Asian Studies Commons^™

Changes In Identity: How Mongolian Musicians And Performers Have Responded To Geopolitical Transition, Heather Cook

Independent Study Project (ISP) Collection

During Mongolia’s socialist period, traditional forms of Mongolian music were deliberately altered as the government, heavily influenced by the Soviet Union, attempted to modernize Mongolian culture. Throughout this period, traditional instruments were modified, the types of music that could be performed were strictly censored, and the structure of performances was set to strictly mimic those of Western orchestras. After Mongolia’s Democratic Revolution of 1990, the artistic freedom of Mongolian musicians has greatly increased, but even now, socialist cultural policies are deeply intertwined with Mongolian musical culture. Why is this the case? What is the common perception among performers about the …

Changes In The Devadasi Tradition, Danika Bebe

Global Studies Student Scholarship

Danika Bebe ’23
Majors: Global Studies and Public and Community Service
Minor: Business and Innovation
Faculty Mentor: Dr. Trina Vithayathil, Global Studies

This creative research project examines the Devadasi profession in India. It seeks to understand the lived experiences of women who are temple prostitutes in current day India and their experiences of sexual exploitation and abuse. The findings from the research are shared through a poem entitled “around the sun”. A detail description of the stanzas and poem mechanism accompanies the poem.

Focus On The Busy Intersections Of Culture And Cultural Change, Laura Elder

Journal of Global Catholicism

The dynamics of religious resurgence reveal the important ways that religious ritual and performance are meaning making spaces which are not self-contained or cut off from the rest of culture, but rather are a key locus of cultural change. A renewed emphasis on the busy intersections of meaning making – as rituals are connected, disconnected, and reconnected to other domains of social life – would improve the utility of the Catholics & Cultures website for understanding global cultural change. And a renewed emphasis on cultural change would also provide a better means for exploring reflexively by seeking to understand both …

Cultural Diplomacy With North Korean Characteristics: Pyongyang’S Exportation Of The Mass Games To The Third World, 1972–1996, Benjamin Young

Research & Publications

During the 1970s and 1980s, the communist government in Pyongyang sent Mass Games instructors to the Third World in order to improve the image of North Korea abroad and promote its version of socialist modernity. The Mass Games, a huge choreographic gymnastics event of 100,000 performers, artistically exhibited the North Korean idea of "ilsim-dangyeol (single-minded unity).” In the era of decolonization, postcolonial leaders in the emerging Third World turned to East Asia for developmental inspirations and some leaders, notably Idi Amin of Uganda, admired the North Korean model of collectivism and discipline. The Mass Games, epitomized the communalistic values of …

China's 80后 And 90后: The Next Generation Of Leaders In The World's Next Superpower, A Students-Teaching-Students Course, Patrick Slavin

Senior Honors Projects

In light of China’s recent reemergence as a global superpower, it is becoming increasingly important for westerners to understand its history and culture. For current college students, the culture of China’s youth is particularly pertinent.

In this project, a course, HPR 107: Chinese Youth Culture, was designed and taught through the Students-Teaching-Students program, which provides senior Honor’s Program students the opportunity to design and teach their own Honor’s Program course. The HPR 107 course focuses on China’s 80后 and 90后 generations, those born in the 1980s and 1990s, respectively.

This multi-faceted project includes: subject matter research, course development, pedagogy development, …

Imagining Sri Lanka, Derick Kirishan Ariyam

Master's Theses, Dissertations, Graduate Research and Major Papers Overview

Analyzes the works of three Sri Lankan expatriates, the writers, Shyam Selvadurai and Michael Ondaatje, and the artist, M.I.A., giving particular attention to Selvadurai's Funny Boy and Ondaatje's Running in the Family, Anil's Ghost, and The Cinnamon Peeler. Though all three have been charged as "inauthentic" due to their dislocated positions, uncovers the various productive and complicated ways Sri Lanka has been configured by those outside its shores.

Diabolical Frivolity Of Neoliberal Fundamentalism, Sefik Tatlic

Sefik Tatlic

Today, we cannot talk just about plain control, but we must talk about the nature of the interaction of the one who is being controlled and the one who controls, an interaction where the one that is “controlled” is asking for more control over himself/herself while expecting to be compensated by a surplus of freedom to satisfy trivial needs and wishes. Such a liberty for the fulfillment of trivial needs is being declared as freedom. But this implies as well the freedom to choose not to be engaged in any kind of socially sensible or politically articulated struggle.