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Possessed: New Horror Films In The Era Of Neoliberalism, Bethany C. Nelson

Doctoral Dissertations

Since its inception, the horror genre has been reflective of cultural fears. In neoliberal society, horror cinema has experienced a cultural revival that has challenged the conventional boundaries of the genre and expanded our current understandings through a convergence of neoliberalism and gothic horror with unprecedented popularity in the cultural imaginary. The conjuring universe, one of the highest grossing and most popular horror universes to date, presents a key space for cultural criminologists, like horror and film fans, to engage with the terror of the neoliberal world through mediated new gothic images, resulting in a gothic criminology. Through an ethnographic …