Time, Lena Stevens
Senior Capstone Projects
This project is a meditation on Blackness, life, death, loss, and spirituality. Although this thesis was executed in hopes of fulfilling an academic requirement, each frame provides insight into my experiences as a low-income Black and Native Hawaiian woman living under the structural oppression instituted by the United States. Blackness, geography, ancestry, and modernity all come into conversation within this film through the breaking of commercial cinema conventions like narrative continuity and linear time. I chose to create this piece without the use of popular Hollywood cinematic conventions to demonstrate the fact that experimental film has a greater capacity for ...
The Space Between “Seen” And “Unseen:” Queer People And The 1915-1945 New Negro Renaissance, 2021 City College of New York
The Space Between “Seen” And “Unseen:” Queer People And The 1915-1945 New Negro Renaissance, Claudia R. Campanella
Dissertations and Theses
In November 1926, a group of Black artists, writers, and activists created the first and only edition of Fire!!, edited by novelist Wallace Thurman. Fire!! was created by a younger generation of New Negroes and “devoted to the younger Negro artists” who dissented from the mainstream ideas of the New Negro Movement and used the magazine to spread their own views on the 1915-1945 New Negro Renaissance. Fire!! and other texts speaking to this dissent against a Black intellectual middle class image of the movement will be studied in reference to showcasing the multi-faceted elements of the movement touching on ...
The Jamaican Maroons Of The 17th And 18th Centuries: Survivalists Of The New World, 2021 CUNY City College
The Jamaican Maroons Of The 17th And 18th Centuries: Survivalists Of The New World, Lance J. Parker Jr
Dissertations and Theses
The Jamaican Maroons, in the beginning, served as fugitive slaves avoiding captivity and liberating other enslaved people. To stop the Maroons from liberating other enslaved people, the British granting them freedom on the condition that they stop freeing slaves and even return runaways. Historians portray the Maroons as either freedom fighters or collaborators, sometimes even both. I argue that both narratives were a part of Maroon history, but I want to introduce them as survivalists. My research's significance is that I am exploring how the Maroons transitioned from freedom fighters to collaborators through notions of cultural identity. This project ...
“9/11 And The Collapse Of The American Dream: Imbolo Mbue’S Behold The Dreamers”, 2020 CUNY Queensborough Community College
“9/11 And The Collapse Of The American Dream: Imbolo Mbue’S Behold The Dreamers”, Elizabeth Toohey
Publications and Research
Behold the Dreamers follows a Cameroonian couple who, as newcomers to America, harbor dreams of success unavailable to them back home. Undocumented immigration, the widening gulf between rich and poor, and the thinly veiled racism of an avowedly "post-racial" culture converge in this new generation of immigrants' painful encounter with the American dream. I consider the ways Mbue's novel shares themes with a "second wave" of post- 9/11 literature—first, in centering the disillusionment of a protagonist aspiring to the American dream; next, in its representation of New York as a space haunted by 9/11, but also ...
100 Maasai Women’S Perspectives On The Impact Of Female Genital Cutting On Social And Economic Wellbeing, 2020 Wilfrid Laurier University
100 Maasai Women’S Perspectives On The Impact Of Female Genital Cutting On Social And Economic Wellbeing, Rebecca Vandekemp-Mclellan
Bridges: An Undergraduate Journal of Contemporary Connections
Interviews with 100 Maasai women in Narok District, Kenya, explored FGC, early marriage, and financial autonomy, among other topics. Respondents drew a telling picture of the significant social value that FGC holds for the Maasai communities in this study, namely, that FGC is an initiation ceremony that turns children into adults, and is an eligibility requirement for marriage and childbearing. Not only does circumcision create multiple opportunities for increased social status, but it also represents increases in economic security through its power to bring about marriage and reproduction. The overall perspectives of the women on the FGC procedure itself showed ...
"Second Sight": Acknowledging W.E.B. Du Bois's "Double Consciousness" As A Step Towards Dissolution, 2020 The Univesity of Western Ontario
"Second Sight": Acknowledging W.E.B. Du Bois's "Double Consciousness" As A Step Towards Dissolution, Alexandra M. Hudecki
Electronic Thesis and Dissertation Repository
This project examines American scholar W.E.B.’s DuBois’ idea of “double consciousness”, from his book The Souls of Black Folk (1903). The idea of “double consciousness” has and continues to be utilized by Black scholars and artists in literary, theoretical, and psychological contexts, some of which I hope my paper will adequately survey. I begin by examining “double consciousness” from the perspective of particulars by understanding Du Bois’s original idea and the specificities of the American context he himself was a part, considering the legacy of slavery. Then, by focusing primarily on writers such as Frantz Fanon ...
