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What Moves You?: Georges Didi-Huberman’S Arts Of Passage And Pittsburgh Stories Of Migration, Alexandra Irimia
What Moves You?: Georges Didi-Huberman’S Arts Of Passage And Pittsburgh Stories Of Migration, Alexandra Irimia
Languages and Cultures Publications
Contemporary art historian, critic, and theorist Georges Didi-Huberman thinks of images not as static objects, but as movements, passages, and gestures of memory and/or desire. For the French “historian of passing images,” as he has been called, “all images are migrants. Images are migrations. They are never simply local” (D2017). His book, Passer, quoi qu'il en coûte ("To Pass at Any Price"), co-written with the Greek poet and director Niki Giannari, takes on precisely the visual dynamics of passages, passengers, and passageways in the context of contemporary migration flows. In April 2018, only several months after the launching of the …
The Impersonal Is Personal: Missing And Murdered Indigenous Women Through The Lens Of Roberto Esposito’S Third Person, Claire Windsor
The Impersonal Is Personal: Missing And Murdered Indigenous Women Through The Lens Of Roberto Esposito’S Third Person, Claire Windsor
2015 Undergraduate Awards
This essay explores the issue of Missing and Murdered Women (MMIW) in Canada from a perspective that problematizes not only the racializing and gendering of indigenous women, but the normative conception of the human ascribed to settler Canadians as well. By examining these processes as part of a greater juridical-biological constitution of ‘the human,’ the ways in which this differentiation works to valorize the lives of some humans whilst simultaneously devaluing the lives of ‘others’ are revealed. This hierarchy is explored through the lens of Roberto Esposito’s book Third Person in order to illustrate how the subject-formations that have occurred …