Urban Studies and Planning Commons^™

The Disneyfication Of New Orleans: The French Quarter As Facade In A Divided City, J. Mark Souther

History Faculty Publications

The article discusses the development of New Orleans, Louisiana as a tourist attraction. The author suggests that Hurricane Katrina allowed the public to perceive racial and economic divisions in New Orleans. He suggests the French Quarter of New Orleans was developed for tourism due to its historic architecture. An attempt to attract military bases to the region during World War II failed due to the labor market and competition, leading to a focus on tourism. The author compares the city's appearance to that of Disneyland and suggests urban renewal relocated African Americans to ensure the development of the French Quarter.

Saving Special Places: Trends And Challenges With Protecting Public Lands [Outline], Robert B. Keiter

The Future of Natural Resources Law and Policy (Summer Conference, June 6-8)

7 pages.

Includes bibliographical references

"Robert B. Keiter, Wallace Stegner Professor of Law, University of Utah, S.J. Quinney College of Law"

Performing Tourism In Venice: Local Residents In Focus, Bernadette Quinn

Articles

In contrast to the growing literature on tourist mobility as a performed art, relatively little attention has been paid to resident mobility in tourism places. This paper examines how residents encounter tourists using the concept of tourism as a performance. Drawing on the case of the historic city-center of Venice in northeastern Italy, it explores the spatialities produced through the embodied practices of local mobilities. The paper finds that their movements demonstrated a marked degree of agency. It concludes by arguing that the concept of tourism as performance affords useful insights into how local residents are proactively and intricately involved …

“‘The City I Used To...Visit’: Tourist New Orleans And The Racialized Response To Hurricane Katrina”, Lynnell Thomas

Lynnell Thomas

This article explores the connections between New Orleans’s late 20th-century tourism representations and the mainstream media coverage and national images of the city immediately following Hurricane Katrina. It pays particular attention to the ways that race and class are employed in both instances to create and perpetuate a distorted sense of place that ignore the historical and contemporary realities of the city’s African American population.