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Full-Text Articles in Semantics and Pragmatics
Larson's Musical Forces In Schlenker's Music Semantics, Mick De Neeve
Larson's Musical Forces In Schlenker's Music Semantics, Mick De Neeve
Baltic International Yearbook of Cognition, Logic and Communication
Larson’s musical forces of gravity, magnetism and inertia link music to metaphors of physical motion. Schlenker’s music semantics is based on similar physical world associations. Because Larson’s forces are about note movements towards harmonic stability, his framework implies note groupings at stable boundaries, given common cadential harmony. These groupings with forces assignments can then be viewed as musical events in Schlenker’s approach, and mapped to structure-preserving external (world) events as required for this author’s semantics. To this end, Schlenker’s truth definition, specifying when an event is ‘true of’ a musical expression, will be adapted. The synthesis amounts to what Schlenker …
Between Verb And Preposition: Diachronic Stages Of Coverbs In Mandarin Chinese, Glynis Jones
Between Verb And Preposition: Diachronic Stages Of Coverbs In Mandarin Chinese, Glynis Jones
Masters Theses
Mandarin Chinese has long been known to possess a category of words known as ‘coverbs’ in the literature, which sit in the gray area between verb and preposition. Li and Thompson (1974) describe the historical origins of Mandarin coverbs to be full transitive verbs, despite their modern state being decidedly less verbal. They also note that coverbs are a non-homogenous class. This thesis works to establish categories of coverbs in Mandarin Chinese and their distance from true verbhood in order to understand the diachronic shift that coverbs are currently undergoing before our very eyes. I will draw on the work …
The Variable Expression Of Transitive Subject And Possesor In Wayuunaiki (Guajiro), Andres M. Sabogal
The Variable Expression Of Transitive Subject And Possesor In Wayuunaiki (Guajiro), Andres M. Sabogal
Linguistics ETDs
In Wayuunaiki, verbal affixes cross-reference clausal arguments in various ways. Most notably, there are two ways to express transitive subjects, and two ways to express possessors. Much like voice alternatives, the variable expression of subject and possessor impart different perspectives on a situation type, but unlike traditional voice categories, syntactic valence remains equal. This dissertation characterizes these constructions with a specific question in mind: what do these two cross-referencing alternations communicate and what influences their usage? To answer these questions, I consider the linguistic properties observed in the usage of these constructions in narratives (Jusayú 1986, 1994), and informal conversations. …