Africana Studies Commons^™

A Journey To A Black Woman’S (Read Black Girl’S) Joy And Her Story Of Coming Home, Brittany Lauren Brock

Dissertations, Theses, and Capstone Projects

This is an auto/ethnography about the self-actualizing journey of reclaiming storytelling as my native tongue and my journey to joy. Throughout, using my story and the stories of so many others, I not only lay out the wounds (the pain, the loss, then the hope that comes) within the academy and outside in the world but I also use storytelling as a tool of healing—my tool of healing—to show how I wrote myself free.

When Black women (read Black girls) go through The Reckoning (the moment we realize something isn’t right with how we are perceived by others) …

The Village On The Stage: Dramaturgies Of Modernity In African Concert Dance, Margit N. Edwards

Dissertations, Theses, and Capstone Projects

My dissertation, The Village on the Stage: Dramaturgies of Modernity in African Concert Dance, analyzes the underlying theatrical logic in African concert dance through a dramaturgical model I call the village on the stage. The village on the stage dramaturgy has had multiple iterations over the 20^th and 21^st centuries both across the African continent and the African diaspora. Commonly presented within the world-dance market as neo-traditional African dance, the village on the stage refers to a set of practices of staging traditional dance and music of Africa and the African diaspora and serves as a …

Cliffhanger, Micah Mickles

MFA in Visual Art

I am Micah Mickles, a mixed-media visual artist in St. Louis, Missouri. My artwork is deeply rooted in my personal experiences and serves as a memorial and monument to counteract the enduring effects of grief and loss. What sets my work apart is the transformative impact of my everyday encounters, inspired by my 14 years of experience working at Trader Joe's. These encounters have led me to reflect on my profound connections with diverse communities. By delving into the hidden narratives of mundane materials encountered in the workplace, I prompt a reexamination of convenience and supply chain origins. Inspired by …

See Me Show Me: Black Women Representation In Television Sitcoms, Lauryn Jennings

Master's Theses

Television is a commonplace item within the households of America. It brings the family together as well teaching people about other people. With this Black women have been shown in one-dimensional images that are harmful. Although these stereotypes are old they are still present within modern television sitcoms.

Victim Or Villain: Female Resilience And Agency In The Face Of Trauma In Chimamanda Adichie’S, Purple Hibiscus (2003) And Tsitsi Dangarembga’S, Nervous Conditions (1988), Adaobi Juliet Chukwuma

Electronic Theses and Dissertations

As long as disparities persist in the way women are treated as compared to their male counterparts, the issue of gender will continue to call forth literary productions. For this reason, female writers are on a mission to dismantle the stereotypes that keep women confined to societal roles. Grounded in a feminist framework, this study focuses on the gender disparity theme in Chimamanda Adichie’s Purple Hibiscus and Tsitsi Dangarembga’s Nervous Conditions. The aim is to examine how these writers represent the trauma of women living in an African patriarchal system. The traumatic experiences of the female characters in both texts …

Zamrock: Negotiating Masculine Urban Identity In Zambia And Music Success In A Postcolonial World, Emeline Avignon

Senior Theses and Projects

This thesis analyzes, through predominately an ethnomusicologist approach and methodology, the lyricism, instrumentation, performance, and album art of the movement of Zamrock in Zambia from 1970 to the mid-1980s. I explore the agency and construction of urban youth masculinity by Zamrock artists in the context of Zambia’s colonial history of the Copperbelt, into its decades after independence. First, I look at the socio-political and economic context of colonized and independent Zambia, and how out of these conditions Zambian rock music was fused and forged. I break down the negotiations and desires of Zamrock artists in their identity construction via their …

The Author And Apartheid: Building Pro-Blackness At Bgsu Through James Baldwin And The Anti-Apartheid Movement, Noah C. Fitch

Honors Projects

The stories of anti-apartheid and James Baldwin at BGSU provides a basis for a building of pro-Blackness in the on-campus community. Through the contextualization and narrative building through a historical sociological framework, these two events show the extent of activism in the 1970s and 1980s rather than the traditional narrative that is discussed. By expanding that narrative, it also expands the narrative surrounding the history not just of BGSU, but the way universities frame their own histories. Additionally, these events take place in the era when the transition from looking at Civil Rights to Human Rights is more prevalent and …

Shaky Foundations: Cultural Classifications In Museum Collections Management Systems And The Endurance Of Colonial-Era Terminology, Carlee S. Forbes, Erica P. Jones

Artl@s Bulletin

This article uses two musical instruments with attached ancestral remains and labeled as “Asante” from the Fowler Museum at UCLA to consider effects of style-based cultural classifications that appear in museum databases today. We highlight the sway of past classifications over our current understanding of objects that is prolonged by the problem of confirmation-bias in museum collections management systems. We then indicate how working across disciplines stimulated a more nuanced understanding about the complexities of artistic styles for musical instruments with attached human remains in the Akan-speaking region of West Africa.

