Critical and Cultural Studies Commons^™

Mixed Speak: Towards A Re-Poetics Of Race And Self, Celina Mizuki Ohga Samuelson

Media and Cultural Studies Honors Projects

This paper tells the stories of mixed-race Japanese people. I engage in a re-poetics, positing storytelling as an essential tool into complicating our understandings of race and self. I examine the relationship between language and race, exploring how subjects existing within a space of mixedness navigate identity-formation and racial belonging. Operating under a socio-constructivist lens, I begin with a brief re-telling of the history of race in Japan, re-framing mythologies of race throughout literature, legislation, and into national and colonial projects. While popular discourse alleges Japan was and is a country of racial homogeneity, I argue that this falsifies colonial …

The Prison-Televisual Complex, Allison Page, Laurie Ouellette

Communication & Theatre Arts Faculty Publications

In 2016, the A&E cable network partnered with the Clark County Jail in Jeffersonville, Indiana, to incarcerate seven volunteers as undercover prisoners for two months. This article takes the reality television franchise 60 Days In as a case study for analyzing the convergence of prison and television, and the rise of what we call the prison-televisual complex in the United States, which denotes the imbrication of the prison system with the television industry, not simply television as an ideological apparatus. 60 Days In represents an entanglement between punishment and the culture industries, whereby carceral logics flow into the business and …

#Metoo And The Politics Of Collective Healing: Emotional Connection As Contestation, Allison Page, Jacquelyn Arcy

Communication & Theatre Arts Faculty Publications

Participants in the #MeToo movement on Twitter expressed emotions like rage, pain, and solidarity in their personal accounts of sexual violence. This article explores the digital circulation of these affects and considers how the outpouring of tweets about sexual harassment and abuse contribute to a feminist politics centered on collective healing. The particular emotions expressed in the #MeToo Twitter archive subvert the logics of quantification and visibility that undergird popular feminism and the attention economy, and produce an affective excess that works toward movement founder Tarana Burke’s original project of “mass healing.” At a moment wherein popular feminism emphasizes individual …

Race In Romance: Racialized Femininity And Intimacy Between Asian Female And Non-Asian Male, Minju Kim

Media and Cultural Studies Honors Projects

The film “Racing Romance” is a study of Asian female and non-Asian male intimacy. The film is based on an understanding that intimacy, desire and love are critical parts of one’s self-identification, while these desires are inevitably influenced by the historical and social contexts of race to varying degrees. There has been a limited academic interest in the female agency of Asian women in interracial intimacy. Too often, interracial marriages and relationships are simply celebrated as part of multiculturalism or anti-racism, without getting proper attention to the subtleties of racial and gendered dynamics that influence both members of the relationship. …

Course Syllabus (Su17) Coli 331: “‘World-Traveling’: Alterity And Liminality In Spike Lee’S Do The Right Thing And Amiri Baraka’S Dutchman”, Christopher Southward

Comparative Literature Faculty Scholarship

Course Description:

This semester, we’ll view Spike Lee’s 1989 Do the Right Thing and Shirley Knight’s 1966 cinematic production of Amiri Baraka’s Dutchman through the critical lenses of Maria Lugones’ notions of ‘worlds’ and ‘world-traveling,’[1] which she develops in Pilgrimages/Peregrinajes: Theorizing Coalition against Multiple Oppressions. Our task is to analyze a number of the problematics addressed in these visual works as discernible ‘world(s)’ of meaning and experience constituted by the libidinous investments, concrete practices, and ideological convictions of the human subjects who bear and circulate them.

[1] Maria Lugones, Pilgrimages/Peregrinajes: Theorizing Coalition against Multiple Oppressions, Rowman & Littlefield Publishers, …

Through Google-Colored Glass(Es): Design, Emotion, Class, And Wearables As Commodity And Control, Safiya Umoja Noble, Sarah T. Roberts

Media Studies Publications

This chapter discusses the implications of wearable technologies like Google Glass that function as a tool for occupying, commodifying, and profiting from the bio- logical, psychological, and emotional data of its wearers and those who fall within its gaze. We argue that Google Glass privileges an imaginary of unbridled exploration and intrusion into the physical and emotional space of others. Glass’s recognizable esthetic and outward-facing camera has elicited intense emotional response, partic- ularly when “exploration” has taken place in areas of San Francisco occupied by residents who were finding themselves priced out or evicted from their homes to make way …

Strange Fruit: Race, Terror, And The War On Terror, Lisa M. Tillmann Ph.D.

Faculty Publications

This poem examines drone warfare as a form of lynching. “Strange Fruit” links the deaths of Pakistani children Zeerak and Maria Khan to the murders of Thomas Shipp and Abram Smith, documented in the most infamous lynching photograph in U.S. history.