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Full-Text Articles in Race and Ethnicity

Genocidal Violence, Biopolitics, And Treatment Of Abducted And Raped Women In The Aftermath Of 1947 Partition In India, Nidhi Shrivastava Jan 2022

Genocidal Violence, Biopolitics, And Treatment Of Abducted And Raped Women In The Aftermath Of 1947 Partition In India, Nidhi Shrivastava

English Faculty Publications

As we reckon with the #MeToo movement, the gender-based violence that occurred during the 1947 Partition continues to remain forgotten in mainstream discourses and is an emotive and polarising issue within both India and its diaspora. Just like mainstream news in the United States covered the Gabby Petito case, causing a controversy as it led to the realisation that the rape and gender-based violence of missing indigenous women were not covered, it can be suggested that mainstream news channels both within India and in the diaspora construct narratives that privilege the stories of some over others – with issues of …


The Other Stares Back: Why “Visual Rupture” Is Essential To Gendered And Raced Bodies In Networked Knowledge Communities, Anita August Jan 2018

The Other Stares Back: Why “Visual Rupture” Is Essential To Gendered And Raced Bodies In Networked Knowledge Communities, Anita August

English Faculty Publications

This chapter addresses the Other’s Stare of gendered and raced bodies who visually rupture and resist their discursive formation in Networked Knowledge Communities (NKCs). New multimodal texts described as “texts that exceed the alphabetic and may include still and moving images, animations, color, words, music and sound” (Takayoshi & Selfe, 2007, p. 1), contribute greatly to the situated nature of knowledge production by NKCs in the postmodern “network society” (Castells, 1996). NKCs are learning communities that “proactively participate in building and advancing knowledges” (Gurung, 2014, p. 2). While NKCs are idealized as sites for progressive socio-political transformation, this chapter argues …


Passing As Danzy Senna, Bertram D. Ashe, Danzy Senna Jan 2002

Passing As Danzy Senna, Bertram D. Ashe, Danzy Senna

English Faculty Publications

Caucasia, written by Danzy Senna, is part of a growing sub-genre of African-American novels, some of which announce their themes by their titles: White Boys, by Reginald McKnight; The White Boy Shuffle, by Paul Beatty; The Last Integrationist, by Jake Lamar; and Negrophobia, by Darius James, to name a few. Caucasia is a "Post-Soul" novel that explores the world of "mullatos" - both cultural and racial. But even though artists such as Kara Walker, photographer Lorna Simpson, and essayist Lisa Jones also explore the vicissitudes of post-Civil Rights Movement Black identity, in Black fiction its …


"Hair Drama" On The Cover Of "Vibe" Magazine, Bertram D. Ashe Jan 2001

"Hair Drama" On The Cover Of "Vibe" Magazine, Bertram D. Ashe

English Faculty Publications

This study consists of a cultural reading of the cover photograph of the June-July 1999 issue of Vibe magazine. It explores the relationship between Mase, an African-American male rap star, and the three anonymous African-American female models that surround him. The study interprets the cover through the long, straightened hair of the models, locating the models' hair in a historically-informed context of black hair theory and practice. The study argues that the models' presence on the cover, particularly their "bone straight and long" hair, "enhances" Mase in much the same way breast-augmented "trophy women" "enhance" their mates. Ultimately, the study …


"Why Don't He Like My Hair?": Constructing African-American Standards Of Beauty In Toni Morrison's "Song Of Solomon" And Zora Neale Hurston's "Their Eyes Were Watching God", Bertram D. Ashe Jan 1995

"Why Don't He Like My Hair?": Constructing African-American Standards Of Beauty In Toni Morrison's "Song Of Solomon" And Zora Neale Hurston's "Their Eyes Were Watching God", Bertram D. Ashe

English Faculty Publications

African-Americans, with their traditionally African features, have always had an uneasy coexistence with the European (white) ideal of beauty. According to Angela M. Neal and Midge L. Wilson, "Compared to Black males, Black females have been more profoundly affected by the prejudicial fallout surrounding issues of skin color, facial features, and hair. Such impact can be attributed in large part to the importance of physical attractiveness for all women" (328). For black women, the most easily controlled feature is hair. While contemporary black women sometimes opt for cosmetic surgery or colored contact lenses, hair alteration (i.e., hair-straightening "permanents," hair weaves, …


Dismantling Stereotypes: Interracial Friendships In Meridian And A Mother And Two Daughters, Suzanne W. Jones Jan 1993

Dismantling Stereotypes: Interracial Friendships In Meridian And A Mother And Two Daughters, Suzanne W. Jones

English Faculty Publications

When pondered together, these mediations on difference raise some perplexing questions. How do we discover a shared humanity without erasing difference? How do we use difference to enrich our vision if we fear it? How can we come to understand difference differently? When Zora Neale Hurston wrote "What White Publishers Won't Print" in 1950 before the civil rights movement began, she believed literature could help reduce white prejudice by proving blacks to be "just like everybody else" (171). When Audre Lorde called for new patterns of relating across differences at Amherst College in 1980, she ended her powerful plea with …