Hist 374 (Q-36911) Wi –Africa And The Atlantic Slave Trade, 2020 CUNY York College
Hist 374 (Q-36911) Wi –Africa And The Atlantic Slave Trade, Oluremi Alapo
Open Educational Resources
COURSE DESCRIPTION: A study of the political, economic, social, and demographic challenges confronting Africa during the era of the Atlantic Slave Trade (15th-19th centuries). The course will conclude with a CTLET approved OER / ZTC Active Learning Assignment. The course includes an opportunity to receive a certificate of recognition from the International Human Rights Commission (IHRC).
Annotated Bibliography - Grace Jones, Slave To The Rhythm, 2020 Boston Public Schools
Annotated Bibliography - Grace Jones, Slave To The Rhythm, Bennett Brazelton
Annotated Bibliography entry for Grace Jones' album, Slave to the Rhythm (1985).
Representations Of Hustling Women: The Figure Of The Black Sex Worker In Ann Petry’S The Street And Louise Meriwether’S Daddy Was A Number Runner, 2020 The Graduate Center, City University of New York
Representations Of Hustling Women: The Figure Of The Black Sex Worker In Ann Petry’S The Street And Louise Meriwether’S Daddy Was A Number Runner, Deborah L. Uzurin
Dissertations, Theses, and Capstone Projects
This thesis provides a close reading of Ann Petry’s The Street (1946) and Louise Meriwether’s Daddy Was a Number Runner (1970) by analyzing how these two black women authors wrote about sex work and black women sex workers in their novels. Black women writers in the mid-twentieth century were reluctant to write about black women’s sexuality as a result of discourses of racial uplift that rejected the white supremacist stereotype of the hypersexual black woman. While not the focus of their novels, the inclusion of sex workers in their fictional narratives provide a complicated representation of a ...
All Day In The Trey-Fold: Sound, Objecthood, And Place In The Mixtapes Of Dj Screw, 2020 The Graduate Center, City University of New York
All Day In The Trey-Fold: Sound, Objecthood, And Place In The Mixtapes Of Dj Screw, Matthew K. Carter
Dissertations, Theses, and Capstone Projects
This dissertation traces the impact of the mixtapes of DJ Screw on the emergence of Houston hip hop culture in the 1990s. The relationship between these “screwtapes” and local culture resists demonstration through conventional modes of representational analyses, due in part to the screwtape’s preponderant use of hip hop tracks that originally represent other places. I suggest that representation itself is the result of the structuring tension emerging from a threefold field of representation of sound, objecthood, and place, and that when a hip hop artist or critic or fan claims to "represent" Houston (or any other constituted and ...
Sharing Stories, Building Bonds: The Reconciliating Power Of A Narrative, 2020 SIT Graduate Institute
Sharing Stories, Building Bonds: The Reconciliating Power Of A Narrative, Breanna Nicole Thompson
The Vusumnotfo Persona Doll Programme is a program that incorporates Way of Council, traditional storytelling and dialogue together to enable community preschool teachers in rural Eswatini to use the Persona Doll Approach with their students. Many emaSwati are not given the support to develop their Emotional Literacy, leading to a continued cycle of emotional abuse and community trauma. The Vusumnotfo Persona Doll Programme is designed to give preschool teachers the necessary skills to navigate this shared trauma, create a safe space for these teachers to confront their own trauma and work together to create a culture of healing for the ...
The Cardi B–Beyoncé Complex: Ratchet Respectability And Black Adolescent Girlhood, 2020 Missouri State
The Cardi B–Beyoncé Complex: Ratchet Respectability And Black Adolescent Girlhood, Ashley N. Payne
Journal of Hip Hop Studies
The identity of Black girls is constantly subject to scrutiny in various spaces, particularly within Hip Hop and education. Previous scholarship has noted that, as Black girls are compelled to navigate the margins of respectability politics, the images and messages of Hip Hop culture have always created a complicated and complex space for Black girls’ identity development. The purpose of this article is to explore how Black adolescent girls construct their identities, particularly as it relates to ratchet-respectability identity politics, a concept called the Cardi B–Beyoncé́ complex. In examining the Cardi B–Beyoncé́ complex, I look at the intersection ...