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The Socially Deviant (M)Other In Euripides' "Medea" And Two Modern Adaptations, Christina Faye Kramer
The Socially Deviant (M)Other In Euripides' "Medea" And Two Modern Adaptations, Christina Faye Kramer
Electronic Theses and Dissertations
For centuries male-dominated societies have developed their own culturally constructed images of the socially acceptable and socially deviant mothers. The thesis explores how the Grecian, Caribbean, and Irish cultures of Euripides’ Medea (431 BC), Steve Carter’s Pecong (1990), and Marina Carr’s By the Bog of Cats (1998) respectively, all based on the Medea myth, commonly define the social deviant (m)other and condemn her for her “otherness.” It also discusses the limitations of each society’s decision to label the Medea-figure as socially deviant. Euripides creates an impossible dichotomy between the culturally constructed concepts of heroism and motherhood, which he locates in …
Navigating Gender Inequality In Musical Subgenres, Adria Ryan Mclaughlin
Navigating Gender Inequality In Musical Subgenres, Adria Ryan Mclaughlin
Electronic Theses and Dissertations
This study looks at female musicians performing in subcultural rock genres commonly considered non-gender-conforming, such as punk rock, heavy metal, noise, and experimental. Twenty-four interviews were conducted with female musicians who reflected on their experiences as musicians. Themes emerged on women’s patterns of entry into music, barriers they negotiated while playing, and forces that may push them out of the music scene. Once women gained a musician identity, their gender functioned as a master status. They negotiated sexism when people questioned their abilities, assumed men played better, expected them to fail, held them to conventional gender roles, and sexually objectified …