Cet article étudie deux instruments de musique incorporant des …

What Does It Mean To Keep Kissing-Close To The Evidence, And Why Might It Matter?, Susan Elizabeth Gagliardi, Constantine Petridis

Artl@s Bulletin

African art specialists often lack detailed information to assess the original meanings, uses, and contexts of so-called historical or traditional arts of Africa, and they rely on indirect evidence to interpret the works. Thus, claims about African arts often reflect speculation rather than irrefutable details. When specific documentation for an object does exist, the circumstances of its creation require careful evaluation as well. The assessment of the quality and reliability of any claim is of particular importance in attempts to determine an object’s place of origin in the ongoing debates about restitution.

Cinema, Black Suffering, And Theodicy: Modern God, Terry Lindvall

Journal of Religion & Film

This is a book review of Shayne Lee, Cinema, Black Suffering, and Theodicy: Modern God (Rowman and Littlefield, 2022).

Lay It On The Line: The Life And Music Of Gladys Bentley, Bianki Torres, J.

Doctoral Dissertations

This work is a historical biography of Gladys Bentley and her blues music. She was a cross-dressing entertainer from the Harlem Renaissance and performed popular songs with added, sometimes improvised sexual innuendo. This study considers the performances of her recorded and written material as trans music, meaning, that black music provided a platform to determine racial, gendered, and sexual cultural expressions changing over time, however, always rooted in black vernacular culture. Using showbills, promotional material, studio recordings and short autobiography, this study follows Bentley’s career as “male impersonator” and the effects lesbian/gay (queer) culture had on her blues. Also, I …

Make It Funky For Me: Black British Women’S Explorations Of Britishness, Womanhood, And Artistry Through 2000s Music, Monique Charles

Sociology Faculty Articles and Research

2000s Britain was an interesting and expansive time musically for Black Britain (Bradley 2013), as underground music gained traction in mainstream spaces. This article examines the context in which Black British women were able to cross over into the British mainstream and explores how U.K. garage and U.K. funky artists expressed their creativity, autonomy, womanhood, Blackness, and Britishness. Female U.K. garage artists set a precedent in the creation of “new” diverse identities for Black British women artists, but artists in both underground and mainstream music scenes were also forced to contend with restrictive and harmful misogynoir.

Review Of For God And My Country: Catholic Leadership In Modern Uganda, John Ashworth

The Journal of Social Encounters

No abstract provided.

Review Of After Genocide: Memory And Reconciliation In Rwanda, Selina Gallo-Cruz

The Journal of Social Encounters

No abstract provided.

Review Of Mathare: An Urban Baston Of Anti-Oppression Struggle In Kenya, Mugo Patrick Mugo

The Journal of Social Encounters

No abstract provided.

Book Discussion "Innovations In Peace And Security In Africa"

The Journal of Social Encounters

No abstract provided.

Book Discussion "The Lumumba Plot: The Secret History Of The Cia And A Cold War Assassination"

The Journal of Social Encounters

No abstract provided.

Review Of Water Management And Violent Conflict In East Africa: Scarcity And Security In Kenya And Uganda, Ken Conca

The Journal of Social Encounters

No abstract provided.

In Memory Of Bishop Paride Taban, Sara Ketelaar, Fr. Peter Mbaro, John Ashworth, Fr. Joseph G. Healey, Rosanne Fischer, William O’Keefe

The Journal of Social Encounters

The Journal of Social Encounters mourns the loss, and celebrates the life, of the much-loved Bishop Paride Taban. We thank our authors below for sharing their reflections on him. In his memory, we also re-print an essay about him by Alberto Eisman Torres, A Beacon of Hope in a Troubled Context: Sketches of the Life of Mons. Paride Taban, Shepherd and Bridge-builder, an essay in our special collection on Peace Bishops. I was blessed to know Bisop Taban, and would see him in Nairobi and in Minnesota. One of his associates was a student of mine at the Catholic …

Peace Bishop: Bishop Nicolas Djoma Lola -- Bishop Of Tshumbé, Stephen R. Hilbert

The Journal of Social Encounters

Fr. Nicolas Djomo Lola was appointed a bishop in the Democratic Republic of the Congo (DRC) in 1997 and immediately was thrust into a brutal war between Rwanda, Burundi and Zaire that lasted through 2003. That conflict exacerbated deadly ethnic conflicts in the eastern provinces of the Congo that continue to this day. Bishop Djomo, driven by his belief that Jesus Christ calls all people to build peace, and protect people from violence responded to this war and chaos in remarkable ways. He led a delegation of the Central Africa Bishops to advocate with the Presidents of Burundi, Rwanda and …