Open Access. Powered by Scholars. Published by Universities.®

Asian Studies Commons

Open Access. Powered by Scholars. Published by Universities.®

Articles 1 - 10 of 10

Full-Text Articles in Asian Studies

Music Securities: Crowdfunding For Positive Impact, Singapore Management University Mar 2020

Music Securities: Crowdfunding For Positive Impact, Singapore Management University

Perspectives@SMU

If an investment crowdfunding platform is created to help disaster-struck companies, should a typhoon-hit electric company that pollutes the environment receive help to raise funds?


Whose Blue Heaven? Musicality In The Early Japanese Talkies, Richard M Davis Mar 2018

Whose Blue Heaven? Musicality In The Early Japanese Talkies, Richard M Davis

Research Collection School of Social Sciences

This article focuses on the advent of synchronized sound production in Japan in 1931 – three years later than the United States – and the generative ambiguities of how sound and music’s relationship to film was figured in that year’s anxious discourse. I argue that this ‘belatedness’ is echoed in relationships of on-screen image and offscreen sound, noise, and music in two important early sound films, The Neighbor’s Wife and Mine (Gosho 1931) and A Tipsy Life (Kimura 1933).


Freddie Aguilar [Philippines, Musician, Political Leader], Freddie Aguilar Apr 2015

Freddie Aguilar [Philippines, Musician, Political Leader], Freddie Aguilar

Digital Narratives of Asia

Freddie Aguilar is not just a Filipino musical icon but a political icon. Influencing people through his music, Freddie shares his frank take on political leadership in the Philippines and what he thinks leaders should do to move the country forward.


K-Pop Live: Social Networking & Language Learning Platform, Thomas Chua, Chin Leng Ong, Kian Ming Png, Aloysius Lau, Houston Toh, Feida Zhu, Kyong Jin Shim, Ee-Peng Lim Feb 2013

K-Pop Live: Social Networking & Language Learning Platform, Thomas Chua, Chin Leng Ong, Kian Ming Png, Aloysius Lau, Houston Toh, Feida Zhu, Kyong Jin Shim, Ee-Peng Lim

Research Collection School Of Computing and Information Systems

K-Pop live is a social networking and language learning platform developed by an undergraduate student team from Singapore Management University. K-Pop live aims to combine social media together with gamification to promote Korean culture. It consolidates all relevant Tweets from Twitter as well as videos from YouTube. The platform allows the user to connect with his friends who share similar interests in terms of K-pop artists and music.


Music And Moral Geographies: Constructions Of "Nation" And Identity In Singapore, Lily Kong Feb 2006

Music And Moral Geographies: Constructions Of "Nation" And Identity In Singapore, Lily Kong

Research Collection School of Social Sciences

In this paper, I attempt to pull together sociological and geographical perspectives in the study of music to understand the ways in which pop and rock music are socio-cultural products with political and moral meanings and implications. I examine state engineering of moral panics, focusing on a case study of pop and rock music in post-independence Singapore. Such engineering is aimed at political and ideological ends, in particular, "nation"- building outcomes. In engineering moral panics through both discursive and legislative acts, the contours of a moral geography are delineated at various spatial scales. First, at the scale of the national …


Popular Music In A Transnational World: The Construction Of Local Identities In Singapore, Lily Kong Apr 1997

Popular Music In A Transnational World: The Construction Of Local Identities In Singapore, Lily Kong

Research Collection School of Social Sciences

As an area of geographical inquiry, popular music has not been explored to any large extent. Where writings exist, they have been somewhat divorced from recent theoretical and methodological questions that have rejuvenated social and cultural geography. In this paper, I focus on one arena which geographers can develop in their analysis of popular music, namely, the exploration of local influences and global forces in the production of music. In so doing, I wish to explore how local resources intersect with global ones in a process of transculturation. Using the example of English songs by one particular songwriter and artiste …


Ideology, Social Commentary And Resistance In Popular Music: A Case Study Of Singapore, Phua Siew Chye, Lily Kong Jun 1996

Ideology, Social Commentary And Resistance In Popular Music: A Case Study Of Singapore, Phua Siew Chye, Lily Kong

Research Collection School of Social Sciences

Popular music as a site of struggles over meaning is focused upon, where the social and political relations between different groups in Singapore society are mirrored. How ruling elites and everyday people make use of the same cultural form--popular music--for different purposes is examined.


Popular Music And A Sense Of Place In Singapore, Lily Kong Jan 1996

Popular Music And A Sense Of Place In Singapore, Lily Kong

Research Collection School of Social Sciences

This paper illustrates how popular music written, produced, and performed by Singaporeans provides a means through which the culture and society of Singapore may be understood. Music with English language text conveys a sense of place and reflects a distinctively Singaporean spirit and identity. The paper examines four themes: the portrayal of Singapore's multiracial population which reflects a unique cultural synthesis; the Singaporeans' concept of urbanity, manifested as the simultaneous attraction and repulsion towards the city and the desire for nature and the rustic; the distinctive social engineering in Singapore; and the way in which global issues are imported into …


Making "Music At The Margins"? A Social And Cultural Analysis Of Xinyao In Singapore, Lily Kong Jan 1996

Making "Music At The Margins"? A Social And Cultural Analysis Of Xinyao In Singapore, Lily Kong

Research Collection School of Social Sciences

Formalist critics and aestheticians have argued that music does not possess any kind of "extra-musical" significance, that there is no meaning beyond the form and structural relations of the notes. For them, music exemplifies the laws of mathematical harmony and proportion rather than the social and political contexts within which it is produced, reproduced and consumed. This view has been challenged by a number of social theorists: Max Weber, Theodor Adorno and Edward Said have all argued for an understanding of music within its social, cultural, economic and political contexts. Such analysis of popular music is now unquestioned. Indeed, it …


Music And Cultural Politics: Ideology And Resistance In Singapore, Lily Kong Jan 1995

Music And Cultural Politics: Ideology And Resistance In Singapore, Lily Kong

Research Collection School of Social Sciences

This paper focuses on popular music written and produced by Singaporeans to illustrate the nature of social relationships based on ideological hegemony and resistance. Analysis is based on two groups of music: 'national' songs supported by the government in the 'Sing Singapore' programme; and songs brought together in Not the Singapore song book. Interviews with local lyricists and analysis of video productions provide supplementary information. Music is used by the ruling elite to perpetuate certain ideologies aimed at political socialization and to inculcate a civil religion that directs favour and fervour towards the nation. Music is also a form of …