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Full-Text Articles in Critical and Cultural Studies

Superhybridity And The Swallowing Of Subculture: Collisions Of Afro-Asian Cross-Cultural Production And Consumption In Post-Internet American Popular Culture, Valentia Sundell May 2019

Superhybridity And The Swallowing Of Subculture: Collisions Of Afro-Asian Cross-Cultural Production And Consumption In Post-Internet American Popular Culture, Valentia Sundell

Media and Cultural Studies Honors Projects

Responding to a recent resurgence in Afro-Asian imagery in the American consciousness, this paper examines the meaning and direction of the contemporary Afro-Asian relationship in post-Internet American popular culture. To investigate these questions, this paper constructs a brief history of the American Afro-Asian relationship through the performance of racial identity and cross-cultural production and consumption from the 1850s through the 2000s. An increase in American Afro-Asian imagery has not come from a place of abstraction, but rather stems from a lengthy and complex history of cross-cultural collisions, collaboration, and convergence along with a post-Internet that allows for the ready flow …


Converging Horror: Analyzing The Importance Of Convergence Culture On A Digital Audience Through An Examination Of The Conventions And Politics Of The Horror Genre, Kelsey M. Fox Apr 2017

Converging Horror: Analyzing The Importance Of Convergence Culture On A Digital Audience Through An Examination Of The Conventions And Politics Of The Horror Genre, Kelsey M. Fox

Media and Cultural Studies Honors Projects

This thesis draws attention to the genre of horror in new media through a close examination of various digital texts, arguing that these new texts, while built on traditional horror narratives used in cinema, are also examples of Convergence Culture, a mobile, multiplatform, participatory medium that engages professionals and amateur content creators. The thesis begins with a review of scholarly work about horror as a genre, continues with a close analysis of several digital horror texts and their online communities, and ends with the argument that these new texts are good examples of how horror has accommodated Convergence culture, morphing …